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Tupac’s Brother Blasts Trump Over “Disrespectful” Shot At Kamala Harris

The stepbrother of the late Tupac Shakur has stepped forth with a response to Trump campaign’s prank on Kamala Harris at the Vice Presidential debate. Mopreme Shakur spoke to TMZ about Trump’s campaign leaving a ticket for Tupac Shakur at the Vice Presidential debate after Kamala’s viral flub. Mopreme called the move “clearly disrespectful” towards ‘Pac and their family. 

If you didn’t catch it, Kamala Harris called Tupac “the best rapper alive” in an interview before laughing off the flub. Of course, this went viral and the Trump campaign publicly confirmed that they left a ticket for Tupac at the Vice-presidential election. 

“We should know Trump’s lack of respect for the Black and brown community,” he said, adding that he wasn’t shocked by Trump’s move. As we’ve seen over the past few years, if not longer, Trump can never admit to making a mistake, rather flipping the narrative to try and paint him out to be the good guy.

Mopreme explained that he’s fully aware Trump won’t apologize to him or his family. However, he’s hoping that instead, Trump might consider releasing his stepfather, Mutulu Shakur, who was sentenced to 60 years in prison in 1988 for his involvement in a bank robbery that left three dead. Mopreme said his stepfather has reformed himself while in prison, taking responsibilities and accountability for his actions and has been a good influence on other inmates while behind bars. 

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On the topic of Kamala Harris, Mopreme said that her little mistake revealed her great taste in music. Plus, she’s from Oakland so he didn’t think it was that big of a deal. Mopreme concluded by encouraging everyone to go out and vote

[Via]

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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

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“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

Morpheus von Dobenhausen

RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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