Music
Matthew Pinder Teases Upcoming Project with New Single “Cascade”
Bahamian indie-folk artist Matthew Pinder released his first post-pandemic single – “Cascade” – on September 17th. The first tease of a new collection of music from Pinder, “Cascade” sets the tone for what’s to come with its relaxed soundscape and raw emotional lyrics that whisper a sense of intimacy to the listener. The new song is no exception to Pinder’s introspective artistry as it represents a fresh start for the artist after a voluntary break from music at the end of 2019. Collaborating remotely through the pandemic with Mitch Webb and Sara Davis Regan (who both helped him produce the track), alongside musicians Jake Hildebrand (electric guitar), and Dylan Wissing (drums), Pinder admits that “Cascade” is “ one of my favorite songs that I’ve written yet”. As Pinder slowly gets back into creating songs, “Cascade” is a promising look at what’s to come.
Matthew Pinder is a Bahamian singer-songwriter who has established a quintessential sound within the indie-folk space over the last few years. Pinder often sings from his own experiences allowing his music to leave an “indelible mark on indie-folk music” (B-Sides & Badlands). First gaining recognition for his viral hit single “Golden Hour” – still one of his most popular releases today with over 2 million streams – he soon followed with the release of the full-length album, Give Me Some Time which was hailed as “Pinder’s magnum opus: a debut so rich and extravagantly heart-rending and deeply-crushing” (B-Sides & Badlands). Soon after, Pinder took a break from music to focus on his mental health until he was ready to begin on his next project, set to release later this fall. Working with local studio engineer/producer Sherwood Rahming and past collaborators Mitch Webb and Sara Davis Regan, Pinder is eager to make music “fun” again by making it with people and friends along the way. Nonetheless, fans can still expect his modern flair with the influences of classic singer-songwriters and present-day artists, all melded into a sound completely his own.
Artist Spotlight
Alias Wayne celebrates the beauty of genuine affection on latest release “Tribute”
Alias Wayne brings the romantic message to the fore with “Tribute,” a song written to celebrate someone whose qualities deserve recognition and appreciation. The whole release is really about love and wanting the world to know how special someone is to you. It’s a simple yet significant idea, especially since the song takes an appreciation-based approach to romance rather than focusing on the thrill of attraction.
As the track progresses, the addition of shakers and hand drum adds yet another layer of rhythmic character, giving the arrangement a lively quality. What I really like is how these elements help the song move forward without detracting from its romantic message.
The lyric direction also keeps affection at the center, expressing admiration for someone’s qualities and a desire to get closer through a personal invitation to share a dance. It gives the song a warm, accessible feel. “Tribute” is a release that celebrates someone special. Alias Wayne blends a message of love with guitar, percussion, and rhythmic movement. It’s a nice treat for fans of romantic songs with a personal touch.
Connect with Alias Wayne on Spotify || Instagram || Facebook
Artist Spotlight
Séhkou unveils a beautiful connection between faith and intimacy on latest release “Song of Songs 1:3-4 (I Know)”
Romance meets spiritual expression in Séhkou’s new single, “Song of Songs 1:3-4 (I Know),” featuring Angélica Allen. The release provides a fresh take on attraction and intimacy. The song blends hip-hop with soul and R&B influences, celebrating a bond between two people who genuinely choose and cherish each other. Rather than the indecision of chasing after someone who keeps their distance, it’s about mutual affection, desire, and the reassurance of being wanted back.
I particularly appreciate the solemn flute that flows throughout the track. This gives the arrangement an interesting musical character and strengthens the connection between the romantic and spiritual themes. The rap rhythm is also noteworthy, bringing a different feel to the track, while keeping the lyrical focus front and center.
Allen’s spoken-scripture intro and outro provide an important framework for the record, connecting its expressions of intimacy to a sense of reverence. Song of Songs 1:3-4 (I Know) has something meaningful to offer listeners who appreciate music that goes beyond surface attraction to explore love. Séhkou blends hip-hop, soul, R&B, and spiritual expression thoughtfully.
-
Album Review7 days agoLegends of the Seven Golden Vampires explore healing and personal growth on “The Pumphouse of Broken Dreams” [album]
-
Artist Spotlight7 days agoRicky’s Rebel Rabble honor family and remembrance through “Molly”
-
Artist Spotlight7 days agofor KING & COUNTRY celebrate faith and everyday joy on “the most beautiful colours”
-
Album Review7 days agoBrynja Rán finds clarity in complicated relationships on “Unblurred” [album]
-
Artist Spotlight4 days agoStephanie Porter unveils the admiration and happiness with latest release “He Thinks That I’m Wonderful”
-
Artist Spotlight4 days agoStephani Ezatoff honors Elvis Presley’s legacy on powerful new single “Run On”
-
Artist Spotlight4 days agoAlwyn Morrison explores betrayal, judgment, and survival on new EP “Trial”
-
Artist Spotlight5 days agoBoy Sim explores heartbreak and self-deception on “Cloud Nine”