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Trump Staffer Who Gave Ice Cube A Shout Out Embraces Lil Pump

Leave it to Lil Pump to endorse Donald Trump just days before the presidential election. Not that it’s necessary surprising but Pump did agree with 50 Cent’s take on the tax hike Biden would offer. “Aye, all I gotta say is Trump 2020, bitch,” Pump said on his Instagram Story. “F*ck I look like paying extra 33% in taxes with Biden, bitch ass n***a. Fuck Sleepy Joe, n***a. Trump 2020.”

Pump later doubled down, sharing a photoshopped image of himself and Donald Trump shaking hands on his Instagram page as he faced even more criticism for his support of Donald Trump. However, he did find himself embraced by a new demographic — the Republicans. Or atleast, the Trump-supporting Republicans. Katrina Pierson, a Trump campaign staffer, shared Akademiks post of Pump’s endorsement as she threw shade at Joe Biden as if Lil Pump has released anything worth listening to in the past two years.

“I wonder if Joe Biden thinks lil Pump is a Chump?” She tweeted, adding, “#Trump2020Baby.”

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Pierson has evidently been keeping tabs on what’s been going on in hip-hop as the Trump campaign has continued to try and win over more Black voters. She later sent out another tweet of an avatar dancing to “Gucci Gang.” Perhaps because that’s the only song she knows of Pump’s, captioning the post, “When Lil Pump says he’s on the #TrumpTrain.”

Pierson was the staffer who announced Ice Cube’s involvement in developing the Platinum Plan. In a recent interview with Hot 97, Ice Cube admitted that he told Trump’s staff they wouldn’t believe that he was involved unless they confirmed it. This prompted Pierson’s tweet which Cube later described as “shady.” Cube also stated in the same interview that he’s still an undecided voter. Meanwhile, 50 Cent has officially said, “F*ck Donald Trump” as a second shot at love with Chelsea Handler. 

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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

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“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

Morpheus von Dobenhausen

RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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