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Travis Scott Swears Off Hamburg Forever After “Best Show Ever” Concert

Travis Scott electrified fans at Barclays Arena in Hamburg, Germany, on July 16, declaring it his “best show ever” and praising the “amazing” audience. However, despite the concert’s success, Scott vowed never to return to Hamburg due to a bizarre airport experience, calling the workers “weird.”

While the exact details of the airport incident remain unclear, reports suggest Scott’s concert was scheduled to start at 8 PM, but he only landed in Hamburg at 8:46 PM. After the show, Scott attempted to fly back to London but found the airport closed. London, a two-hour flight from Prague, the next stop on his Circus Maximus tour, seemed unreachable. Frustrations peaked as Scott’s team allegedly tried to use his superstar status to secure a flight, resulting in Scott angrily driving away and declaring he wouldn’t return to Hamburg. An Instagram user claims to have a video of the altercation but has yet to release it.

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Scott’s Hamburg woes join a growing list of American rappers facing challenges in Europe. Recently, Wiz Khalifa was arrested in Romania for cannabis possession, and Nicki Minaj faced a similar fate in the Netherlands during her Pink Friday 2 tour. In 2019, A$AP Rocky was convicted of assault in Sweden. Compared to these incidents, Scott’s dispute was relatively minor.

Despite these hiccups, Travis Scott’s year has been highly successful. The U.S. leg of his Circus Maximus Tour included 39 shows, featuring a monumental performance at SoFi Stadium, his largest crowd ever. The European leg concludes on August 4 with consecutive shows at MEO Arena in Lisbon, Portugal. The tour’s grand finale is set for September 13 at the Rock in Rio festival in Rio de Janeiro. Fans and Scott alike are hoping for smooth sailing for the rest of the tour.

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Artist Spotlight

Feyisayo Anjorin unveils the facade of deception and pretenders in the single “There’s Somebody Here”

Feyisayo Anjorin

There’s Somebody Here” by Feyisayo Anjorin exemplifies a sophisticated synthesis of Afrobeat and soul-searching lyricism, shining a glaring light on human deception. Inspired by the timeless truth embedded in Lauryn Hill’s iconic “Forgive Them Father” and rooted in the haunting narrative of betrayal and pretense, spotlighting the archetype of Judas, the track mirrors the hypocrisy prevalent within the societal fabric of Nigeria, a milieu he intimately understands, where the outward piety frequently obscures deep-seated dishonesty.

Musically, the song immediately wraps you in a rhythmic pulse reminiscent of legends like Orlando Owoh’s traditionalism, King Sunny Ade, and Majek Fashek while integrating the soulful melancholia characteristic of reggae. This production is enriched with vibrant guitar loops and subtle, hypnotic percussion. Anjorin’s vocal performance is compelling and exudes a sincerity yet magnetic allure, balancing a reflective calm with an undertone of urgency as he positions himself as both a narrative conveyer and a whistleblower.

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Lyrically, it’s a masterclass in allegory. The impactful line, “In every gathering, there is always that person who isn’t there for the common good,” resonates with piercing clarity, forcing listeners to reflect on their circles and the masks we wear. Anjorin’s insights transcend superficial critique, echoing the unvarnished truths rather than mere accusations akin to the moral wisdom traditionally imparted by an elder around a communal fire. The Judas metaphor evolves beyond its biblical connotations to foster a broader dialogue regarding distrust and the resilience inherent in navigating such complexities.

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What distinguishes “There’s Somebody Here” is its adept pairing of thematically rich content with infectious musicality. It is a cautionary tale woven into its sonic landscape, prompting introspection alongside an immersive rhythmic experience, fostering a desire for repeated listening.

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Feyisayo Anjorin’s latest single accentuates his diverse artistic capabilities, positioning him not only as a musician but also as a screenwriter, novelist, and songwriter unafraid to dissect the intricacies of societal norms. Ultimately, the composition stands as an audacious reminder there’s always somebody lurking in the shadows, urging listeners to awaken not only to new possibilities but also to the stark realities that frequently lie hidden behind the familiar facade.

 
CLICK HERE TO STREAM Feyisayo Anjorin’s There’s Somebody Here on Spotify.
CONNECT WITH Feyisayo Anjorin | Instagram | Twitter | Facebook |

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Electronic

DJ Remo Takes Us Back to the Glory Days with “Lost”

HonkMagazine

Not many events in the history of electronic music have made as much of an impact as the famous Love Parade festival that brought people together in the streets of Berlin. This vibrant energy from that unforgettable time is beautifully captured in DJ Remo’s latest track, “Lost,” which he created after experiencing that movement firsthand.

With “Lost,” DJ Remo takes us back to when underground techno music dominated the dance scene. The driving beats, mesmerizing melodies, and raw energy of the track evoke the lively spirit of Berlin’s rave culture. It has a classic techno vibe that transports listeners to the exhilarating atmosphere of a festival like Love Parade.

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This track uniquely makes people want to move; it speaks to the body and resonates with the heart of anyone who loves dance music. With “Lost,” DJ Remo has captured an essential moment in electronic music, showing that he’s not just a musician but a storyteller of memories. His music teaches us how to embrace the joy of dancing. So let’s take a step back and get lost in the rhythm.

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