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The Old North Shares a New EP “Ghost”

Building off the “lonesome stranger” aura of their last single “Drifter,” Boston’s smokey Americana/ traditional folk-bluegrass trio, The Old North, has released their Ghost EP. The four-song EP picks up where “Drifter” left off, containing catchy tunes about love, heartbreak, and the metaphorical dance of life, using the backbone of historical fiction as a catalyst for inspiration.
“Southbound” follows the story of a death row inmate lamenting and reliving his days as an outlaw while the melodic gypsy jazz instrumentation has room to play. As as he plays the part of an old train robber, frontman Andrew O’Keeffe’s voice is equal parts raspy ecstasy and passionate torment. The track romanticizes the Old West while light-heartedly shedding light on its many burdens. Similar in feeling is “Wild Ways,” an excitable blues-country ditty about leaving a life of lawlessness for a mysterious love. What’s genius about the song is it could once again take place during the American Frontier, or a modern cityscape.
The Old North leaves it vague enough for the listener to decide. “Starling” is about making the most out of the unfamiliar situations life has a tendency to throw at you. It’s a bouncing slow-burn with a relatable message—after a little self-reflection, any bleak situation is an opportunity to grow as a human being. The melodic piano here from guest musician, Aaron SaidiZand, is subtle but a standout moment on Ghost. The final and title track “Ghost” is just as ethereal as its name suggests, utilizing the haunting atmosphere of the fiddle, played by Eddie Dickerson, to ground you in a forlorn folk melancholy.

It’s easily the most vulnerable track on the EP, about an abrupt end to a relationship. The Ghost EP is another stepping stone for The Old North, conveying the collective maturity and confidence of a band carefully honing out their songwriting craft. The Old North also has plans to release two singles and another EP in 2022.
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Artist Spotlight

Morpheus von Dobenhausen and Buddy Joe claim their space breaking the mold on latest release “I Have To Do It My Way”

Morpheus von Dobenhausen

Morpheus von Dobenhausen’s latest single, “I Have To Do It My Way,” is both personal and purposeful. It is a strong statement of independence and artistic identity, grounded in conviction rather than in giving in. The track is a good example of staying true to your creative vision. It embodies the essence of following your own path, celebrating your uniqueness, and trusting your instincts to help you grow as an artist. Morpheus von Dobenhausen and Buddy Joe, an artist based in the UK, are working together on the project. This gives it a sense of authenticity and dedication. Their work together results in a product that is focused, certain, and truly refreshing.

The song was made by people from different countries working together online with Logic Pro 12 and structured data exchange. This shows that distance doesn’t stop people from being creative together. This modern approach to making music allows the composition to have universal energy while still maintaining a personal touch. The process shows the main idea of the song: to work alone while remaining open to important collaboration.

“I Have to Do It My Way” is a statement for people who value being true to themselves over what society expects of them. It speaks to people who value artistic freedom and self-confidence, and it serves as a powerful reminder that being original often comes from having the courage to trust yourself.

This track from Morpheus von Dobenhausen and Buddy Joe shows how much they care about creative freedom. It’s both uplifting and very relatable. It is a major step forward that has a lasting effect long after the last note fades away.

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Artist Spotlight

RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

Morpheus von Dobenhausen

XanadumusiX keeps getting better with the addition of a new artist, RoHaNa. Her first single, “WHEN A BOY LOVES A WOMAN,” has a beautiful look at emotion, exposure, and connection. At just 23, RoHaNa makes a thoughtful mix of modern pop and atmospheric gothic sounds that is both personal and cinematic. Her studies in media and graphic design help her create an interesting world around her music, and this release shows how deep her art can be.

The composition shows a level of sophistication that lets its emotional core shine through. RoHaNa doesn’t rely on overproduction, instead, it focuses on clarity and space to create an immersive atmosphere that subtly draws listeners in. Her delivery is calm but exciting, capturing the delicate intensity of love and desire. Her style has a quiet power that lasts long after the song is over.

Morpheus von Dobenhausen, a guest singer, adds another layer of texture, making the song more emotional. His contribution seems natural and never too much, and it works perfectly with RoHaNa’s voice. They create a subtle tension that reveals the emotional dynamics at the heart of the piece.

“WHEN A BOY LOVES A WOMAN” shows RoHaNa is an artist who isn’t afraid to be vulnerable while still keeping a modern, sophisticated pop style. The result is a piece that feels real, has a great atmosphere, and is easy to remember. XanadumusiX shows that it knows how to find new and interesting talent with this release. This single makes it sound like RoHaNa’s journey is just beginning and will have a big effect.

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