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Travis Scott’s Label Owes Production Company $180K For “Wake Up” Video

Kanye West might have a point.

It’s no secret that record labels have been struggling in recent years as the industry changes and it’s even more commonly known that record labels are known to sometimes refrain from paying people for their work.

Now, Smuggler, the company that was hired by Epic Records to produce Travis Scott’s “Wake Up” music video, is filing a lawsuit against Epic claiming that the label still owes $187,255 that they are reportedly refusing to pay.

The entire cost for the video was $749,000. Epic reportedly tried to haggle the price down to $600,000 but seemingly conceded after paying the first instalment of $561,766. The label has yet to settle its bill with a second instalment and it’s saying it’s because they don’t like the video.

The label reportedly claimed that the video was missing effects that weren’t outlined in their contract and tried to get the agreement cancelled despite the fact that the video had been out for a month and that Scott’s team was unanimously happy with the results. 

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On top of that, Smuggler alleges that Epic is actively engaging in blacklisting them, “a fact the company discovered in August 2020 when directors “inexplicably pulled” out of two jobs that Smuggler was bidding for, the court documents claim.”

If you’re feeling nostalgic, you can check out the video in question below. Hopefully the production company gets what they’re owed for their good work.

[via]

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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

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“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

Morpheus von Dobenhausen

RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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