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Phylicia Rashad Suggests Bill Cosby May Be A Victim Of False Accusations

For eight years, Cliff and Clair Huxtable were every The Cosby Show fans’ surrogate parents. The doctor and lawyer couple, along with their brood of children, took viewers on adventures with their family every week, and while The Cosby Show has since been a beloved classic, it has also become controversial. The ongoing accusations against Bill Cosby have unfolded in recent years, and now the 83-year-old disgraced icon is serving three to 10 years in prison for aggravated indecent assault.

Cosby’s sitcom family has refrained from speaking about the accusations plaguing the TV dad—allegations that Bill Cosby has vehemently denied until this day. Phylicia Rashad, the legendary actress who portrayed Clair Huxtable, recently spoke with Bustle about Cosby’s controversies and was asked her thoughts on people who have shunned The Cosby Show.

“I don’t know why anybody would feel that way,” said Rashad. “I just don’t accept what somebody says because they say it, and they say it in a loud voice. The internet has given a lot of anonymous people a very loud voice. And this, too, has happened before.” She then brought up acclaimed author Zora Neale Hurston who Rashad said “died a pauper” because a “vindictive” neighbor accused Hurston of molesting her 10-year-old son. It wasn’t true as Hurston wasn’t even in the country at the time, but leaks to newspapers ruined Hurston’s reputation.

“You should go back and look at some charges that were brought up against her that didn’t make any sense,” Rashad added. “And look at what happened when the judge had thrown out the case, but it had gone through [Black magazines], through this step and the other, and her books were taken off the shelf.”

Cryptically, she continued: “And so I know what I know, and I just stay with what I know.vAnd it will happen in time, that this will come around another way, as it often does. And then people say, ‘Oh.’” This interview has caused a discussion on social media as some have expressed their disappointment in what seems to be her defense of Cosby, while others agree with her stance.

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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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