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Moneybagg Yo & Ari Fletcher Clap Back At Yung Joc With Uber Diss

Nobody is quite sure why Yung Joc, of all people, decided to try and stir the pot this morning by insinuating that Moneybagg Yo was plotting behind G Herbo’s back and trying to steal his girl. After all, as many people pointed out, Bagg and Herbo aren’t even friends. However, he said what he said and now, he has to face the consequences.

That means that Ari Fletcher and Moneybagg Yo saw what Yung Joc said, and they’re not letting him off easy.

Two of the most feisty personalities on the internet, Ari and Bagg are not the right ones to mess with. They clapped back at Joc with Ari saying the following:

“If you used to rap and now if I call a Uber X and you pull up then stay out of rich folks business,” said Ari before touching on G Herbo. “They spent more time together when Yosohn was getting dropped off at home then they did in that picture. Please mind yo business. God bless you and your bank account. Do love and hip hop got something against me? Wtf I do to y’all…”

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Bagg didn’t just let Ari handle the situation. He also came through with something to add.

“They kno who to target for attention smh don’t even be accurate,” he said.

Do you think the digs at Yung Joc were warranted? While it’s not respectful at all to joke about how Joc is earning his money, he did scoot all into their business, so maybe he deserved it.

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

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RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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Connect with Morpheus von Dobenhausen on Spotify || Instagram || Facebook || Youtube || Tiktok

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Kieran James Honors Memory with “Part of the Grind”

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Singer-songwriter Kieran James delivers a devastating new single with “Part of the Grind,” a track to tackle the tangled emotions behind loss and memory. A love letter penned to a close friend who faced severe cognitive decline, the song’s emotional heft feels universal yet heartbreakingly personal.

Set to delicate instrumentation and achingly sung vocals, “Part of the Grind” is both a lament and an honoring, a means of remembering while addressing the unavoidable cost of time and illness. His voice floats, leaving room for silence and the long pauses that so often come with grief. But in that silence, there is warmth as well, a refusal to let memory be totally extinguished.

Resilience is also implied in the song’s title, a reminder that even in heartbreak, life goes on and holding the memory of someone stays with the rhythm of everyday living. it’s an anthem for anyone who has ever looked on witnessing decline, mixed sorrow with love.

In Kieran James’s “Part of the Grind,” we hear music as well as go behind it. He gives us room feel, to mourn, and to honor. In the process, he turns private pain into something achingly universal, a song for everyone who has either loved or lost.

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