Music
Offset Responds To Snoop Dogg’s ‘WAP’ Comments And Tells Men To ‘Stay Out Of Women Business’
“As rappers, we talk about the same sh*t,’ he said in an interview with TMZ. “It’s a lot of woman empowerment. Don’t shoot it down.” …
Snoop Dogg recently sparked a bit of controversy after he shared his sentiments on Cardi B and Megan Thee Stallion’s “WAP.” In an interview with Central Ave, the Long Beach rapper said that No. 1 song caused some concern for him on how young women would express themselves after hearing it.
“I just don’t want it that fashionable to where young girls express themselves like that without even knowing that that is a jewel that they hold onto until the right person comes around,” he said. Hours after the interview was released, TMZ caught up with Offset and asked him about his opinion on Snoop’s comments regarding his wife’s song.
“I love Snoop, man. [Cardi B is] grown,” Offset said. “I don’t get in females business, so Ima just stay at that. I hate when men do that. I don’t do that. I don’t care if a girl woulda said something bad about me. I just don’t get in females’ business.” The Migos rapper also pointed out that men often rap about the same content that is present on “WAP.” “As [male] rappers, we talk about the same sh*t,” he said. “It’s a lot of woman empowerment. Don’t shoot it down. We never had this many female artists running this shit. They catching up to us, passing us and setting records. That’s two women on one record that’s a very successful record.”
Before concluding his statement, Offset made sure to clarify that he did not have any bad feelings towards Snoop for what he said.
“I really f*ck with Snoop, like, on a personal level. So, I could personally call him and be like, ‘Snoop, come on now.’ I don’t wanna seem like I’m dissing at Snoop, that’s my boy. But, at the same time, all men should stay out of women business,” Offset said. “That’s women business. You ain’t gon’ have no win. Your comments probably looking crazy from just saying stuff like that. Stay outta women business. Women are strong now. We should uplift our women. Don’t say what they can and can’t do.”
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Artist Spotlight
Mamas Gun and Brian Jackson shines light on the truth on latest release “DIG!”
Mamas Gun makes a strong comeback with their new single “DIG!.” The track sounds more like a strong statement of intent than just a release. The UK band is known for its smooth blend of blue-eyed soul and traditional black music. They show once again that they can make music that sounds both thoughtful and very new, while still being real, emotional, and sophisticated.
“DIG!” was recorded directly onto analogue tape, and every note has warmth, grit, and soul. The production choice gives the music a rich, natural sound that complements the band’s unique groove. It is a piece of music that makes people slow down, really listen, and experience it rather than hear it.
Adding famous collaborator Brian Jackson, whose vocals, keyboard, and flute give the song a timeless elegance, adds even more depth and magic. Jackson is known for working with artists such as Stevie Wonder, Gil Scott-Heron, Roy Ayers, and Earth, Wind & Fire. His addition makes the song something truly special. His reunion with Andy Platts, the lead singer of Mamas Gun, almost twenty years after they first worked together creatively in New York, gives “DIG!” a very personal touch that can be felt throughout. “DIG!” sets a strong mood based on connection, art, and essence. Mamas Gun not only goes back to their roots but also makes them stronger. This song is heartfelt, timeless, and completely captivating.
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Artist Spotlight
Bromsen crafts a suspension between attachment and release in new single “Concendrain”
Bromsen’s latest release, “Concendrain,” is very immersive and lives in the space between control and disintegration. The song smoothly shifts from focused to tired, from connected to free, and captures a complex emotional balance that is both personal and universal.
“Concendrain” starts slowly and carefully, the structure has layers that change over time, so each part can come out on its own without any stress or hurry. As time goes on, electronic textures begin to emerge, giving the music a mood that eventually turns into rock-infused energy. These different sounds don’t clash, they work together to create a track that is alive, fluid, and always changing.
The guitar, voice, and rhythm should all work together on the song. These parts don’t compete for attention; instead, they work together to make a smooth flow that pulls the listener into the song’s emotional depth. The arrangement features vocals that complement complex guitar lines and a steady beat that keeps everything in line.
“Concendrain” is really interesting because it has two sides. The track is about the fight in your head between giving up and pushing through, and between staying focused and giving in to tiredness. Bromsen and Reatsch work together to make something that looks natural and well-made. “Concendrain” doesn’t try to be cool or follow trends. Instead, it gives you a slow experience that you should really pay attention to. “Concendrain” is a powerful and thought-provoking work that sticks with you long after the last note has faded away. It stands out because its structure changes, its atmosphere is rich, and its emotions are strong.
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