Music
Young Thug Confirms That He Paid Lil Baby To Take Rapping Seriously
Getty Image The rapper confirmed the story that Lil Baby revealed earlier this year during a recent appearance on T.I.’s ‘ExpediTIously’ podcast. …
In just a few years, Lil Baby has became one of hip-hop’s favorite artists, and the last year has been one of his most productive periods yet. In 2020 the Atlanta native has released his sophomore album, My Turn, which turned him into the first double-platinum album-selling artist of the year. His single “The Bigger Picture” also became one of the soundtracks to this past summer’s protests against police brutality. And none of it would have been possible if Young Thug didn’t push the 4PF rapper to pursue rap and take it seriously — something Lil Baby confirmed earlier this year during an interview on The Breakfast Club. Now, during a recent interview, Young Thug shared his side of it.
Young Thug speaks on paying Lil Baby to take Rap Serious pic.twitter.com/UZMfbCDeCU
— 2Cool2Blog (@2Cool2BIog) November 19, 2020
The Slime Season rapper joined T.I. and Benny The Butcher on the former’s ExpediTIously podcast and when he was asked about paying Lil Baby to take rap seriously, Thug confirmed the story. “I used to read that young n****’s captions on his pictures and call him like, ‘bruh, you know you can rap.’ He in jail like, ‘bruh, I’mma goddamn get out, I’mma goddamn get me some money, get me a bag and do what I need to do,’” he said. “Just to groom him to you really could get paid from doing it, like, no cap.”
In The Breakfast Club interview earlier this year, Lil Baby said he now appreciates everything Thug did for him. “My mind wasn’t where Thug’s mind [was] at because I hadn’t been through what I’ve been through now,” he said. “Now I appreciate everything he said and I understand everything he said. It still put something in my head, but I still couldn’t see it.”
Young Thug is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.
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Emerging from the profound loss experience, Vanda presents a compelling exploration of sonic and emotional landscapes in her latest single, “I Don’t Swim.” This dynamic anthem embodies a spirit of resilience, offering a rich and introspective blend of dance-infused alternative pop. Vanda’s distinctive vocal delivery skillfully captures the duality of grief with the buoyancy of personal growth, creating a transformative auditory experience for listeners.
Following the passing of her best friend, Vanda’s artistic direction undergoes a notable shift. “I Don’t Swim” replaces the introspective alt-pop elements characteristic of her debut album, ‘Sober In Another Life,’ with an energetic, dance-oriented sound that acknowledges underlying pain rather than concealing it. This composition serves as a paradoxical celebration: it possesses the capacity to elicit tears while simultaneously encouraging listeners to immerse themselves in its infectious rhythm on the dance floor.
The electrifying instrumentation and rhythmic beats provide a lush tapestry of shimmering synthesizers, dynamic percussive elements, and cascading melodies, resulting in a soundscape that feels uplifting and intimately personal. Vanda’s fearless lyricism remains strikingly audacious, featuring vivid imagery and profound vulnerability as she navigates the challenging terrain of grief.
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