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Joe Rogan Responds To Spotify Employees Over Censorship Rumors
TheJoe Rogan Experience, hosted by UFC commentator and stand-up comedian, Joe Rogan, is one of Spotify’s latest headline-grabbing acquisitions. Although, in this case, public interest goes beyond the sheer business move.
After Spotify announced its decision to obtain the exclusive licensing rights to the podcast, its employees expressed a desire for “direct editorial oversight” that would enable the company to patently false or problematic messaging would not be shared without context from reliable sources accompanying it.
This comes after Rogan has held such controversial guests on his show, such as far-right conspiracy theorist Alex Jones, and author of IRREVERSIBLE DAMAGE: The Transgender Craze Seducing Our Daughters, Abigail Shrier.
Despite the criticisms against him, Rogan says Spotify has said nothing directly to him on the matter. While talking to Tim Dillon in his latest episode Rogan reveals,
“Spotify has said nothing. Listen to me. Nothing. They haven’t said anything to my manager. They haven’t said anything to me. They’ve said nothing.”
He continued, defending his position on the trans community, “Now, is there someone at Spotify that’s complaining about the Abigail Shrier episode? I’m sure, I’m sure there’s someone that’s complaining about it. Is it a transphobic episode? It’s not. They’re wrong. They’re not. It’s nothing to do with that. It has to do with the fact that human beings are actually malleable. We all know that. That’s why cults exist.”
Rogan’s guest (as well as friend and political satirist), Tim Dillon, sided with the host in insinuating that the argument against him was made in bad faith.
Rogan emphasized, “But that, that is what people do when they’re trying to discredit someone and it’s, what they’re doing is they’re— they’re, they’re not being honest. It’s not an honest take. It’s not a real honest take on who a human being is. It’s a denial of nuance. It’s a denial of all the complexities that make a human being.”
He continued elsewhere to ask Spotify to turn the mirror back on themselves, citing the fact that Spotify itself is a platform hosting a plethora of music, in some of which the lyrics may be questionable.
“Look, people are so malleable, they’re so easily influenced, and for us to deny that doesn’t do anybody any good, doesn’t do anybody any service. So this is the main issue they had with that, you know. This is the, apparently, this is the main problem they had with this one particular episode [with Abigail Shrier] and I’m sure they’ve had issues with other episodes as well, but like I’ve said before: I’m talking off the top of my head, and a lot of times, I’m saying shit I don’t even mean, because I’m saying it because this is a fucking podcast. And if you have a problem with people saying terrible shit and you work for Spotify, maybe you should listen to some of the lyrics. Ok? Because some of the lyrics in some of the fuckin music you guys play over and over and over again makes my shit pale in comparison. Pale. If you’re listening to some rap music right now— I’m not anti-rap, I love rap music. I’m– I’m fucking saying, go back and listen to NWA. Go back and listen to some of the early shit. Like go back and listen to Ice-T, “Cop Killer” From the Body Count days. Whew.”
Of course, Rogan is also an a fan of hip-hop, as he was sure to follow up that statement with the caveat of such, and concluded, “[Rap] is a, a type of art, and talking shit is also a type of art. You might not like that type of art because sometimes it seems too much like a real statement, and sometimes it is a real statement and sometimes it’s just talking shit.”
Check out the full episode below.
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Pete Miller Explores Duality on “The Dazzling Kimberly”
Pete Miller’s ‘The Dazzling Kimberly’ is a profound exploration of the intricacies of human emotion and the complexity of our relationships. Through its narrative, the song delves deep into the heart of love, loss, and the paths we choose in life. The protagonist’s journey of self-reflection and contemplation, sparked by the enigmatic Kimberly, serves as a mirror to our own experiences with love and the often painful lessons that come with it.
“The Dazzling Kimberly” is a poignant song that narrates the story of two twins embroiled in conflict, who are brought together and eventually reconciled by their interactions with a mystical figure named Kimberly. This song, with its rich narrative and allusions, particularly to the biblical story of Jacob and Esau, offers a layered exploration of themes such as rivalry, redemption, and the ephemeral nature of life and relationships.
