Music
The Recording Academy Actually Addressed Some Of The Biggest 2021 Grammy Nomination Snubs
Getty Image Recording Academy interim president/CEO Harvey Mason Jr. spoke about The Weeknd and Harry Styles missing out on major nominations. …

Every year after the Recording Academy announces its extensive list of Grammy nominations (which it did this morning), music fans take to the internet to point out the artists and works they feel should have been up for certain awards. One thing that doesn’t usually happen, though, is the Academy addressing those snubs, but interim president/CEO Harvey Mason Jr. has done so this year.
The Weeknd didn’t earn a single nomination despite having one of the year’s most successful and beloved albums in After Hours, and Harry Styles’ Fine Line and accompanying singles were also excluded from the Big Four categories (Record Of The Year, Album Of The Year, Song Of The Year, and Best New Artist). Mason was asked about that in a new Billboard interview, as the publication’s Paul Grein said, “I was shocked that The Weeknd wasn’t nominated at all, and that Harry Styles wasn’t nominated in any of the Big Four categories. Why do you think they weren’t nominated?” Mason responded:
“For The Weeknd, in every year you only have a certain amount of people you can nominate for each category. As for Harry, he has some great nominations this year [even though he wasn’t nominated in the top categories]. We are excited about some of the other categories where he was nominated. It’s never easy to tell where people are going to land.”
The interviewer then continued, “There was a day where both of these artists would have been nominated for album, record and song of the year. The Grammys have shifted in terms of what they value. Now they seem to value championing newer and less well-known artists over reinforcing things that have already been rewarded in the marketplace.” Mason “hesitantly” (as the publication put it) responded, “Yeah, it’s interesting.”
It was later pointed out to Mason that country artists weren’t well-represented in the Big Four categories, to which he responded, “There are a certain amount of nominations that we can give out. The voting body really determines where those nominations go. We take it very seriously. We review every bit of music that is submitted. From year to year, it is really hard to predict who is going to be nominated and who’s not. I personally wish we could give everybody a nomination, but there are only a certain amount of slots. There were some amazing records that did not get nominated.”
Mason was then pressed, “There doesn’t seem to be a high priority given to making sure country is represented, like there is to making sure the nominations are diverse.” He replied, “We don’t sit down and decide we have to have this person and we have to have that person; We have to have that genre; and we have to have this race. We really are trying to land on quality. In my experience, it’s not really been about trying to even the playing field for every different group and make sure that everyone’s included. It’s really about trying to highlight quality and excellence. We really hope that is a diverse group; that it represents a lot of genres. I think this year if you look at the overall nominations, we have represented more genres than we generally do in our Big Four categories. They’re very diverse across the board in gender, age, and genre.”
Read the full interview here.
Album Review
R3b3l I explores self-discovery through sound on “A Different Frequency” album
In a music scene often ruled by lyrics, R3b3l I proves that you can tell a powerful story without a single lyric. “A Different Frequency” is a twelve-track instrumental hip-hop and rap-inspired album inviting you into a deeply personal journey of growth, self-discovery, and purpose, speaking its message purely through mood, rhythm, and expression.
“Dance Before the Throne” opens the album, immediately establishing the tone of reflection and reverence. From here, “Elevate” and “The Wave” continue, adding momentum and a sense of movement and change. Each piece is a chapter in a larger story, allowing you to interpret the music with your own experience.
Songs like “I AM Power,” “Level Up,” and “Awaken” seem to be a big part of the progression of the album. The energy is one of empowerment and inner evolution. “The Jazzy Hop” is a nice change of pace in style, with a smooth, groove-flavored taste that shows R3b3l I’s versatility. Meanwhile, “Carousel,” “Raindrops,” and “Heartbeat” are moments of introspection that balance uplifting themes with emotional depth and openness.
The project wraps up on an emotional high with “Ancestors,” a heartfelt tribute to the forebears and the invisible forces that still influence us on our journeys. It’s a fitting way to close out an album about connection, growth, and purpose. “A Different Frequency” is more than a collection of tracks with carefully constructed instrumentals and thoughtful sequencing, and it’s a rewarding journey for those who want immersive instrumental hip-hop with heart, imagination, and substance.
Artist Spotlight
“Signalling Signatures” finds Mr Pigeons exploring dreams, truth, and hidden meanings
While the first look at an upcoming project usually sets the expectations, Mr Pigeons does something more ambitious with “Signalling Signatures.” With this release, the hip-hop artist opens up a portal into “Shining Arras,” inviting you into a world where dreams, symbols, and hidden meanings collide.
“Signalling Signatures” is an exploration of the thin veil between reality and imagination, based on themes of altered consciousness and shifting perspectives. The song is a mix of mythology, film, and spiritual symbolism and encourages you to look beyond the ordinary and find the messages in everyday life. Mr Pigeons delivers with purpose and swagger, blending introspection with crisp storytelling. He also renders the abstract ideas of the song accessible.
The thing about “Signalling Signatures” that is so compelling is its sheer audacity to challenge you. There are no easy answers in this song, only a quest for truth, perception, and uncertainty. A good opening chapter to “Shining Arras,” and it manages to build up suspense as well as showing Mr Pigeons’ artistic vision. “Signalling Signatures” is a good introduction to what could be an interesting new creative phase for the artist.
Connect with Mr Pigeons on | Website | Spotify | X | FB | TikTok | IG |
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