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Westside Gunn Says He Is No Longer Signed To Shady Records And Labels Himself A ‘Free Agent’

The Buffalo rapper called himself a free agent, a move that occurred just a month after he delivered his ‘Who Made The Sunshine’ debut. …

Westside Gunn has had an absolute monster year in 2020. The Buffalo rapper has released not one, not two, but three albums in 2020 thanks to his Pray For Paris, Flygod Is An Awesome God II, and Who Made The Sunshine drops. Despite the success he’s had this year, Gunn may enter 2021 as a “free agent” as the rapper revealed he is no longer signed to Shady Records on Saturday.

The news came during an appearance on the Joe Budden Podcast where he simply said, “I’m off Shady,” when he was asked about his label situation. He added, “I’m actually a free agent.”

The announcement came after Gunn laughed off Eminem’s poor promotion of his Who Made The Sunshine album. After a fan noticed that Eminem posted The Alchemist’s The Food Villain project — which is not a Shady release — to Instagram without doing the same for Westside’s album, the fan said, “No post of @westsidegunn album that’s in your own label? Lol wtf.” The Buffalo rapper caught wind of the comment and replied with a series of laughing and shushing emojis.

After revealing the news, the hosts on the Joe Budden Podcast asked the rapper if he felt like the label fell short of their goal for him, but he opted to stay tight-lipped on the details. “I’m not no pillow talking type of n****,” Westside said. “That’s how I move. … It’s like saying me and [Benny The Butcher] or Conway or Conway or Benny or whoever, we may have a disagreement the world will never know about it. It’s just going to be brothers and cousins. It’s the same way with business.”

You can watch the full Joe Budden Podcast episode with Westside Gunn above.

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Artist Spotlight

The trapheaux gracefully glides over in new release “Marble Floors”

Trapheauxly

Trapheauxly’s latest release, “Marble Floors,” is a smooth, seductive single that combines clean, complex rap verses with melodic R&B. The song’s production, soulful vocal harmonies, and steady rhythmic pulse create a luxurious yet emotionally grounded atmosphere. All of these elements work together to create this atmosphere.

The most impressive aspect of it is the way it shifts from a catchy melodic hook to a rapid-fire delivery of the lyrics. One moment, “Marble Floors” is silky smooth, and the next, it is razor sharp. This contrast is what gives the musical its identity.

When it comes to lyrical concerns of intimacy, devotion, and elevated aesthetics, the image of marble floors appears, time and time again, as a symbol of elegance and emotional weight. Trapheauxly is a polished package that combines style, substance, and value that cannot be denied in terms of replay value.

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NIHLNØTHING unleashes increased tides on new release “ocean” Power

NIHLNØTHING

NIHLNØTHING’s latest release, “Ocean” is a powerful, immersive single that defies classification as heavy music. The track sounds huge, punishing, and emotionally complex, as the title promises, drawing on post-metal, alternative metal, sludge, groove metal, metalcore, and deathcore.

A sense of depth makes “ocean” appealing. The song balances atmosphere and intensity like a violent current under calm waters. This track has towering sonic weight and textured melodic darkness, suggesting it can go from hypnotic tension to explosive release in a heartbeat.

Genre DNA enables NIHLNØTHING to create something expansive. It has sludge, groove, metalcore urgency, and a post-metal mood that’s probably more than aggression. NIHLNØTHING excels in contrasting crushing weight with atmosphere, chaos with control, and brutality with reflection. Balance distinguishes loud from powerful music.

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