The song opens with a vivid depiction of one twin’s sense of guilt and moral ambiguity, contrasting his own cunning with his twin’s straightforward approach. This internal conflict sets the stage for the entrance of Kimberly, a figure whose very existence seems otherworldly, serving as a catalyst for change and reflection in the twins’ lives.
Kimberly, characterized by her wisdom and almost supernatural presence, challenges the narrator to reconsider his values, suggesting that victories won through cunning lack the essence of true love and fulfillment. Her influence is profound, guiding the twins towards a reconciliation that seemed impossible before her intervention.
The chorus of the song encapsulates the narrator’s deep yearning and the transformative impact Kimberly has had on his life. It questions the value of freedom and the significance of their bond, highlighting the impermanence of life through the metaphor of fading air and shifting sands.
The resolution of the twins’ conflict, prompted by Kimberly’s disappearance (or passing), symbolizes a newfound maturity and understanding. The once-contentious land becomes a symbol of their shared heritage and reconciliation, underscoring the message that love and unity are more valuable than any material possession or victory.
The allusion to Jacob and Esau provides a biblical backdrop to this tale of rivalry and reconciliation, enriching the narrative with layers of meaning and moral questioning. Just as Jacob and Esau reconcile after years of conflict, so do the twins, guided by the ethereal and loving presence of Kimberly.
The song’s melancholic yet hopeful tone captures the duality of human experience—the longing for what was and the hope for what could be. The moods and themes you’ve described, from melancholy and contemplation to love, regret, and redemption, underscore the universal struggle with fate and the desire for moral clarity and closure.
For further thematic exploration, the works of Leonard Cohen, particularly for their spiritual and existential undertones, or the poetic narratives of Bob Dylan, might resonate with the themes of “The Dazzling Kimberly.” Both artists adeptly weave complex human emotions with broader philosophical and spiritual questions, much like Pete Miller does in this song.
–Ralph Grossman
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Yung Miami Unveils Exciting “Yams” Era in a Dazzling Comeback Trail, Are You Ready for the Yams Revolution
Yung Miami Unveils Exciting “Yams” Era in a Dazzling Comeback Trail, Are You Ready for the Yams Revolution
The dynamic duo of City Girls, Yung Miami and JT, is gearing up for a remarkable transformation in 2024. While Yung Miami soared on the business front with her acclaimed podcast last year, the musical aspect faced a setback. Their album RAW didn’t quite hit the mark with sales, leaving fans and critics unimpressed. However, the tides are turning for JT and Yung Miami individually, especially with Yung Miami dropping the fire track “Sideways” over the weekend.
But that’s not all – Yung Miami is set to embrace a whole new era, and she teased it back in January with a cryptic tweet. “Welcome to the ‘Yams Era.’ I’m so excited for this era of my life; we’re about to have some FUN!!!” Fans are still decoding the meaning behind “Yams,” with some speculating it’s a play on how to pronounce Miami or exploring unique definitions on Urban Dictionary.
Regardless, Yung Miami seems to be fully embracing her roots and infusing it into everything she does. A month after hinting at this fresh approach, she dropped a tantalizing “Yams” trailer on Instagram. In the video, she discusses her comeback while showcasing glimpses of studio sessions and teasing a stylish ginger hairstyle. Yung Miami declared, “Welcome to the YAMs Era! The Yams Era is my Prime time! In the Yams, we do ginger hair…focus on ourselves…& get money! Yams is the new lingo… To my fans, The YAMS…this is the new us. Drop a 🍠 if you’re ready!”
Support poured in from fellow artists like JT, Saweetie, and more, flooding her comments with yam emojis and encouragement for this exciting new chapter.
What’s your take on Yung Miami’s “Yams Era” trailer? What could it signify – a new album, a mindset shift, or a different musical approach? Who’s poised for a bigger solo year, Yung Miami or JT, and why? Share your thoughts in the comments below, and don’t miss a beat with Honk Magazine for all the latest on Yung Miami. Stay tuned for everything buzzing in the music world! 🎶✨
