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WAJI Captures The Full Scope Of A Failed Romance With New EP ‘The Pity Party’

The ultimate collection of anti season-of-love-anthems, The Pity Party explores heavy hearted subject matter with intensely captivating, energetic alt-pop beats.

Alt-pop artist WAJI delivers an epic collection of four infectious heartbreak anthems in their new EP, The Pity Party, out now. The tracks on the EP provide four different instances of failed romance; at its core, The Pity Party is a dynamic statement in spite of the season of love that can be such a painful time for many, especially those dealing with a recent heartbreak. For the artist, “[they] compiled it in hopes that heartbroken people wouldn’t feel so alone after hearing WAJI’s struggles.” Each song on the EP captures a vivid story invigorated with energetic pop beats. Producers Don Ozi and Enjahn collaborated with WAJI on this project, as well as mixing engineer kamenmakesmusic. WAJI poured themselves into each song on this EP in order to process the hardships recounted by each of the melancholic tracks.

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I want all the broken-hearted people to realize that we’re all in this together. Not all of us are swaying along to a generic love song playlist or eating horrible chocolate or receiving flowers that are definitely going to die due to neglect. Some of us are hurting, and that’s fine. We can all be part of ‘The Pity Party’ and hurt together.” – WAJI

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The EP opens with lead single, “BMH,” which tells a heartfelt story of liberation from an abusive relationship with cascading pop instrumentation and a passionately anthemic chorus. For the artist, BMH represented an escapist fantasy in which they had the strength they needed to leave the reality of their abusive relationship. The second track on the EP, “Grieving,” reflects on the harrowing experience of a devastating heartbreak. WAJI’s somber lyrics intertwine perfectly with the harmonic tension that builds from airy synths and stacked background vocals. “HEA” (Happy Ever After) was added to the tracklist towards the end of the project. This energetic pop track – a striking collaboration between WAJI, Enjahn, and Don Ozi – quickly became one of the artist’s favorite pieces on the EP. In this story, WAJI is portrayed as the “nice guy” who desperately tries to “woo” their love interest, but ends up getting ditched for the “bad boy” with a motorcycle and leather jacket. The final track on The Pity Party, “WNB,” is the only track written and produced independently by WAJI. “WNB” tells the story of a romantic conflict rooted in lack of trust, and explores the argument from both perspectives. After the beat switches up following the second chorus, listeners get to hear the perspective of one of the lovers defending themselves against allegations of infidelity.

Listeners can stream The Pity Party on all major streaming platforms now.

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More about WAJI:

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WAJI is a colorful singer-songwriter known for their mesmerizing story telling abilities. Playful lyricism, catchy melodies, and relatable stories characterize the type of music listeners can expect from WAJI. Nigerian influences shine brightly through WAJI’s sound; artists like 2Baba and Asa are at the top of the list. They also gravitate towards artists like Bruno Mars and The Weeknd, who bring versatility, charisma, and confidence to their music. Having grown up in Port Harcourt, Nigeria, the now Georgia based artist made the transition to the U.S. to study mechanical engineering before diving into their music career. WAJI embraces the spotlight on every track as they deliver engaging melodies with creativity and playfulness. The songwriter channels their personal experiences into their music and offers a charming sincerity backed by a charming confidence. Despite their introverted nature, WAJI has no issue letting their personality and style shine through their music. Fans can expect new music from WAJI in 2022 while they excitedly anticipate the release of their upcoming EP.

Once in college, WAJI began exploring their personal identity and becoming more in touch with themselves than ever before. The social disapproval from their Nigerian peers made accepting the more intimate parts of themselves especially difficult; while life in the U.S. made it easier to live freely as their true self, the extreme cultural shift made it difficult for the artist to adjust. WAJI found themselves spending most of their day escaping reality through songwriting to cope with the burdens of frustration and isolation. The songwriter made the courageous decision to release one of the many stories they had stockpiled despite feelings of social anxiety and loneliness. Their first release on soundcloud, “Baby,” in 2019 was received a more than positive response from listeners. The artist joined MaxterMix Music Group Collective – a collaborative artist community – shortly after this release, and continued working to hone their craft with this newfound support system. For WAJI, they hope that listeners can find the same sense of freedom and release from their music that the artist feels while writing.

