Music
Verzuz Fans Questioned Gucci Mane’s Decision To Play His Bruno Mars Collaboration
After telling Jeezy to play something new, Gucci tried it… and the song fell flat. …
Wait, why would Gucci Mane play his Bruno Mars collaboration during Verzuz?
That was the question circulating after Guwop chose to play a fairly recently song he did with Kodak Black and Bruno, “Wake Up In The Sky.” The move was a flub because Gucci had just ridiculed Jeezy about living in the past and told him to play some new sh*t… but when he dropped his own “new” song, it was a complete flop and sort of undermined his point. Secondly, fans wanted to hear deep cuts and older, classic Atlanta rap record — not a sorta pop crossover. Gucci began the night playing diss tracks, so the slow tempo of “Wake Up In The Sky” didn’t do much for his aggressive momentum.
Overall, tonight’s Verzuz seemed to be a dead even match between the two longtime rivals, who have a history of intense bad blood between them. A slight misstep like Gucci opting for this extremely mid collab track angered and disappointed some fans, who were hoping he’d stay in the pocket with cult favorites and successfully win the battle. Check out some more thoughts on the move below, because as always, Twitter remains undefeated when it comes to telling artists exactly how they feel.
Gucci playing Bruno Mars.. pic.twitter.com/FOHscwVXXf
— Post (@PalmBeach_Post) November 20, 2020
#VERZUZ Gucci WE DONT WANT TO HEAR BRUNO MARS WE TRAPPING RIGHT NOW TF pic.twitter.com/SlOlhwK8ru
— Angiet.onair (@OnairAngiet) November 20, 2020
How my mood switched when Gucci played wake up in the sky pic.twitter.com/H7WYFab69g
— Gael (@Gmoneyy214) November 20, 2020
Bruno Mars somewhere right now: #Verzuz pic.twitter.com/XSAaljAQNV
— Tony Jones (@Realdealdude2) November 20, 2020
Jeezy playing boyz n da hood after Gucci played that Bruno Mars shit #VERZUZ pic.twitter.com/TN5bPqCl1a
— Aubrey & Jordan (@NoMadDadKickz) November 20, 2020
Gucci messed up playing that Bruno Mars shit man keep playing that trap shit we wanna hear crack selling music
— papi morenito (@SwagBoiTez) November 20, 2020
Gucci chose violence out the gate just to play some damn Bruno Mars and Drake pic.twitter.com/S3zpMrYj31
— Daria Morgendorffer (@_torirot_) November 20, 2020
Gucci talking that big shit then dropping the Bruno Mars. I’m rolling
— Joe Budden Fits (@JoeBuddenFit) November 20, 2020
Meanwhile, the overall winner has been declared “the fans” as the two finished the night by doing their joint song “So Icy” together. Is that a real reconciliation? Well, it’s a start. Check out the whole playlist here.
Gucci Mane is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.
Stay updated! Click the Google News follow button for more news and updates.
Follow on Google NewsArtist Spotlight
Sadie Brown delivers a heartfelt illusion of a fake life with her new single “Counterfeit”
At the heart of “Counterfeit” is a tale of love manipulated for selfish purposes, yet still feels captivating. Sadie Brown’s new single “Counterfeit” invites listeners into the deceptive lull of beautiful and bleak love, one that promises everything while lacking genuine vulnerability, ultimately delivering only heartbreak. Brown adeptly illustrates the anguish of being entangled in a romantic relationship that never fully reveals itself, leaving listeners caught between longing and the painful acknowledgment of reality. Through ethereal pop sensibilities and a bittersweet melody, Brown explores the complexity of a “counterfeit love life” alluring yet reserved, a love that’s perpetually poised to “cut its losses.” The outcome is a sonic experience that feels as vast and unreachable as a memory of love gone awry.
“Counterfeit” doesn’t just touch on the hurt that comes from unrequited love; it captures the quiet resignation accompanying it. With “Counterfeit,” Sadie Brown steps into a new creative direction in her music, mixing introspective storytelling with emotional resonance.
Written during the lockdown and produced by Cashybear (Tim Ross, formerly of Cash+David), “Counterfeit” builds a hazy, indie-pop atmosphere that feels grounded and otherworldly. The collaboration with guitarist Jimmy Sims (known for his work with George Ezra) lends a retro warmth, creating swirling riffs that complement Sadie’s soft yet piercing vocal delivery. This subtle instrumentation mirrors the song’s themes: a relationship built on false pretenses, with its sweetness fading away like mist.
Brown draws inspiration from artists like Camera Obscura, Kate Bush, and Lana Del Rey, bringing a charming and restrained sense of vulnerability. Like Joni Mitchell, Brown leans into the contradictions of love, evoking nostalgia but never retreating from the reality of unfulfilled desire. “Counterfeit” is a thought-provoking piece that establishes Sadie Brown as a voice that can authentically convey both the charm and the ache of illusion.
For more information about Sadie Brown, please visit [website].
CLICK HERE TO STREAM Sadie Brown’s “Counterfeit“ on Spotify.
CONNECT WITH Sadie Brown | Instagram |
Indie
“Is Everything Okay?” by Tom Minor drops an anthemic vibe wrapped in a gold question
The newest single by Tom Minor, entitled “Is Everything Okay?” presents a compelling fusion of introspective lyrics and vibrant soundscapes, establishing a unique intersection where self-reflection meets the assertiveness of indie rock. The song commences with an almost casual inquiry, “If you are unhappy and you do not know it, what value does it possess?” This opening lyric serves as both a reflective mirror and a cautionary prompt; it suggests that well-meaning inquiries from others may compel listeners to confront uncomfortable truths they might prefer to overlook while seeking clarity within their complex emotions.
What renders “Is Everything Okay?” particularly noteworthy is Minor’s effective amalgamation of contemplative lyricism with a multifaceted, genre-defying composition. While indie rock sound with splashes of new wave and power pop have a discernible influence, the track ventures into unexpected realms of psychedelic music. Under the meticulous production of Teaboy Palmer, the song radiates the vitality of garage rock, simultaneously incorporating subtle elements of soul and R&B. The arrangement, characterized by vibrant guitar riffs and a fluid rhythmic structure, conveys the emotional depth of the message without appearing overly burdensome. Minor skillfully employs melody to construct an engaging groove that embodies optimism and challenge.
Additionally, Tom Minor’s vocal delivery demonstrates notable sincerity, reflecting his earnest intent to engage with the audience personally while allowing them space to process their emotional responses. By the conclusion of “Is Everything Okay?“, this work emerges as a significant addition to the contemporary musical landscape. It acts as a dialogue that invites contemplation of one’s current circumstances. The composition provides a form of sonic therapy that avoids offering simplistic solutions. This piece may represent Tom Minor’s most substantial achievement to date, as it fosters a more profound understanding among his audience.
CLICK HERE TO STREAM Tom Minor’s “Is Everything Okay?“ on Spotify.
CONNECT WITH Tom Minor | Facebook |
-
Artist Spotlight23 hours ago
Sadie Brown delivers a heartfelt illusion of a fake life with her new single “Counterfeit”
-
Celebs17 hours ago
T-Pain Gets A Heroic Tribute in Tallahassee with Key to the City and His Own Street “T-Pain Avenue”
-
News2 hours ago
Kehlani Clarifies A ‘Joke Gone Awry’ of Her Child Being “wife in a past life” Amid Custody Battle