Entertainment
Odell Beckham Jr. Brings Back Blonde Hair: “Nothing You Can Tell Me”
Browns wide receiver Odell Beckham Jr. wants to bring a rejuvenated feel to his game this season. The pro-bowl star explained why he’s bringing back his blonde hair for a less humble approach, in a roundtable discussion with Cam Newton, Victor Cruz, and Todd Gurley.
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“This is how I feel,” Beckham said. “I’m tired of playing your game. Like me and Cam talk about, that humble shit, when you are inside, like, we are humble men … but they’ve taken that humbleness as a weakness and they shit on us. It’s crazy to me, because when you’re up and you’re talking, they hate it. And for me this year, I’m trying to kill. Like, that’s it.
“That’s why the blond is back. There’s nothing you can tell me.”
Beckham is coming off one of his most disappointing seasons, having been plagued with injury and finishing 6-10 with his new team, the Cleveland Browns. He rocked the blonde look throughout his time with the New York Giants.
Newton, who has practiced with Beckham in the offseason, says “I was seeing this side, that it was just like, he believing in, like, himself. And I’m like, ‘Bro, do you not know who you are, bro? You gotta roar, bro.’”
Newton also spoke about replacing NFL legend Tom Brady as the Patriots quarterback.
[Via]
Artist Spotlight
Seun Kuti & Egypt 80 makes a stand for afrobeat against corruption on latest release Na Dem feat. Tom Morello.
Seun Kuti & Egypt 80 deliver a powerful afrobeat statement with “Na Dem,” Featuring Tom Morello and produced by Femi Koleoso. The track has been a fan favourite even before its official release, and comes with the unmistakable spirit of protest, truth-telling, and social accountability that have long characterized Afrobeat’s most impactful moments.
The song’s heart is a direct challenge to corruption and the abuse of power. Instead of singling out one profession or institution for its critique, “Na Dem” identifies a larger culture of dishonesty, targeting bad lawyers, bad doctors, bad politicians, and anyone who would sell their integrity for personal gain. The message is sharp and uncompromising and delivered with the urgency that has become a hallmark of Seun Kuti’s artistry.
The inclusion of Tom Morello adds another level of intensity to the record. His presence adds to the song’s rebellious energy, creating a powerful intersection between the rhythmic activism of Afrobeat and the confrontational edge of rock. The result of the collaboration is a track that is both timeless and of the moment.
The song’s dedication to principle is what rings true. The moral center of the record is Seun’s statement that he would never prostitute his conscience for money. It turns “Na Dem” from a critique into a declaration of personal values, responsibility, and resistance.
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Artist Spotlight
Marsha Bartenetti reinvents in her own style “New York Minute”
Marsha Bartenetti’s latest release, “New York Minute,” written by Don Henley, Danny Kortchmar, and Jai Winding, offers emotional depth, turning a timeless look at life’s fragility into a reflective, cinematic journey. Stephan Oberhoff’s arrangement perfectly frames Bartenetti’s voice, and Kevin Bate’s expressive cello adds a warm resonance that makes the track feel like a movie.
The way each instrument sounds makes it feel planned, which lets the listener stay in the fleeting moments the song so beautifully describes. Bartenetti’s singing is the best part of the song. She shows an openness that feels real, as if she has lost something and still fully embraces love and presence with complete honesty. Her choice of words and small changes in tone make the lyrics feel even closer.
“New York Minute,” is a new version that pays tribute to the original while showcasing Bartenetti’s own style. The movie-like instruments and heartfelt vocals make the song feel both personal and universal. It makes us think about how hard it is to let go and hold on.
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