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Artist Spotlight

PLANG unveils an ode to wanderlust with “My Little City”

PLANG

PLANG, also known as Padraic Lang, has released his latest single, “My Little City,” which delves into the emotional adventure of leaving home for new opportunities while staying connected to one’s roots. The track was recorded at the esteemed FrenchQuarter Studio in Cork City, Ireland, and was produced by Padraic Lang and George Micansky. This production promises to evoke strong emotions and leave a lasting impression on listeners due to its masterful composition and production quality.

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My Little City” elegantly captures the complex emotions associated with embarking on a journey toward a brighter future while holding onto a longing for the familiar comforts of home. This universal theme strikes a profound chord, making it a compelling anthem for individuals facing transformative decisions. The song’s sophisticated instrumental composition showcases PLANG’s musical dexterity. The acoustic guitar establishes a warm foundation, complemented by the nuanced interplay of piano and organ. Adding the saxophone introduces a soulful dimension, while the electric guitar infuses a contemporary flair, resulting in a seamless fusion that propels the song to greater artistic heights.

Padraic Lang’s composition “My Little City,” originally performed as a solo acoustic guitar piece, has undergone a comprehensive studio production. The outcome is a refined, emotionally poignant track that showcases PLANG’s heartfelt vocal delivery. With relatable lyrics, the song captivates its audience and reinforces PLANG’s position as a significant figure in contemporary music.

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PLANG’s performance is distinguished by its charm and sincerity. “My Little City” goes beyond just being a sonic experience; its melody captures emotion and evokes the connections that bind us to our roots. This track is a valuable inclusion in any playlist and a must-listen for music aficionados and those who have felt the poignant pull of home from afar.

 

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For more information about PLANG, please visit [website].
CLICK HERE TO STREAM PLANG’sMy Little City on Spotify.

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Indie

Grace McLean unveils her newest album, “My Lovely Enemy”

Grace McLean

Renowned for her boundary-pushing artistry and evocative performances, Grace McLean, the multifaceted singer-songwriter and acclaimed Broadway performer, has released her latest album, “My Lovely Enemy.” McLean, whose style is often compared to musical innovators like St. Vincent, Björk, and Tune-Yards, delivers an intellectually stimulating and emotionally compelling album.

My Lovely Enemy” is a 9-track musical odyssey produced and recorded by the versatile Justin Goldner. It was mixed by the acclaimed Jack DeBoe (Jean Baptiste, Tyler the Creator, Yebba) and mastered by the legendary Blake Morgan (Lenny Kravitz, Lesley Gore, Janita). The album promises a rich tapestry of sound that merges complex musicality with raw emotional depth, reflecting McLean’s journey through a tumultuous post-breakup era.

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Currently starring as President Woodrow Wilson in the Broadway production of ‘SUFFS,’ McLean brings a dramatic flair to her songwriting, earning accolades for her musically intricate and intimately abstract style. Her previous work, including the award-winning musical “In The Green,” showcases her prowess as a performer and a storyteller, a duality that shines brightly in “My Lovely Enemy.”

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The album starts with the title track, “My Lovely Enemy,” which sets the stage with infectious rhythms leading seamlessly into the soul-stirring second track, “Reckless,” followed by the hauntingly beautiful third track, “Albertine.” Tracks like “Day Satisfaction” and “Gazelle” highlight McLean’s ability to effortlessly traverse genres, while the enchanting finale, “Everybody Loves,” leaves listeners yearning for its ode to love and longing.

Grace McLean’s most recent endeavor exemplifies her meticulous attention to detail and fervor for artistic expression. Each track on “My Lovely Enemy” beckons audiences into a realm of glistening melodies and contemplative lyrics, establishing itself as essential listening for those pursuing a profound musical journey. The album “My Lovely Enemy” constitutes a noteworthy contribution to the music sphere, captivating listeners with its intricate layers and genuine emotional profundity. It offers a chance to witness Grace McLean’s musical evolution, destined to leave a lasting impression on its audience.

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For more information about Grace McLean, please visit [website].
CLICK HERE TO STREAM Grace McLean’s Album My Lovely Enemy on Spotify.
CONNECT WITH Grace McLean | Instagram | Facebook |

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