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Drake Sued For $250K Over Alleged Nightclub Assault
Back in 2018, a man by the name of Bennett Sipes accused the likes of Drake, Odell Beckham Jr, and Younes Bendjima of having him beat up by security guards outside of the Lady Delilah Nightclub in Los Angeles. As the story goes, Sipes was trying to enter the men’s VIP lounge at the nightclub, where he was then rejected. By his account, Drake and OBJ were the aggressors as they told their security to deal with him. Drake and OBJ even watched the alleged beating took place, according to Sipes. A video of the alleged incident can be found below, courtesy of TMZ.
Drake, OBJ, and Bendjima were reportedly quick to deny any wrongdoing, alleging that Sipes was actually the instigator and that he tried to follow them out of the club. Regardless of these testimonies, Sipes is now officially suing all three men, including the nightclub, for upwards of $250K. In the lawsuit’s documents, Sipes says he wants damages from the men as he allegedly suffered “traumatic brain injury, as well as injuries to his back, neck, shoulders, etc.” He also says this money will be to atone for “past and future pain and suffering, medical bills, lost future earnings, past and future emotional distress, and punitive damages.”
Ronald Martinez/Getty Images
None of the parties implicated in the lawsuit have replied to Sipes’ recent court motion, so keep it locked to HNHH for any updates as we will be sure to bring them to you.
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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”
François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.
François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.
The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.
“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.
Connect with François Marius on Spotify || Instagram || Facebook || Youtube || Twitter || Soundcloud
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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”
RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.
Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.
“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.
With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.
Connect with Morpheus von Dobenhausen on Spotify || Instagram || Facebook || Youtube || Tiktok
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