Fashion
In the Art of Tonia Nneji and Zohra Opoku, Poignant Narratives of Healing
While Nneji’s new exhibition, “You May Enter,” considers how women negotiate varying degrees of physical and emotional trauma, Opoku’s latest work considers mortality and the afterlife….
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Opoku has a tradition of using old family textiles in her work, and thereby weaving past histories into her current life. In Chapter 1, I Am Made Strong, she represents different parts of her body abstractly dismembered from the whole; screen-printed images of her head, torso, and arms sit in the left-hand corner of the linen cloth. Images of bare winter tree limbs are colored in red and purple and pink, as though caught in various stages of a winter sunset, and superimposed as skin on her body, and where her face should be. An outstretched hand bears an image of her real face, balanced on the tips of her fingers as if for a better view of the approaching, unknown future. A series of closed and open hands, and separate cutout images of her lips, nose, eye, and ear float in the air against more barren tree limbs, their spindly branches colored yellow and set on a dark background like a wallpaper of X-rayed human veins. For Opoku, trees symbolize life, and also the reality that as our human bodies die, they are making a slow return to the earth from which they came. Adding color to these images gratified her hunger for vibrance during treatment in wintry Berlin, and recalled the colorful life in Ghana that she suddenly had to abandon.
Creating I Am Made Strong was a way for Opoku to reflect on what was happening to her body. “I needed something to get away from my worries and to reflect on my journey in a different way. I wanted to transform it from this terrifying moment into a moment of peace,” she explains. An encounter with an exhibition on ancient Egypt at the New Museum in Berlin proved deeply influential. Taken by the ancient Egyptian belief in the afterlife, Opoku began to study the Book of the Dead, a compilation of Egyptian texts to help the deceased navigate the afterlife and reach a paradise symbolic of their lives on earth. “I was so moved by how the Egyptians reconciled with death, that I started thinking about my own possible death differently,” Opoku says. “If I was meant to leave this life soon, I wanted to create my own chapters reflecting on mortality, and preparing for whatever lay beyond.”
Zohra Opoku, I have power over my heart. I have power over my mouth. I have power over my legs. I have power over my limbs. I again have power over my invocation offerings. I have power over air. I have power over water. I have power over the flood. I have power over the river. I have power over the riverbanks. I have power over males who act against me. I have power over females who act against me in necropolis. I have power over those ordered to act (against me) on earth, 2020. Series: The Myths of Eternal Life, Chapter II. Screenprint on linen, thread. 100 x 61 3/4 in. 254 x 157 cm.
Still undergoing treatment, Opoku shared that being touched and examined by so many different sets of hands “felt like my body’s parts were being separated from the whole, like I was being dismembered. And yet it was all part of this journey towards healing. I had to find a way to access and focus on another part of my identity that could feel whole, since my body couldn’t.” Turning the experience into material for her work helped Opoku create a sense of distance from her actual human body, and use it to reflect on the fullness of her human spirit. “In the ancient texts I was researching, hands were always used to pass on something or explain something vital to the journey towards the afterlife. I was trying to find parallels in my own work, to transform the meaning of all these real, physical hands poking and prodding me, fragmenting my body, into something more symbolically healing, and perhaps even preparing me for my own potential afterlife.”
News
Air Jordan 3 “Paris” Reportedly Trades Elephant Print for Damask
Jordan Brand may be preparing to drop a special Air Jordan 3 dedicated to one of the world’s most recognizable cities. Landing in June 2027, the Air Jordan 3 “Paris” comes with a unique design that ditches the usual elephant print. Instead, the rumored edition is said to feature damask detailing, special Paris-inspired branding, and a limited drop focused on the French capital.
The first word comes from @zSneakerHeadz, but Jordan Brand has not confirmed the sneaker yet. A mockup is currently circulating, so the final look may differ. That said, the described design is an interesting direction for the Air Jordan 3, especially for fans used to seeing elephant print as one of the silhouettes hallmark visual elements.
