Music

The Weeknd Taps Rosalía For A New Spanish-Infused ‘Blinding Lights’ Remix

The original version of ‘Blinding Lights’ came out over a year ago and it’s still near the top of the charts. …

A few days ago was the one-year anniversary of The Weeknd’s “Blinding Lights,” which amazingly hasn’t really moved that far off the peak of the charts. Even more amazingly, it didn’t rack up a single Grammy nomination despite being perhaps the year’s biggest song. Whatever the case, The Weeknd is continuing to celebrate the track, doing so today with a new remix featuring Rosalía.

The track doesn’t have any big aesthetic changes or compositional changes beyond slotting Rosalía in here and there. She adds new vocal contributions throughout the song, including an opening verse that translates to, “I tried to call / I’ve been alone a lot, actually / Maybe you teach me how to love / Maybe / I no longer consume nothing / And you won’t have to do too much / If you touch me you will light me up / Baby.”

As for Rosalía, she has had a relatively quiet year. That might be because she has resisted the pressure to force creativity during the pandemic, as she said previously, “There’s this kind of pressure to be creative or busy most of the time, with lots of activities and progress, and I’m trying to run from that. I’m trying to do things that help keep me mentally healthy, and if that includes making music, then great. But I won’t lie — there are days when I just watch a show and eat a packet of cookies.”

Artist Spotlight

Alias Wayne celebrates the beauty of genuine affection on latest release “Tribute”

Alias Wayne brings the romantic message to the fore with “Tribute,” a song written to celebrate someone whose qualities deserve recognition and appreciation. The whole release is really about love and wanting the world to know how special someone is to you. It’s a simple yet significant idea, especially since the song takes an appreciation-based approach to romance rather than focusing on the thrill of attraction.

As the track progresses, the addition of shakers and hand drum adds yet another layer of rhythmic character, giving the arrangement a lively quality. What I really like is how these elements help the song move forward without detracting from its romantic message.

The lyric direction also keeps affection at the center, expressing admiration for someone’s qualities and a desire to get closer through a personal invitation to share a dance. It gives the song a warm, accessible feel. “Tribute” is a release that celebrates someone special. Alias Wayne blends a message of love with guitar, percussion, and rhythmic movement. It’s a nice treat for fans of romantic songs with a personal touch.

Artist Spotlight

Séhkou unveils a beautiful connection between faith and intimacy on latest release “Song of Songs 1:3-4 (I Know)”

Romance meets spiritual expression in Séhkou’s new single, “Song of Songs 1:3-4 (I Know),” featuring Angélica Allen. The release provides a fresh take on attraction and intimacy. The song blends hip-hop with soul and R&B influences, celebrating a bond between two people who genuinely choose and cherish each other. Rather than the indecision of chasing after someone who keeps their distance, it’s about mutual affection, desire, and the reassurance of being wanted back.

I particularly appreciate the solemn flute that flows throughout the track. This gives the arrangement an interesting musical character and strengthens the connection between the romantic and spiritual themes. The rap rhythm is also noteworthy, bringing a different feel to the track, while keeping the lyrical focus front and center.

Allen’s spoken-scripture intro and outro provide an important framework for the record, connecting its expressions of intimacy to a sense of reverence. Song of Songs 1:3-4 (I Know) has something meaningful to offer listeners who appreciate music that goes beyond surface attraction to explore love. Séhkou blends hip-hop, soul, R&B, and spiritual expression thoughtfully.

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