Story

Westside Gunn Pens “The Realest Post He’s Ever Made”

Westside Gunn has been one of the game’s most prolific emcees, gearing up to deliver his third album of the year Who Made The Sunshine tonight at midnight. Where this one differs from the rest, however, is the fact that it marks Gunn’s first major-label project, specifically Shady Records. Featuring a stacked roster of supporting talent, including Conway, Benny The Butcher, Slick Rick, Busta Rhymes, Jadakiss, Armani Caesar, Boldy James, and more, Who Made The Sunshine’s imminent arrival went on to spark a lengthy and emotional moment of reflection from Gunn.

“THIS MIGHT BE THE REALEST POST I EVER MADE!” he prefaces, alongside a slideshow timeline of pictures. “Looking thru these pics reminiscing I drop real tears seeing how far I came E.S. Buffalo Kid wit a vision U see ChineGun & Benny right behind me while I was styling, growing up I always was fly, a innovator, I talk this ART life bc I was doing comics at 9yrs old, I talk this fashion life bc I was having ppl wear my clothes I designed at 13yrs old.”

“Its krazy bc as much as murals I have all over the world and tattoos of me on ppl all over the world came in the HATE, it’s ppl who really hate me,” he continues. “When All I did was provide a bigger lane to a sound that was dead in the mainstream eyes, just imagine if it wasn’t for FLYGOD how many ppl would be starving?”

“Everybody doing clothing lines and merch, everybody doing Vinyl, just look at ppl Art covers that’s All ME, I read Genius and they don’t even have my lyrics right that’s how advanced of wat I say is,” he writes. “so Ofcourse the avg listener won’t get it they want it simple bc they don’t understand the Fly life/ART so that’s makes me trash, NO that makes u behind, 10years from now ppl will get it they’ll understand that I’m on the Mt. Rushmore of Curators.”

“WHO MADE THE SUNSHINE is probably my first & last album on a major,” continues the post. “And I just wanna personally thank everybody who stood behind me from Day1 I did everything imaginable in the streets, prison, and now Music, look at the BET HIPHOP awards coming and were not even nominated for NOTHING but I influenced half the list. I love u All and hope u enjoy my @shadyrecords album that y’all been waiting on and Support if u love HipHop.”

Check out Gunn’s full reflection below, and look for Who Made The Sunshine to arrive in full this evening — are you curious to hear what a Westside Gunn Shady Records album sounds like?

Tweet LinkedIn PinShares0

Story

François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

Connect with François Marius on Spotify || Instagram || Facebook || Youtube || Twitter || Soundcloud

Tweet LinkedIn PinShares0

Story

RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

Connect with Morpheus von Dobenhausen on Spotify || Instagram || Facebook || Youtube || Tiktok