Music
The Recording Academy Actually Addressed Some Of The Biggest 2021 Grammy Nomination Snubs
Getty Image Recording Academy interim president/CEO Harvey Mason Jr. spoke about The Weeknd and Harry Styles missing out on major nominations. …

Every year after the Recording Academy announces its extensive list of Grammy nominations (which it did this morning), music fans take to the internet to point out the artists and works they feel should have been up for certain awards. One thing that doesn’t usually happen, though, is the Academy addressing those snubs, but interim president/CEO Harvey Mason Jr. has done so this year.
The Weeknd didn’t earn a single nomination despite having one of the year’s most successful and beloved albums in After Hours, and Harry Styles’ Fine Line and accompanying singles were also excluded from the Big Four categories (Record Of The Year, Album Of The Year, Song Of The Year, and Best New Artist). Mason was asked about that in a new Billboard interview, as the publication’s Paul Grein said, “I was shocked that The Weeknd wasn’t nominated at all, and that Harry Styles wasn’t nominated in any of the Big Four categories. Why do you think they weren’t nominated?” Mason responded:
“For The Weeknd, in every year you only have a certain amount of people you can nominate for each category. As for Harry, he has some great nominations this year [even though he wasn’t nominated in the top categories]. We are excited about some of the other categories where he was nominated. It’s never easy to tell where people are going to land.”
The interviewer then continued, “There was a day where both of these artists would have been nominated for album, record and song of the year. The Grammys have shifted in terms of what they value. Now they seem to value championing newer and less well-known artists over reinforcing things that have already been rewarded in the marketplace.” Mason “hesitantly” (as the publication put it) responded, “Yeah, it’s interesting.”
It was later pointed out to Mason that country artists weren’t well-represented in the Big Four categories, to which he responded, “There are a certain amount of nominations that we can give out. The voting body really determines where those nominations go. We take it very seriously. We review every bit of music that is submitted. From year to year, it is really hard to predict who is going to be nominated and who’s not. I personally wish we could give everybody a nomination, but there are only a certain amount of slots. There were some amazing records that did not get nominated.”
Mason was then pressed, “There doesn’t seem to be a high priority given to making sure country is represented, like there is to making sure the nominations are diverse.” He replied, “We don’t sit down and decide we have to have this person and we have to have that person; We have to have that genre; and we have to have this race. We really are trying to land on quality. In my experience, it’s not really been about trying to even the playing field for every different group and make sure that everyone’s included. It’s really about trying to highlight quality and excellence. We really hope that is a diverse group; that it represents a lot of genres. I think this year if you look at the overall nominations, we have represented more genres than we generally do in our Big Four categories. They’re very diverse across the board in gender, age, and genre.”
Read the full interview here.
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The focus on the instruments makes each sound sparkle, a thumping kick drum creates a strong rhythmic base, while infectious synths drive the track. Clean electric guitar licks slice through the electronic backdrop, giving it definition and a definite rock edge. No vocals here; the interplay of rhythm, synth, and guitar creates the energy.
ALEXATOR has created a track with a mix of electronic rock, trance, and electric guitar, all about movement and energy from start to finish. What you get is a simple instrumental experience that doesn’t need anything fancy to make its presence known. The driving kick, busy synth work, and clean guitar touches give it a clear identity for listeners who like electronic music with a strong rock influence.
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The message of “Grab Your Guitar” is not to let the challenges rule you, but to face them head on. Music is more than just something you hear. It’s a way to release your emotions and also find strength within yourself. The guitar in the song’s central metaphor symbolizes taking charge of your own story; everyone has the power to be the hero of their own story.
That sense of determination gives the song its emotional arc. “Grab Your Guitar” is about bouncing back from hard times, about not sitting around when life gets tough. MINELL ELISA. I combine music with personal empowerment. The song’s message is straightforward. It brings the idea into a pop setting and adds another layer to the song’s journey in relation to her wider creative output. Ultimately, it reminds you to take what empowers you and keep pushing forward.
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