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Lil Uzi Vert Nods Nicki Minaj Lyrics To Shade Safaree On New Track

We may just receive yet another project from Lil Uzi Vert this year—at least that’s what the rapper has suggested on his Instagram Story. On March 6, Uzi dropped his highly anticipated studio album Eternal Atake and he didn’t hesitate in delivering Lil Uzi Vert vs. the World 2. On Wednesday (October 28), Uzi shared on his Instagram Story, “I guess I gotta drop,” leaving some to believe there is a project on he horizon, while others are expecting a surprise come early morning hours on Friday (October 30).

Uzi also shared a snippet of a track on his Story as well, and it seemed as if he was using Safaree Samuels’s name not only for rhyming purposes but to throw a bit of shade. “A real bad Barbie / Pushing a pink Ferrari,” Uzi raps in the clip, seemingly referencing Safaree’s ex, Nicki Minaj. “Took that girl to Africa / Got left like Safaree / Yes I got the best b*tch in America / Just ask Erica,” which left fans to believe he was giving a nod to Safaree’s wife and Love & Hip Hop New York co-star, Erica Mena.

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If the lyrics seem a tad familiar, it’s because they’re similar to Nicki Minaj’s track “Getting Paid,” a song that’s over a decade old. On her track, Nicki spits, “It’s going down, down Barbie, pushing a pink Ferrari / I race through Africa just to see the safari / I am the baddest b*tch in America / Slicker than a Jheri curl, just ask Erykah.” Keep your ears out for this one because it may arrive this week, but if not, at least we were able to preview some new tunes. Check out the snippet below.

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Tiri The Seed Breathes New Life into Nostalgia with ‘Back In The Room’

Tiri The Seed

Tiri The Seed expertly blends vintage musical elements with contemporary production techniques in “Back In The Room.” This track pulsates with a retro vibe, yet maintains a fresh sonic identity, largely due to Tiri’s charismatic vocal delivery, which infuses the mix with an effortlessly cool energy. Thematically, “Back In The Room” explores the nuances of reconnection, encapsulating that poignant emotional experience of revisiting spaces or moments previously perceived as lost.

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Musically, Tiri’s signature vocal timbre overlays an infectious rhythmic foundation paired with lush, sweeping synths, evoking the ambiance of a late-night drive down memory lane. The lyrics are crafted to provoke introspection while the production invites physical movement, striking a harmonious balance between nostalgia and celebration. Tiri’s warm delivery creates an intimate listening experience, drawing the audience into a shared reminiscence of formative moments. The track encapsulates a dichotomy of nostalgia and optimism, making it essential for those who appreciate a classic aesthetic imbued with modern sensibilities.

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Janet Noh Takes a Deep Dive into Vulnerability with ‘One Breath’

One Breath

Janet Noh’s latest single, “One Breath,” presents a poignant exploration of emotional depth through a minimalistic sonic arrangement. The track harnesses dynamics and silence, allowing Noh’s nuanced vocal delivery to take center stage.

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The single “One Breath” engages in introspective self-examination, showcasing Noh’s adeptness at lyrical composition that balances vulnerability with strength. Her phrasing and tonal choices exhibit a masterclass in expressive restraint, allowing listeners to engage with the subtle emotional undercurrents present in the music.

The listening experience is intimate, akin to sharing a personal revelation, which enhances the profound quality of the piece. As the final notes fade, the lingering resonance of the song invites reflection, echoing themes of hope and resilience that are striking in their simplicity. Janet Noh successfully cultivates an atmosphere of comfort and contemplation, which speaks to the listener on a personal and universal level.

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