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21 Savage & Metro Boomin’s “Savage Mode II” Not An “Official” Pen & Pixel Cover

When 21 Savage and Metro Boomin unveiled the nostalgic album cover for Savage Mode II, it was quickly reported to have been laced by Pen & Pixel. For those who don’t know, Pen & Pixel was originally founded by brothers Shawn and Aaron Brauch, who previously worked at J. Prince’s Rap-A-Lot Records. Since transitioning into graphic design, they went on to lace countless classic covers including Snoop Dogg’s Da Game Is To Be Sold, Not To Be Told,Let Em Burn by the Hot Boys, Doin Thangs by Big Bear (an arguable best, according to some), 400 Degreez by Juvenile, and many more.

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And though Pen & Pixel did work on designing the cover for Savage Mode II, the final version was different from the design they contributed. During an interview with the Breaking Atoms podcast, Shawn Brauch broke down their involvement in Savage Mode II, and how it ultimately went on to change in the final released version. 

“The cover that you see out there has elements of the original cover,” he explains. “The full cover was done and done to the specifics that were indicated, and the team came back and said ‘we want to make these major changes.’ However, the deadline was the 17th and they came back to me on the 16th. 

And I was like ‘But I got it done on the 14th because you had a major deadline for release on the 17th.’ But they were like ‘we want to make these major changes’ and I was like ‘wow, that is shocking to me after going through all of these details and I said my heart is not in that.”

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“I said I could certainly do that for you,” he continues. “I said I’ll send you a new invoice and we can move on to what your changes are going to be, and I never heard from them again. And I delivered my deliverables to them and I never heard from them again. And then the next time I see the cover come out, I’m like ‘wow, so that’s it’. I was shocked to see it come out, obviously, and I was shocked to see that there were that many changes done to the cover.”

From the sound of it, the designing process of Savage Mode II’s beloved cover was not as smooth as initially believed. For those interested in checking out the original artwork as designed by Pen & Pixel, you can do so at their official website right here. While not entirely dissimilar, it’s clear that there were a few creative differences given the changes made — not to mention the disappointment evident in Brock’s statement.  Be sure to catch the full interview with Shawn Brock on Breaking Atoms when it drops on October 20th.  Which cover do you prefer?

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Tiri The Seed Breathes New Life into Nostalgia with ‘Back In The Room’

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Tiri The Seed expertly blends vintage musical elements with contemporary production techniques in “Back In The Room.” This track pulsates with a retro vibe, yet maintains a fresh sonic identity, largely due to Tiri’s charismatic vocal delivery, which infuses the mix with an effortlessly cool energy. Thematically, “Back In The Room” explores the nuances of reconnection, encapsulating that poignant emotional experience of revisiting spaces or moments previously perceived as lost.

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Musically, Tiri’s signature vocal timbre overlays an infectious rhythmic foundation paired with lush, sweeping synths, evoking the ambiance of a late-night drive down memory lane. The lyrics are crafted to provoke introspection while the production invites physical movement, striking a harmonious balance between nostalgia and celebration. Tiri’s warm delivery creates an intimate listening experience, drawing the audience into a shared reminiscence of formative moments. The track encapsulates a dichotomy of nostalgia and optimism, making it essential for those who appreciate a classic aesthetic imbued with modern sensibilities.

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Janet Noh Takes a Deep Dive into Vulnerability with ‘One Breath’

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Janet Noh’s latest single, “One Breath,” presents a poignant exploration of emotional depth through a minimalistic sonic arrangement. The track harnesses dynamics and silence, allowing Noh’s nuanced vocal delivery to take center stage.

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The single “One Breath” engages in introspective self-examination, showcasing Noh’s adeptness at lyrical composition that balances vulnerability with strength. Her phrasing and tonal choices exhibit a masterclass in expressive restraint, allowing listeners to engage with the subtle emotional undercurrents present in the music.

The listening experience is intimate, akin to sharing a personal revelation, which enhances the profound quality of the piece. As the final notes fade, the lingering resonance of the song invites reflection, echoing themes of hope and resilience that are striking in their simplicity. Janet Noh successfully cultivates an atmosphere of comfort and contemplation, which speaks to the listener on a personal and universal level.

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