Music
Tyler The Creator Assists Channel Tres On The Uptempo ‘Fuego’
The two genre-bending rappers reunite on Channel Tres’ new EP, ‘I Can’t Go Outside.’ …
Compton dance-hop upstart Channel Tres has released his third EP, I Can’t Go Outside, a day early after announcing its intended release date, December 11, earlier this week. The seven-track EP features guest appearances from Tinashe and Tyler The Creator, the latter appearing on the track “Fuego,” which Tres broke out as a single today as well.
Featuring a typically uptempo beat and deadpan verses from Tres and Tyler, “Fuego” serves a double purpose in addition to its lewd dancefloor come-ons. Speaking to Apple Music about the collaboration, Tres explained, “‘fuego’ was the first song I wrote when I started the project. It was just really about me questioning my art, like, ‘Yo, it ain’t that bad. Why are you scared of this shit?’… So, that’s just me questioning myself as an artist and why am I doing it and stuff like that. And then, Tyler comes in and just kind of shuts up all my doubt. He definitely blessed me with that verse, for sure.”
“Fuego” is the two artists’ second outing as a collective, after Tres remixed Tyler’s “Earfquake” into a techno bop. Tres can also be found on Disclosure’s new album, Energy.
Listen to “Fuego” above. I Can’t Go Outside is out now. Get it here.
Artist Spotlight
Mamas Gun and Brian Jackson shines light on the truth on latest release “DIG!”
Mamas Gun makes a strong comeback with their new single “DIG!.” The track sounds more like a strong statement of intent than just a release. The UK band is known for its smooth blend of blue-eyed soul and traditional black music. They show once again that they can make music that sounds both thoughtful and very new, while still being real, emotional, and sophisticated.
“DIG!” was recorded directly onto analogue tape, and every note has warmth, grit, and soul. The production choice gives the music a rich, natural sound that complements the band’s unique groove. It is a piece of music that makes people slow down, really listen, and experience it rather than hear it.
Adding famous collaborator Brian Jackson, whose vocals, keyboard, and flute give the song a timeless elegance, adds even more depth and magic. Jackson is known for working with artists such as Stevie Wonder, Gil Scott-Heron, Roy Ayers, and Earth, Wind & Fire. His addition makes the song something truly special. His reunion with Andy Platts, the lead singer of Mamas Gun, almost twenty years after they first worked together creatively in New York, gives “DIG!” a very personal touch that can be felt throughout. “DIG!” sets a strong mood based on connection, art, and essence. Mamas Gun not only goes back to their roots but also makes them stronger. This song is heartfelt, timeless, and completely captivating.
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Artist Spotlight
Bromsen crafts a suspension between attachment and release in new single “Concendrain”
Bromsen’s latest release, “Concendrain,” is very immersive and lives in the space between control and disintegration. The song smoothly shifts from focused to tired, from connected to free, and captures a complex emotional balance that is both personal and universal.
“Concendrain” starts slowly and carefully, the structure has layers that change over time, so each part can come out on its own without any stress or hurry. As time goes on, electronic textures begin to emerge, giving the music a mood that eventually turns into rock-infused energy. These different sounds don’t clash, they work together to create a track that is alive, fluid, and always changing.
The guitar, voice, and rhythm should all work together on the song. These parts don’t compete for attention; instead, they work together to make a smooth flow that pulls the listener into the song’s emotional depth. The arrangement features vocals that complement complex guitar lines and a steady beat that keeps everything in line.
“Concendrain” is really interesting because it has two sides. The track is about the fight in your head between giving up and pushing through, and between staying focused and giving in to tiredness. Bromsen and Reatsch work together to make something that looks natural and well-made. “Concendrain” doesn’t try to be cool or follow trends. Instead, it gives you a slow experience that you should really pay attention to. “Concendrain” is a powerful and thought-provoking work that sticks with you long after the last note has faded away. It stands out because its structure changes, its atmosphere is rich, and its emotions are strong.
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