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Westside Gunn Laughs At Eminem’s Lack Of “WMTS” Promotion

Eminem’s Shady Records empire has undergone a drastic change since its heydey in the early millennium. Recall a time when 50 Cent, D12, and Obie Trice represented the label with albums like Get Rich Or Die Tryin’, D12 World, and Cheers, all of which featured a heavy presence from Slim Shady himself. Today, Em feels far less removed from the label that bears his name, despite its roster boasting the impressive lineup of Boogie, Westside Gunn, and Conway — all of whom have released projects within the past two years.

Westside Gunn Shady Records

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And while it was Westside Gunn’s Who Made The Sunshine that marked the most recent Shady Records release, Eminem’s involvement in the album was all-but-nonexistent. That’s not to say Gunn needed or even wanted a Slim feature, but he likely could have benefitted from the legendary rapper’s gargantuan reach. Especially since his temperature toward Shady Records hasn’t always been the most favorable. It’s not entirely uncommon to see him voicing his frustration with the label, especially over matters of exposure and promotion.

Over the weekend, Gunn once again found himself unable to contain his innermost feelings of annoyance. Following Eminem’s Instagram post prompting Alchemist’s brand new album The Food Villain, one of Em’s followers called the rapper out for neglecting to post about Gunn’s Shady debut. Gunn himself slid through to issue a response, albeit entirely emoji-based, that paints a vivid picture of his temperament: three crying-laughter emojis followed by three “shhhh” emojis. In other words, yep, but we don’t talk about that.

It’s unfortunate to see that Griselda’s Shady stint hasn’t always been the most harmonious, especially given how dominant the Buffalo label has been this year. Here’s hoping that things can change for the better upon the release of Conway’s Shady Records debut God Don’t Make Mistakes. In the meantime, be sure to go check out Westside Gunn’s Who Made The Sunshine right here.

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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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