Music
Young Thug Believes ‘Drake Level’ Artists Need To Step Outside Of Hip-Hop To Reach ‘The Next Level’
‘Once you’re Drake level, there’s nothing else you could do. At this point, they’re waiting on you to fall down,’ Thug said. …
Young Thug has spent the better part of the last two days in hip-hop headlines thanks to a number of comments he made during a recent appearance on the Million Dollaz Worth Of Game podcast. The latest attention-grabbing moment came when the YSL rapper discussed Drake and other high-level hip-hop artists in terms of the ceiling they have when it comes to the level of success they can reach in the music industry.
“I was talking to the youngins the other day…a Hip Hop artist you can only go so far,” Thug said. “Once you’re Drake level, there’s nothing else you could do. At this point, they’re waiting on you to fall down. It’s no next level unless you go pop or something else. So, I’m always focused on the next level.” It’s an interesting point to hear from the Atlanta rapper considering the fact that hip-hop is today’s biggest and most popular genre, but despite that, it wasn’t the only eyebrow-raising point Thug shared on the episode.
The So Much Fun rapper also declared that the only way he would participate in a Verzuz battle is if it was against Lil Wayne. “It would probably have to be like [Lil Wayne],” he said. “Because you got to think — we got to talk about influence. We got to talk about everything. We got to talk about everything. It’s not just about no rap.” He also got attacked for his comments about Jay-Z and whether or not the Brooklyn legend had 30 songs he could play for an entire stadium of fans to rap along with him.
You can watch the Million Dollaz Worth Of Game podcast episode in the video above.
Young Thug is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.
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Sadie Brown delivers a heartfelt illusion of a fake life with her new single “Counterfeit”
At the heart of “Counterfeit” is a tale of love manipulated for selfish purposes, yet still feels captivating. Sadie Brown’s new single “Counterfeit” invites listeners into the deceptive lull of beautiful and bleak love, one that promises everything while lacking genuine vulnerability, ultimately delivering only heartbreak. Brown adeptly illustrates the anguish of being entangled in a romantic relationship that never fully reveals itself, leaving listeners caught between longing and the painful acknowledgment of reality. Through ethereal pop sensibilities and a bittersweet melody, Brown explores the complexity of a “counterfeit love life” alluring yet reserved, a love that’s perpetually poised to “cut its losses.” The outcome is a sonic experience that feels as vast and unreachable as a memory of love gone awry.
“Counterfeit” doesn’t just touch on the hurt that comes from unrequited love; it captures the quiet resignation accompanying it. With “Counterfeit,” Sadie Brown steps into a new creative direction in her music, mixing introspective storytelling with emotional resonance.
Written during the lockdown and produced by Cashybear (Tim Ross, formerly of Cash+David), “Counterfeit” builds a hazy, indie-pop atmosphere that feels grounded and otherworldly. The collaboration with guitarist Jimmy Sims (known for his work with George Ezra) lends a retro warmth, creating swirling riffs that complement Sadie’s soft yet piercing vocal delivery. This subtle instrumentation mirrors the song’s themes: a relationship built on false pretenses, with its sweetness fading away like mist.
Brown draws inspiration from artists like Camera Obscura, Kate Bush, and Lana Del Rey, bringing a charming and restrained sense of vulnerability. Like Joni Mitchell, Brown leans into the contradictions of love, evoking nostalgia but never retreating from the reality of unfulfilled desire. “Counterfeit” is a thought-provoking piece that establishes Sadie Brown as a voice that can authentically convey both the charm and the ache of illusion.
For more information about Sadie Brown, please visit [website].
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Indie
“Is Everything Okay?” by Tom Minor drops an anthemic vibe wrapped in a gold question
The newest single by Tom Minor, entitled “Is Everything Okay?” presents a compelling fusion of introspective lyrics and vibrant soundscapes, establishing a unique intersection where self-reflection meets the assertiveness of indie rock. The song commences with an almost casual inquiry, “If you are unhappy and you do not know it, what value does it possess?” This opening lyric serves as both a reflective mirror and a cautionary prompt; it suggests that well-meaning inquiries from others may compel listeners to confront uncomfortable truths they might prefer to overlook while seeking clarity within their complex emotions.
What renders “Is Everything Okay?” particularly noteworthy is Minor’s effective amalgamation of contemplative lyricism with a multifaceted, genre-defying composition. While indie rock sound with splashes of new wave and power pop have a discernible influence, the track ventures into unexpected realms of psychedelic music. Under the meticulous production of Teaboy Palmer, the song radiates the vitality of garage rock, simultaneously incorporating subtle elements of soul and R&B. The arrangement, characterized by vibrant guitar riffs and a fluid rhythmic structure, conveys the emotional depth of the message without appearing overly burdensome. Minor skillfully employs melody to construct an engaging groove that embodies optimism and challenge.
Additionally, Tom Minor’s vocal delivery demonstrates notable sincerity, reflecting his earnest intent to engage with the audience personally while allowing them space to process their emotional responses. By the conclusion of “Is Everything Okay?“, this work emerges as a significant addition to the contemporary musical landscape. It acts as a dialogue that invites contemplation of one’s current circumstances. The composition provides a form of sonic therapy that avoids offering simplistic solutions. This piece may represent Tom Minor’s most substantial achievement to date, as it fosters a more profound understanding among his audience.
CLICK HERE TO STREAM Tom Minor’s “Is Everything Okay?“ on Spotify.
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