The shoe is said to feature a white tumbled leather upper with a navy rubber outsole. The most noticeable change is replacing the traditional elephant print with a damask print. The pattern is reportedly on the toe and heel, with another section next to the Jumpman logo on the tongue. The treatment gives the sneaker a different visual character without straying from the Air Jordan 3’s recognizable structure.
More branding is expected to tie the release closely to its namesake city. The mudguard is said to have the wording “Jordan Paris Family 91, 92, 93, 94,” while the heel is said to have “NIKE PRS.” The details give the shoe a more specific identity than a simple colorway, with the reported inscriptions presenting it as a tribute to Paris and its role in the Jordan Brand story.
The sneaker is expected to be released in men’s sizing and will carry the style code JJ3727-100. It retails for $230 and will be available in select Jordan Brand stores in Paris. If the release details are accurate, the limited distribution may make the pair tough for sneaker fans outside the city to get their hands on. But the brand has not confirmed the information that has been reported, and the image shown is a mockup and not an official product reveal.
The Air Jordan 3 “Paris” is also expected to join a growing list of regional releases such as the Air Jordan 3 “Middle East.” These projects give Jordan Brand the chance to attack the same silhouette through various regional themes, not just the usual retro colorways. The damask pattern with city-specific branding would, in this case, make the Paris edition clearly distinct.
This classic Air Jordan 3 shape combined with a strange pattern is bound to appeal to collectors. The expected Paris-only distribution adds another layer of exclusivity, although the final release details have yet to be confirmed. If the June 2027 launch comes to fruition as described, the Air Jordan 3 “Paris” could be one of the more unique regional editions on Jordan Brand’s calendar.
News
Nike LeBron 24 “Christmas” – Holiday Collection Gets Grinchy Green Look
Nike Basketball’s holiday collection is starting to take shape, and LeBron James’ latest signature shoe is bringing a particularly loud look to the seasonal crop. First-look images of the Nike LeBron 24 “Christmas” have surfaced, showcasing a black and electric green colorway with metallic silver accents. The rumored Grinch-inspired direction of the upcoming release is shaping up to be one of the more unique additions to Nike’s Christmas footwear collection.
The shoe will be dropped on December 4 for $200. Its most striking feature is the electric green colorway, which gives the design a strong visual identity. Black is used on the upper for contrast, and metallic silver is seen on the Swoosh near the heel. Another contrasting touch comes from a red logo on the tongue, offering a subtle nod to holiday colors within the overall aesthetic. The shoe continues the theme with a green rubber outsole below.
Aside from the looks, the LeBron 24 “Christmas” also features performance elements associated with the broader LeBron 24 line. The outsole has a Zoom Turbo unit that is said to keep the shoe light and quick. That bit gives the holiday edition purpose beyond just its seasonal styling, keeping it tied to the basketball performance direction of the signature series.
The Grinch concept is part of a larger “naughty list” theme that also includes the Sabrina 4 and Book 2. Rather than treating the LeBron 24 as a standalone holiday release, Nike seems to be building a connected seasonal collection around the idea. The electric green colorway fits that direction, making the shoe pop while giving the broader theme a recognizable visual thread.
The first glimpse of the sneaker came via a 360-degree video Nike shared. The audience got a first look at the color blocking and design details as the shoe was presented from various angles. A handful of basketball creators also got a sneak peek at the pair earlier on a trip to Nike headquarters, helping build the early hype around the release.
The style code is IO8205-300 and the shoe is expected to drop in men’s sizing through Nike and select retailers. The December 4 date and $200 price point give us a sense of what to expect, but the information provided doesn’t list every retailer that will sell the sneaker.
The Nike LeBron 24 ‘Christmas’ is holiday-themed and performance-inspired for LeBron’s signature line, featuring a bright green colorway with silver details, red tongue branding, and an outsole with Zoom Turbo cushioning. Its Grinch-inspired theme also fits clearly into Nike Basketball’s broader seasonal plans. If you’re a fan of the brand’s Christmas releases, this pair is already making a strong first impression.
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