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Artist Spotlight

Exclusive Interview With Platinum Selling Music Producer Bradley Denniston

Who Is Bradley Denniston?

 

Bradley Denniston is a platinum-selling music producer, singer, engineer, composer, and multi-instrumentalist based out of Los Angeles California.

He has worked on blockbuster movies, totaling many billions of dollars in box office sales, and with Platinum-selling artists that include; The Lonely Island, Gotye, Tegan and Sara, and G-Eazy.

Bradley continues to work on major motion picture releases, television series, and albums with recording artists under his own company, Radium Records. Bradley has most recently produced and composed original music for the Netflix original series: Abstract: The Art of Design and for the Netflix Original Anime series; Cannon Busters. Bradley has also composed and produced music for dozens of nationally airing commercials.

Tell us a little more about when you first got into music?

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It really all started with complete love for how music could change the way I felt.  Almost instantly.

My Mom sang at church…  She was in the choir then the worship band and was always doing her strange vocal warm-ups in our living room…  I can still hear them, “ah, ah, ah!” “Oh, oh, oh!”…  It was a daily thing to have music playing at the house, in the car, bedrooms, really anywhere and everywhere!

My Dad put me on to all the latest music back in the ’90s and 2000s.  He showed me and my brother’s bands like Nirvana, Pearl Jam, and Smashing Pumpkins, Ever clear, and would play The Beatles, The Who, and tons of other classics when we went to work for him at the age of 14.

Music production came much later for me.  First I wanted a guitar (electric of course with tons of distortion), then it was a drum kit, microphones, playing in bands in High school and writing songs and fronting bands.

Once your band breaks up after High school (inevitably), if you’re really about this music lifestyle, you find ways to continue to create music and your art.  It’s really an innate part of you when you’re a musician and music lover.

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Learning music production, engineering and computers came out of necessity for me.  I absolutely HATED computers!  I learned them and all the software because I knew it would thee a tool for music.  Otherwise, I would’ve never touched a computer and probably wouldn’t be in the music industry right now… 

If you could describe your sound/style in one word, what would it be and why?

Sticky.  Maybe it’s my ADHD but I constantly repeat melodies and phrases, over and over and over in different timbres and tonalities everywhere I go.  It really drives my wife insane!  Haha…  But I think it’s why so many people tell me they got my songs stuck in their head…

 

What would you say to any aspiring recording artists who look up to your work?

If you really want to be successful in music, you have to trust your gut and be yourself 100% of the time.  Don’t be afraid of people hating your music, real art should make should cause a massive change in how you feel, even if it makes you cringe.

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Do you have anything new or upcoming we can expect to see from you? (If possible add the link)

YES!  I just released the official music video for my latest single, “15 Minutes to Midnight” and I’m super excited about it!

Here’s the link if you want to tune in:

what do you think about this post? Drop a comment below.

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Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

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Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

NOAH.

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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