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Tito Ortiz Claims COVID-19 Is A Liberal Conspiracy To Kill Old People

Since retiring from the UFC, Tito Ortiz has had some political aspirations and as it turns out, he is actually running for office. In fact, Ortiz is a huge Trump supporter and takes every single opportunity to show love to the President of the United States. This was especially true recently when he appeared on the “I Only Touch Greatness” podcast to speak on a plethora of topics.

Perhaps his most striking comments came late in the interview when he began speaking about the Coronavirus which has killed over a million people worldwide. In fact, Tito believes the virus is some sort of liberal conspiracy that aims to kill older people on social security.

“It’s all a political scam,” Ortiz said. “I just shake my head about it because there’s been a lot of people who’s lives have been taken away because of it. Once again, it’s population control by the left. They’re trying to take out all of the older people who are getting social security and so forth. It was made by a man, it’s a man-made virus and people need to understand that facts behind those things.”

This is perhaps one of the more unhinged conspiracies we have heard thus far, although, given his previous political takes, it’s not very surprising. Let’s just hope people don’t take him seriously, as that could lead to even more deaths.

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

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RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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Kieran James Honors Memory with “Part of the Grind”

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Singer-songwriter Kieran James delivers a devastating new single with “Part of the Grind,” a track to tackle the tangled emotions behind loss and memory. A love letter penned to a close friend who faced severe cognitive decline, the song’s emotional heft feels universal yet heartbreakingly personal.

Set to delicate instrumentation and achingly sung vocals, “Part of the Grind” is both a lament and an honoring, a means of remembering while addressing the unavoidable cost of time and illness. His voice floats, leaving room for silence and the long pauses that so often come with grief. But in that silence, there is warmth as well, a refusal to let memory be totally extinguished.

Resilience is also implied in the song’s title, a reminder that even in heartbreak, life goes on and holding the memory of someone stays with the rhythm of everyday living. it’s an anthem for anyone who has ever looked on witnessing decline, mixed sorrow with love.

In Kieran James’s “Part of the Grind,” we hear music as well as go behind it. He gives us room feel, to mourn, and to honor. In the process, he turns private pain into something achingly universal, a song for everyone who has either loved or lost.

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