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Vice Media Disowns Co-Founder Gavin McInnes That Also Started Proud Boys

The Proud Boys have been in the news quite a bit this past week.

The far-right group was named during the first round of debates for the 2020 presidential election, in which Donald Trump hesitated to condemn similar groups and asked the Proud Boys to “stand back and stand by.”

The group was founded by one of the three founders for Vice magazine, Gavin McInnes. His ties to the company were cut in 2008 following an interview with The New York Times in which he was quoted as saying, “I love being white and I think it’s something to be very proud of. I don’t want our culture diluted. We need to close the borders now and let everyone assimilate to a Western, white, English-speaking way of life.”

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“I’m sure we’re all still trying to make some sense of what was said in last night’s U.S. Presidential debate, but I wanted to write to you to make one thing clear: Gavin McInnes has no affiliation with VICE,” Vice Media CEO Nancy Dubuc said in a leaked email to staff following Trump’s invocation of the Proud Boys. “While the legacy of his role in founding the company swirls up from time to time – I want you all to be assured that any association he had with the company ended more than a decade ago in 2008. What he did after that – including founding the Proud Boys in 2016 – had nothing to do with VICE, our values or our people.”

CNN reports that McInnes “quit [the Proud Boys] in 2018, but [filed a 2019 lawsuit against] the Southern Poverty Law Center for designating the organization a hate group”. In a statement given to CNN by McInnes, he categorically denied that the group is a racist or white supremacist group.

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In any case, McInnes seems unbothered by Dubuc’s comments.

“I created that brand and defined the content from its inception to when I left in 2008,” he told CNN. “My pithy irreverence still haunts it like Banquo’s ghost.”

[via]

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

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RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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Kieran James Honors Memory with “Part of the Grind”

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Singer-songwriter Kieran James delivers a devastating new single with “Part of the Grind,” a track to tackle the tangled emotions behind loss and memory. A love letter penned to a close friend who faced severe cognitive decline, the song’s emotional heft feels universal yet heartbreakingly personal.

Set to delicate instrumentation and achingly sung vocals, “Part of the Grind” is both a lament and an honoring, a means of remembering while addressing the unavoidable cost of time and illness. His voice floats, leaving room for silence and the long pauses that so often come with grief. But in that silence, there is warmth as well, a refusal to let memory be totally extinguished.

Resilience is also implied in the song’s title, a reminder that even in heartbreak, life goes on and holding the memory of someone stays with the rhythm of everyday living. it’s an anthem for anyone who has ever looked on witnessing decline, mixed sorrow with love.

In Kieran James’s “Part of the Grind,” we hear music as well as go behind it. He gives us room feel, to mourn, and to honor. In the process, he turns private pain into something achingly universal, a song for everyone who has either loved or lost.

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