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Young Thad F brings the groove with “Electric Bill”

Honk Magazine

Young Thad F clicks the light back on with his new single “Electric Bill,” a song buzzing with energy, attitude, and groove. Known for toeing the line between confidence and relatability, Thad F serves a track that is simultaneously laid back and electrifying. “Electric Bill” is purely textured, rhythmic, and packed with a bounce that’s hard to resist. Young Thad F sounds confident as he rides the beat, spitting verses that seem plucked out of a day in his life. This is all raw flow, solid groove, and the sort of authenticity fans are begging for these days.

His engineer really showed out on this one, the beat was already lit, he just took it way up there. And honestly, he’s not wrong. The mix is clear and crisp, yet it still maintains a gritty quality, which helps to keep the energy grounded and real. It’s just that sweet spot where underground meets quality studio finesse. The vibe is what sets “Electric Bill” apart. Thad F raps like he is talking to you, not just rapping at you. There’s an easy charm to this, lines that dance across the beat but firmly align to Thad’s personality.

It’s not so much chasing a hit as it is trying to create a moment. Of course, you might feel differently. Thad himself even acknowledges that it’s possible that some people wouldn’t. You can feel differently, but he thinks this song is beautifully crafted. But that’s really what makes this release so refreshing. Whether a longtime fan or just tuning in, “Electric Bill” is one to play on repeat. Young Thad F is filling up the stat sheet.

Artist Spotlight

Bluridge enters the global scene with debut release “On Top Of The World”

BluRidge

BluRidge makes its mark in the pop world with its first official release, showing that it is very sure of itself. The title “On Top of the World” is music that’s carefully made to lift your spirits, get you moving, and give you the energy you need to party.

The song blends pop, dance-pop, and trap-infused rhythms, but it doesn’t stick to a single genre. “On Top of the World” has a light, free quality, taking you to a place where music becomes a driving force. This piece is meant for people to listen to, as well as sunlight, stage smoke, and the sounds of open fields.

The hook gives you the freedom to believe in elevation again, to feel triumphant, to let go of joy, and to see beyond what seems unimportant. BluRidge lifts others, and their first official release shows this energy in full. BluRidge is making anthem-like songs that make you want to move and give you a sense of power.

This single marks an essential time for BluRidge, and their first release on a label that not only hints at potential but also joyfully conveys it through rhythm, momentum, and evident joy. It sets the tone for both their destination and the height they want to reach.

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Artist Spotlight

Séhkou expresses a sacred pain through light in “Irreverent Beauty (2 Cor. 12:9)”

Séhkou

“Irreverent Beauty (2 Cor. 12:9)” breathes like a physical being in prayer, shaking, remembering, and slowly coming back to life. Séhkou’s work is a spoken psalm full of sadness, an open wound, and a testament that gets its strength from being weak, not loud.

The work has the seriousness of scripture, the softness of confessional poetry, and the gentle confusion that comes with spiritual healing. This is a softness that comes from years of breaking, fixing, breaking again, and realizing that the Divine is always there in each crack.

Séhkou talks about the paradox of divine support amid life’s scars, and he shows the pain as beautiful, even holy, and the track knows where light always tries to get in. “Irreverent Beauty (2 Cor. 12:9)” is like a map of lasting scars, showing a faith that doesn’t get rid of pain but changes it. Séhkou whispers that he is still becoming, and that is, in a way, more triumphant. In a culture that loves polished stories, this work shows the flaws and treats them as sacred.

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