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Artist Spotlight

Multi-Talented Artist International GT Making Way For Himself In The Music Industry

Today, we are going to introduce to y’all a multi-talented artist better known as International GT. Hailing from Las Vegas is International GT, a multi-talented Artist, Producer, and Engineer making quite the entrance into the rap scene, having worked with artists such as Fetty Wap, Young Thug, Fabolous, and 21 Savage to name a few. His unique flow and vocal style, combined with signature vocal effects treat the listener to a voice that is unmistakable, putting a unique flavor on modern Hip- Hop. International GT is no stranger to success having worked on the Grammy-nominated album “The Cure” by Jah Cure and earning an RIAA Gold Certification for his work with Cheat Codes.

In 2019, International GT consolidated his own artist project with the release of his debut album “Elevation”. Mastered by none other than Grammy Award Winning Mastering engineer Mike Bozzi the album was streamed over 200,000 times online. In 2021 International GT will prove that “True Imagination Makes Everything” with the release of his second studio project (T.I.M.E.). The current single “Loose Leaf” is doing well on all DSPs, and spinning heavy in clubs from Atlanta to Las Vegas. With involvement from some of the best in the industry such as Project Pat, Tami Latrell, and Las Vegas’ very own Lazr, your sound system is sure to be in for a treat.

We had the chance to interview International GT to discuss more his musical career and background in the music industry. This is what he has to say…

Where are you based?

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International GT – I am currently based in Atlanta, GA and I am originally from Las Vegas, Nevada.

 

How long have you been making music?

International GT – Professionally 6 years. I have been a student of the craft for 20 years.

 

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What genre would you consider your music to be?

International GT – My sound is a hybrid of classic and new era vibes. Mixing live instrumentation with electronic sounds, creating timeless music.

 

What inspired you to pursue a career in music?

International GT – Always loving music and having an ear for production. I remember my family always playing music, so the interest developed over time.

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What are your biggest musical influences?

International GT – Dr. Dre, Kanye West, and Pharrell are 3 of my biggest musical influences

 

Are you signed to a label or are you an independent artist?

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International GT – Currently, I am independent under my label Straight Lace Entertainment

 

What have been the biggest challenges in your music career?

International GT – People seeing the vision, and consistently stay inspired to create.

 

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How many songs or albums have you released to date?

International GT – I have released one album titled “Elevation “ and recently I released 3 singles consecutively: “Loose Leaf”, “Ocean Views’ and my current single out now titled “Mansa Musa”.

 

Can you tell us a few things about your latest release?

International GT – My latest single Mansa Musa released July 9, 2021, on all platforms. It is a smooth, classic record. So far the fans really love it and we have received a lot of great feedback from the record. Mansa Musa was recognized as the richest person in history. So the song has an in-depth meaning to my ancestors’ history. The record has an opulent feeling, inspiring and motivating the listener.

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Any plans for new music or upcoming projects we should know about?

International GT – I have a few more records set to be released in fall 2021. My album drop is tentatively set for Winter 2021.

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Connect with International GT

 @internationalgt -Instagram

What do you think about this interview? Drop a comment below.

Natalie is a journalism major with a focus on Entertainment and Music who aspires to become a Content Creator For Honk Magazine. Eventually, she wants to be the Publisher or Editor-in-Chief of a major Publishing House. She loves helping people find their voice and passion for writing and journalism, and she can always be found with coffee in hand, editing another article.

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Album Review

Cognitive Constellation Corps blurs humanity and technology on “Thank You for Your Feedback (I)” album

Cognitive Constellation Corps

In a world of notifications and automated responses, algorithms, and feedback requests, Cognitive Constellation Corps finds something unexpectedly human inside the machinery. “Thank You for Your Feedback (I)” is an alt-pop exploration of connection, isolation, communication, and the increasingly complicated relationship between people and technology, transforming familiar procedural language into something else.

Created by Brooke Tamsin Clevenger, a Belfast-based artist, the project’s principal composer, lyricist, producer, and conceptual director, the album is deliberately constructed around what happens to human emotion when our lives are increasingly structured by systems that process information rather than necessarily understand feelings. The album opens with “Opening Loop (i),” which introduces that world through the idea of repetition, linking software loops to the habits we humans learn in modern life.

Followed by “Signal Received (i),” the track becomes more fragile, a mix of bubbling electronic movement and the promise of waiting for a response. It picks up the strange emotional weight that can be behind something as simple as a digital signal. “Thank You For Your Feedback (i)” examines the pressure to be constantly evaluated, and “Echo Chamber (i)” reflects on how digital interaction creates intimacy and amplifies alienation. “The Curve of Clarity (i)” is a road toward understanding where data and human realization begin to converge.

On the production side, the project explores electronic textures without allowing its technological concept to overwhelm its emotional core. “Threadbare, Threadshare (i)” turns the fatigue of constant communication into an interesting concept. “The Response Loop (You’re Still Talking)” injects a sense of urgency with a faster, more club-friendly beat that mixes early-80s electronic music with state-of-the-art sounds.

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“Harmonic Distortion (i)” continues the album’s obsession with emotion that has been filtered, and “Always (i) [Sevahem]” is an appropriate closer, reflecting on organic feeling and ancient human knowledge through the prism of digital sound. “Thank you for Your Feedback” is a tech-driven concept that is always aware of the person behind the screen. Cognitive Constellation Corps is cerebral and electronic and conceptually ambitious while remaining emotionally accessible.

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Artist Spotlight

Shawn Brown raises the volume on love, loss, and survival in “What a Way to Go”

Shawn Brown

Shawn Brown’s new single, “What a Way to Go,” is a guitar-heavy rock-pop anthem that makes doomed young love, instability, and survival something ferociously cathartic. The single, produced by celebrated musician and producer Grecco Buratto, fully embraces the scope of its story. Brown doesn’t turn heartbreak into a quiet, inward experience, but he energizes it, giving it drive and urgency.

“What a Way to Go” is a relationship against impossible odds, and the emotional tension is the clash between a world that feels like it’s falling apart and the stubbornness of two people who won’t let go of each other. That tension is what makes the song dramatic, but it also allows Brown to aim for a bigger, more explosive sound.

Recorded at The Trench in Portland with engineer Gregg Williams and the full Shawn Brown Band and trusted creative team, including Ben Landsverk, Jeff Langston, Ned Failing, Tiago Becker, and Juan Garcia Petri. Their combined presence adds to the muscular, expansive character of the single that one would expect from an anthem of this magnitude.

Brown handles the emotional commitment with confidence, true to its survivalist spirit, and pairs the guitars with a performance that feels immediate rather than remote. “What a Way to Go” is one of Shawn Brown’s most electrifying releases, blending raw rock power with the emotional openness of a love story that won’t go quietly. It’s raw, loud, passionate, and unapologetically alive.

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