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6ix9ine Sued Over Underage Sex Act Video
As it should, this situation keeps coming back to haunt Tekashi 6ix9ine.
When he first starting breaking out as a superstar rapper, 6ix9ine kept being reminded of a video he posted back in 2015, showing him and a friend using an underage girl in a sexual performance. Despite him pleading guilty and explaining his side of the story, he is now being sued by a woman who claims she was the girl being used in the video.

Shareif Ziyadat/WireImage/Getty Images
As reported by TMZ, a woman is suing the rapper with regards to the video, which allegedly shows her being used in a sexual performance by 6ix9ine and another adult, identified as Tay Milly, while underage.
The woman is going by Jane Doe, and she’s claiming that she was thirteen at the time of the video. She says that, in addition to being underage, she was also under the influence of drugs and alcohol and was unable to give consent.
Legal documents state that Doe was featured in three videos that 6ix9ine posted. The first shows her giving Tay Milly oral sex with 6ix9ine behind her, thrusting against her behind. 6ix9ine was clothed and did not engage in penetrative or oral sex with the girl. The second clip allegedly shows her sitting on the rapper’s lap, wearing nothing but a bra and underwear. In the third video, she allegedly lays naked across both men while Milly gropes her.
Jane Doe is suing both men for child sexual assault, child sexual abuse, and emotional distress.

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In a recent interview with the New York Times, 6ix9ine spoke about the incident.
“Going back to the 13-year-old girl — I was 18 at the time. Am I this 40-year-old Jeffrey Epstein-type?” he asked. “I admit to all my wrongs, right? I pleaded guilty to [using] a child in a sexual performance, and then I took responsibility for that. The thing with the 13-year-old girl, I was at the wrong place at the wrong time. The justice system makes you feel so guilty for something and they beat it into your head. ‘You’re not taking responsibility for it!’ And the whole time, you’re telling the honest truth. Listen, I went to this place, and these guys brought this underage girl. I’m filming it, uploading it for the masses to see. If you committed a murder, would you upload that to Instagram? I uploaded it to social media for the world to see! You’re thinking there’s no crime being committed. When the cops came to get me, I said, what happened? I turned myself in.”
We’ll keep you posted on any developments.
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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”
François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.
François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.
The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.
“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.
Connect with François Marius on Spotify || Instagram || Facebook || Youtube || Twitter || Soundcloud
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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”
RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.
Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.
“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.
With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.
Connect with Morpheus von Dobenhausen on Spotify || Instagram || Facebook || Youtube || Tiktok
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