Music
Matthew Pinder Teases Upcoming Project with New Single “Cascade”
Bahamian indie-folk artist Matthew Pinder released his first post-pandemic single – “Cascade” – on September 17th. The first tease of a new collection of music from Pinder, “Cascade” sets the tone for what’s to come with its relaxed soundscape and raw emotional lyrics that whisper a sense of intimacy to the listener. The new song is no exception to Pinder’s introspective artistry as it represents a fresh start for the artist after a voluntary break from music at the end of 2019. Collaborating remotely through the pandemic with Mitch Webb and Sara Davis Regan (who both helped him produce the track), alongside musicians Jake Hildebrand (electric guitar), and Dylan Wissing (drums), Pinder admits that “Cascade” is “ one of my favorite songs that I’ve written yet”. As Pinder slowly gets back into creating songs, “Cascade” is a promising look at what’s to come.
Matthew Pinder is a Bahamian singer-songwriter who has established a quintessential sound within the indie-folk space over the last few years. Pinder often sings from his own experiences allowing his music to leave an “indelible mark on indie-folk music” (B-Sides & Badlands). First gaining recognition for his viral hit single “Golden Hour” – still one of his most popular releases today with over 2 million streams – he soon followed with the release of the full-length album, Give Me Some Time which was hailed as “Pinder’s magnum opus: a debut so rich and extravagantly heart-rending and deeply-crushing” (B-Sides & Badlands). Soon after, Pinder took a break from music to focus on his mental health until he was ready to begin on his next project, set to release later this fall. Working with local studio engineer/producer Sherwood Rahming and past collaborators Mitch Webb and Sara Davis Regan, Pinder is eager to make music “fun” again by making it with people and friends along the way. Nonetheless, fans can still expect his modern flair with the influences of classic singer-songwriters and present-day artists, all melded into a sound completely his own.
Artist Spotlight
“Hell has frozen over” finds Sarina choosing peace over being understood
Sarina’s new track, “Hell has frozen over,” explores the less dramatic, more complicated moment of reaching the end of the road, being gaslit, ignored, rejected, and painfully lonely. It translates the emotional burnout into a rock-pop context that’s easy to understand.
“Hell has frozen over” focuses on the decision to step away, instead of explaining, defending, or seeking understanding from people who refuse to listen. The rock foundation gives it the right weight, the pop influence makes it accessible, and the focus stays on the emotional message.
Sarina’s art is the struggle of loss and being strong in yourself. It’s about understanding that protecting your peace is more important than being understood. And that’s the emotional balance that gives the release its character so that the subject matter has relevance beyond a particular circumstance.
“Hell has frozen over“ is a relief from the burden of carrying on a debate that will never be resolved. Sarina turns an experience of isolation into a statement about boundaries, resilience, and the choice not to get caught in the same cycle. The result is a record that’s at its best when it’s being true to what it feels like to finally be free from whatever has been holding you down.
Photo Credit: Andrea Hunter
Artist Spotlight
Girlhood finds summer warmth and quiet freedom on “Lemon Aid”
“Lemon Aid“ is a warm indie-pop ballad from Girlhood that finds comfort in the ordinary and weaves in a sense of release. This song is about surrendering to the moment, finding space to breathe, and letting a little lightness back in. This reflective core is surprising, given the warm summer-night feel of the track, hinting at a moment of emotional rebalancing.
Singer-songwriter Natalie Holmes has a tender personality and fronts the slow-burning “Lemon Aid.” The production supports that softness, keeping the song’s gentle mood and intimate direction front and center. Beneath the comfort is a thoughtful examination of pressure, transition, and the need to pause.
The song’s link to the streets of Stroud offers yet another layer of art to the work. Familiar places can mean something when life feels uncertain, and the emotional scene involves storefronts, parks, cafes, and leafy, winding streets. “Lemon Aid“ searches for beauty in everyday places and rituals, finding still moments that mean something without getting carried away.
The track is the first release of Girlhood’s forthcoming album, “This Will Make Sense In The End,” a more reflective chapter with hope at its heart. “Lemon Aid” is about softness, conjuring a space where dancing, wandering, and just existing can feel like a cure. It’s an unleashing of small observations and soft emotional movement and a clear indication of the thoughtful direction that Girlhood is heading next.
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