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Charlamagne Tha God Calls Out Kanye West Over Big Sean Contract
In his recent Twitter tirades, Kanye West has promised to revamp how the music industry inks deals with artists. He’s verbally attacked Universal Music Group and Sony Music as he called them out for the “shady” contracts that they offer creatives, but Charlamagne Tha God has accused Ye of the same practices. West declared on Twitter that he would be giving back ownership rights and masters to his G.O.O.D. Music artists and Big Sean thanked Ye. However, while chatting with his co-hosts on The Breakfast Club, Charlamagne said that Sean’s G.O.O.D. Music contract with Kanye is awful and he told West that he needs to do better by the rapper.

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“The restraint that Big Sean shows to Kanye West is remarkable,” Charlamagne Tha God said. “It lets me know that he really is a healed individual because Kanye West—I hope one day Big Sean tells his story. Just know, Kanye West owes Big Sean a whole lotta money. And he got Big Sean in a very terrible contract to be out here screaming about giving folks their masters back and all types of other things.”
“Kanye West owes Big Sean $3 million. Kanye West gets half of Sean’s profits and half of Sean’s royalties,” said Charlamagne. “And Kanye wouldn’t agree to Big Sean getting his masters back from Def Jam. Kanye needs to do right by Big Sean. It’s amazing that Big Sean has the restraint that he has. That’s the sign of a healed person. Brothas, we have to stop doing that to each other ’cause we run around out here misleading other people and really being false prophets, but you’re not even doing right by your own people. Do right by your own people, Ye.”
DJ Envy and Angela Yee were surprised at Charlamagne’s accusations, but he was adamant that Kanye has done Sean Don dirty. Charlamagne added that there was a point when Big Sean and Def Jam had negotiated a new deal so the rapper could receive ownership of his content, but Kanye allegedly put a stop to the entire thing because he wouldn’t sign off on it. Check out the “Rumor Report” below and listen to the discussion about Kanye West and Big Sean around the five-minute mark.
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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”
François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.
François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.
The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.
“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.
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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”
RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.
Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.
“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.
With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.
Connect with Morpheus von Dobenhausen on Spotify || Instagram || Facebook || Youtube || Tiktok
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