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Chance The Rapper Brushes Off Fans’ Lukewarm Reception Of ‘The Big Day’

Chance shuts down haters by reminding them that he’s ‘really really good at rapping.’ …

It’s no secret that Chance The Rapper’s debut album The Big Day landed with more of a thud than a bang, despite actually being pretty good (I will die on this hill). Fans expecting the looser, more straightforward feel of projects like 10 Day, Acid Rap, and Coloring Book were disappointed by the seemingly jumbled collection of music on the album, with their glossy production and lofty ambitions (I will allow that it was too long and could have been sequenced better). It’s led to more overt criticism of his recent output, prompting him to complain that it felt like fans wanted him to be miserable due to their jokes about him getting back on drugs.

However, he also has a truly compelling argument to those fans, which he shared during an interview with Ebro In The Morning to talk about his recently reissued Christmas album. When the host asked him about all the hate — “throwing rocks at the throne,” as he put it — Chance explained that he has a different metric for success. “I’m just really, really good at rapping,” he declared. “So, regardless of what happens, I’ma always have that to fall back on — and if that doesn’t work, I can perform my old raps. If that don’t work, I can direct someone else’s raps. There’s nobody that can rap like me. That’s a cool thing to have.”

That’s actually a pretty smart way to look at things — at the very least, it keeps him from overly focusing on fans’ jokes about his content. Even if he raps about being a family man, which is probably something many of his young fans can’t relate to, he does so really well, so as long as he is meeting his own standards, he technically can’t fail in the opinion of the only person whose opinion matters — his own.

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However, the fallout from The Big Day has affected him in other ways. His former manager Pat Corcoran recently filed a lawsuit for $3 million in back pay, citing breach of contract and claiming that Chance let his family talk him into making bad business moves that exacerbated the negative feedback from the album. Chance’s lawyers shot down the accusation, but without Pat The Manager’s help, he may find it’s harder to repeat his prior successes. Maybe collaborating with Dionne Warwick will give him some insight to extending his longevity.

Watch Chance’s full interview with Ebro above.

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Artist Spotlight

E.G. Phillips unveils where silence speaks the loudest on new release “Empathy for the Night Fly”

E.G. Phillips

The mood of E.G. PHILLIPS’s “Empathy for the Night Fly” is instantly cinematic, dark, introspective, and frozen in time. The track sounds like a scene from a late-night club where everything slows down just enough for feelings to come out. The arrangement is jazz-like in that it lets each part breathe. The arpeggiating Rhodes piano comes and goes, giving the impression that the music is thinking, as if it’s moving.

The song is really about recognition, which is when you hear something in someone else’s voice that reminds you of your own experience. It’s subtle, almost fragile, but it has a big effect on people. That emotional connection is what holds the piece together.

That choice seems deliberate, even defiant. It asks the listener to pay attention differently, not just passively. Every break is a part of the story. E.G. Phillips doesn’t just make the mood; he keeps it going. In that space, “Empathy for the Night Fly” becomes a quiet, powerful look at memory, connection, and shared feelings.

Connect with E.G. Phillips on Spotify || Instagram || Facebook || Youtube

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Artist Spotlight

Samantha Davis turns heartbreak into power for the last time with new release “The Last Time”

Samantha Davis

Samantha Davis turned her emotional exhaustion and personal strength into “The Last Time,” a relatable song about breaking a toxic cycle. Frustration, heartbreak, and hard-won clarity fuel the single, which captures that difficult but empowering moment when kindness isn’t seen as weakness.

“The Last Time” is about regaining emotional control. The song’s painfully honest message is that love and patience can only go so far in unhealthy situations. Samantha Davis conveys that emotional weight so honestly that it feels genuine.

The line, “You took my kindness for weakness,” sets the emotional tone of the record. It’s raw, vulnerable, and powerful. After too many chances, the song becomes a final conversation. Not only is there sadness, but also resolve. The song beautifully supports that emotional journey. It’s intense enough to convey heartbreak but also allow for reflection and release.

Connect with Samantha Davis on Spotify

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