Artist Spotlight
Newcastle Prog-Rockers, Crux, release their spectacular, thought-provoking debut EP: “Death At The Cash Machine”
Having teased the release of the EP “Death At The Cash Machine” by sharing three singles periodically, the Newcastle prog-rock quartet Crux has managed to attract radio support from the likes of Tom Robinson at BBC Radio 6 Music and Amazing Radio, whilst also receiving written praise from the likes of Hype Machine tastemakers EarToTheGround and XS Noize.
Speaking about the EP – its creation, themes, and messages – Crux reveal: “We’ve really pulled out all of the stops for this EP, worked with some great studios and producers in both London and the North East to bring out the best in our unique songwriting, and put a lot of time into the accompanying music videos.
In ‘Death at the Cash Machine’ song by song, we’ve tried to capture different aspects of the chaos and despair that penetrates modern living drawing on a number of themes, from zero-hour contracts and austerity to sexual predators and dodgy nights out. Some of the songs are particularly character-driven, with ‘Radgie Gadgie’ and ‘Incel’ both being based on real people, but also on archetypes we’re all familiar with in our day-to-day lives.
Writing, practicing, and recording during the pandemic has not been without its challenges, however, that makes us even prouder of what we’ve been able to produce; knowing that, unfortunately, many bands haven’t remained intact during this period.”
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Ari Fraser Unveils the Sheriff of Sanity in New Track “#insane”
Ari Fraser boldly steps into the chaotic symphony of our modern world, wielding his latest musical revelation: “#insane”. As a beacon amidst the tumultuous storm of uncertainty, Fraser’s poignant reflection within “Shadows Of Tomorrow” beckons listeners to confront the madness with a newfound clarity.
In “#insane”, Fraser invites us into a kaleidoscope of sound and emotion, weaving a narrative that mirrors the disarray of our era while offering solace in the form of a sheriff, ever watchful, ever vigilant. With each note, Fraser captures the essence of our collective unease, transforming it into a beacon of hope and introspection.
The track itself is a sonic masterpiece, blending elements of alt-rock with electronic undertones, creating a mesmerizing soundscape that envelopes the listener in its embrace. Fraser’s vocals soar above the instrumentation, delivering a message that resonates deep within the soul.
Artist Spotlight
Wildstreet delivers intriguing rock’s heartland with “The Road”
Wildstreet unleashes their latest rock anthem, “The Road,” from their EP IV, courtesy of Golden Robot Records and Beyond Agency. This high-octane anthem pulsates with infectious rhythms and potent vocals. Frontman Eric Jayk pours his soul into this track, describing it as his most personal creation yet. Eric Jayk’s impassioned vocals drive home the song’s personal narrative, making it a standout in the band’s repertoire.
The song’s production quality is exceptional, with great attention to detail. Eric Jayk, co-producer and writer, collaborated with Kyle Paas, courtesy of the talented mixing of Jonathan Wyman and mastering of Howie Weinberg. “The Road” has a compelling rhythm and introspective lyrics that are emotionally touching.
Guest keyboardist Spencer Albee’s haunting B3 Organ adds depth while the track climaxes with an electrifying guitar solo, leaving listeners spellbound. The song provides a visceral experience that resonates long after the final chord fades. With its enigmatic ending, fans eagerly anticipate what’s next from Wildstreet. “The Road” has already earned a place in many playlists and should be a must-listen for rock enthusiasts who crave melody and power.
CLICK HERE TO STREAM Wildstreet’s “The Road“ on Spotify.
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