Music
Yella Beezy’s Attorney Claps Back at $50M Assault Lawsuit Linked to Chris Brown Concert Brawl
Earlier this week, Chris Brown and Yella Beezy found themselves entangled in legal drama as four men filed a lawsuit accusing them of assault. The plaintiffs claim they were invited by Brown to enjoy his VIP experience in Fort Worth, only to be attacked by Brown’s entourage, including Yella Beezy, over an old dispute. The alleged victims are seeking a staggering $50 million in damages.
In a swift response, Yella Beezy’s attorney, Daryl K. Washington, issued a statement vehemently denying the allegations. “Based on the information that we know, the lawsuit that includes Markies Conway, or Yella Beezy, is frivolous and without merit,” Washington declared. “[Yella Beezy] was not involved in any incident, did not have any contact with the Plaintiffs, and does not understand why he is named a party in the lawsuit or the temporary restraining order that was clearly filed before all facts were obtained and verified.”
Washington further insisted that there is “no evidence to support the accusations” against his client, and vowed to “hold accountable any person” attempting to tarnish Beezy’s reputation. Meanwhile, Chris Brown has remained silent on this latest legal issue but was hit with another lawsuit recently. Frederick R. Overpeck, who claims he was working security the night of the incident, alleges he was severely injured while trying to break up the brawl, suffering cracked vertebrae and serious hip damage.
What are your thoughts on the assault accusations against Chris Brown and Yella Beezy? How do you feel about Beezy’s attorney’s staunch defense? Share your opinions in the comments section below, and stay tuned to Honk Magazine for more updates on this unfolding story.
Artist Spotlight
Lisa Boostani creates a mesmerizing tidal realm in “Ocean”
Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.
Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.
If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.
The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.
Artist Spotlight
NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”
“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.
This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.
In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.
“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.
Connect with NOAH. on Instagram
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