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Bruce Springsteen And The E Street Band Bring ‘Ghosts’ And ‘I’ll See You In My Dreams’ To ‘SNL’

The legendary singer and the band came together on late-night TV for their first performance in almost four years. …

For the first time in six years, Bruce Springsteen and the E Street Band reunited for this year’s Letter To You. The project debuted at No. 2 on the Billboard albums charts making it Springsteen’s sixth consecutive decade with a top-five album, a feat that only he has been able to accomplish. Making sure that their reunion is a full experience that fans can enjoy, Springsteen and the E Street Band took their talents to Saturday Night Live to perform together for the first time in nearly four years.

Just like many artists have done during their SNL appearances this season, Springsteen and the band performed a pair of songs for the limited audience, starting with “Ghosts” before concluding the night with “I’ll See You In My Dreams.” The exhilarating performances saw The Boss and company fully rocked-out on stage. Unfortunately for their set, the entire E Street Band was not there due to coronavirus restrictions. Earlier this week, Springsteen revealed that founding bassist Garry Tallent and violinist Soozie Tyrell would not appear at the SNL performance because of “restrictions and concerns.” Tallent was replaced by Jack Daley of the Disciples of Soul for their set.

Springsteen’s SNL set comes after he recently explained why he’s never recorded a Christmas album. “The thing is, you only want to do it around Christmas time, but you don’t want to do it then either, because it’s around Christmas time and you don’t feel like working,” he said on a recent The Tonight Show appearance. “Then Christmas time goes away and you gotta do it in the summertime when you just don’t feel like it. So, we haven’t gotten around to it. Maybe one of these days.”

You can watch the SNL performances in the videos above.

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Artist Spotlight

“Subterranean Homesick Blues” finds a new direction through Ghost of Panama

Ghost of Panama

Rearranging a song that carries six decades of cultural weight is a creative challenge, but Ghost of Panama approaches “Subterranean Homesick Blues” with clear purpose. The rock band radically reworks Bob Dylan’s counter-culture hit, reshaping its identity while keeping its rebellious spirit. It’s a tribute to musical heritage and a statement of artistic independence all in one.

This new interpretation is very much shaped by the production, made at Ghost of Panama’s home studio in West London. The setting allows an intimate approach to reinterpreting a familiar song and lets the group engage directly with the material, taking it in a new artistic direction.

“Subterranean Homesick Blues” centers on the tension between conservation and transformation. Ghost of Panama is true to the song’s rebellious spirit without adding to its legacy, and this approach gives the release an adventurous feel, grounded in countercultural energy but driven by a desire to see what the composition can become in a different musical context.

Their version of this 60-year-old classic shows that respecting a song’s history can also mean breaking the rules and finding new ways to express its spirit. Fundamentally, “Subterranean Homesick Blues” presents Ghost of Panama as artists who want to engage with the past without being tied to it. The release’s strongest identity is a familiar heritage reimagined through a singularly forward-looking creative vision.

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Artist Spotlight

“NO MORE” by Amanda Holley connects healing, awakening, and survival

Amanda Holley

“NO MORE carries that kind of emotional weight, and some songs feel like they come from lived experience but reach for something bigger. Amanda Holley blends R&B and soul, turning a lifetime of survival into a vision of healing, awakening, and the determination to move beyond what caused the pain.

“NO MORE is a healing anthem for people who have gone through bad experiences and reached a place of higher awareness, but it’s also an emotionally charged protest. The duality is introspective and outward-looking at the same time, turning personal survival into a broader declaration that some experiences, conditions, or cycles should end.

Holley had a premonition of the song six months before the world went into global shutdown. In the vocal booth, working out melodies with her collaborators, she pictured people in the streets. Those images were hard to imagine at the time, but subsequent events would make them painfully familiar.

“NO MORE is given a particularly contemplative underpinning by the context. The identity of R&B and soul leaves room for emotion. The song’s themes link survival, awakening, resistance, and the need for change. Amanda Holley is an artist using music to process personal endurance and a broader sense of social awakening. It’s got a complicated significance, and its release feels like a glimpse of a moment when personal intuition and public reality collided in an unexpected way.

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Photo Credit: Yulia Shusharina

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