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I Used To Be Sam Presents a New Single ‘MOUNTAINS’

Internationally acclaimed singer, songwriter and vocal powerhouse I Used To Be Sam (aka Annie Goodchild) returns with their brand new single ‘Mountains’, out now. The track is the latest installment taken from their upcoming debut EP, ‘I Used to be Sam’, set for release this summer.

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Previously known for her work as Annie Goodchild and as a featured singer in the musical collective Postmodern Jukebox, I Used To Be Sam steps into a complex journey of transracial adoption and self-discovery on their new EP ‘I Used to Be Sam’ – an explorative new collection of deeply personal, cinematic, left-field pop, all wrapped up in the singers distinctively illustrious voice.

After taking an Ancestry DNA test, I Used To Be Sam learned that before being adopted, she used to be named Samantha. Album cornerstone ‘Mountains’ explores the sensation of emerging up out of ‘the fog’; a term that some adoptees use to describe the way they feel, think, and operate while growing up cloaked in denial, conditioning, and ignorance. Coming out of the fog refers to the organic and non-linear process by which an adoptee begins to unlearn and deconstruct the mythologies taught to them about adoption by their adoptive family and mainstream society at large.

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‘Mountains’ ties into the specific day on which I was adopted,” they explain. “My parents invited loads of people over to the house to welcome this kid to a completely different place, with all these people touching and holding my body and passing me around.” The excited new parents had just intended to welcome their baby to the family but inadvertently created a harmful setting despite their good intentions. “I ended up having a big seizure as a result. I also learned recently that for almost a year afterward I would have these episodes where I would just hardcore disassociate.”

One of the aspects to my journey and healing process through all this was allowing myself to get angry.  We are taught by the act of abandonment that anyone, even those who are meant to love you unconditionally will leave you. So be malleable, be small, please the egos of those who chose you. Don’t be mad when they take your name from you to fit their idea of their own family. I was adopted into privilege – a middle-class family who loves me. So to be told and shown by the wider TRA community that I’m allowed to be mad about my traumas, even though well-intentioned, was truly a gift.”

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Read More: An Exclusive interview with Rising Music Star, I Used To Be Sam

Though ‘Mountains’ is rooted in the anger associated with these memories, it also centers hope in its spare and affecting melodies. When I Used To Be Sam disassociates now, “I imagine mountains, they’re free and strong and open” and also represent the sense of grounding and foundation they feel they lack as an adopted person.

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After attempts to reconnect with her birth mother were met by re-rejection, I Used To Be Sam recounted this experience to a producer on a writing trip in Berlin. And from that moment, I Used To Be Sam was born. Including other transracial adoptees in this project became increasingly important to I Used To Be Sam the more they educated themself on the adoption narrative. Across films, TV, social media, or conversations at home, adoption is almost solely told through the lens of the adoptive parent. This skews and manipulates a very multi-layered experience for almost all adoptees / TRA’s. She says, “Our voices, our stories, our trauma, and our successes are ours to tell. So I knew early on that even though my platform wasn’t big, it was big enough to share with other TRA’s.”

Eager to learn and share experiences from other TRA’s, I Used To Be Sam reached out to adoptee communities through social media, and those who she spoke to are the voices heard throughout the project – “Adoptees have really created a lush community for each other.  And stumbling upon it was shocking but so rewarding.  For anyone interested in hearing more about adoption from adoptees I highly recommend respectfully visiting our spaces. I have learned so much from this group of generous people.”

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Not only is ‘Mountains’ the bravest, freest, and most confronting music of Annie’s prolific career, it’s also a vessel and safe space to bring people with shared experiences together, and open up the narrative around transracial adoption. Since the birth of the project, I Used To Be Sam has struck up conversations with countless other transracial adoptees (TRAs), and sharing overlapping experiences informed the incredibly personal nature of I Used To Be Sam’s debut EP.

I USED TO BE SAM ONLINE

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Artist Spotlight

Jeff Lake illuminates the melodic soul of nightlife with “Midnight Sun”

Jeff Lake

Jeff Lake’s latest single, “Midnight Sun,” is a masterful blend of diverse musical influences interweaving to create a timeless and refreshing sound. The song features a rhythmic, rap-infused vocal hook that draws inspiration from 80s rock anthems, paying homage to the legendary Led Zeppelin’s Immigrant Song,” while adding a unique touch.

The lyrics of “Midnight Sun” delve into universal themes of detachment, displacement, and the struggles artists face in navigating a rapidly changing world. Lake’s introspective lyrics resonate deeply, touching on the raw emotions of depression and the quest for belonging.

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Jeff is an accomplished songwriter and performer with a rich backstory that adds depth to his musical prowess. The song “Midnight Sun” has gained popularity as a universal anthem with its captivating and melodious tune. Jeff has had the privilege of sharing the stage with esteemed members of bands such as Styx and Trans Siberian Orchestra. Jeff’s love for music has driven him to perfect his skills in the vibrant music scene of Brooklyn. He inspires budding musicians with his unwavering commitment to his art. Jeff performed his first professional gig at 17 and subsequently pursued music as a full-time career, demonstrating his determination and resilience.

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Midnight Sun” represents a sonic exploration of Lake’s unequivocal passion for music and his remarkable ability to encapsulate complex emotions within a melodic embrace. The song’s infectious energy and thought-provoking lyrics establish it as a true masterpiece that merits attention from even the most discerning music enthusiasts who appreciate music’s artistry and innovation.

Midnight Sun” by Jeff Lake shines bright, dispelling the darkness and illuminating the listener’s soul with its radiant melody. Its enchanting vibes transcends boundaries and inspires one to dance, inviting the audience to revel in its boundless creativity.

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For more information about Jeff Lake, please visit [website]. 
CLICK HERE TO STREAM Jeff Lake’s Midnight Sun on Spotify.
CONNECT WITH Jeff Lake | Instagram | Twitter | Facebook |

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Music

SZA Takes Stand Against Concert Chaos, Threatens Shutdown Over Flying Objects

SZA

SZA Takes Stand Against Concert Chaos, Threatens Shutdown Over Flying Objects

In recent times, a disturbing trend has marred concert experiences worldwide: fans hurling random objects at their beloved performers during live shows. This reckless behavior not only poses serious safety risks but also undermines the enjoyment for everyone involved. Despite the alarming consequences, artists like Drake, Coi Leray, GloRilla, and Latto have found themselves dodging unexpected projectiles on stage. Joining this unfortunate list is SZA, who recently faced a similar ordeal during a performance in Australia.

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A viral clip circulating online captures the “Kill Bill” songstress directly addressing the unruly crowd in Australia, calling out individuals for tossing objects at her. With unwavering determination, SZA firmly warns that she won’t hesitate to halt the concert if the misconduct persists. “I will leave,” she asserts, emphasizing her stance against such dangerous antics. “Do not throw up any cell phones, I’m a person. That’s cr*zy.”

Unsurprisingly, fans have rallied behind SZA, commending her for standing up against the hazardous behavior. Comments flooding platforms like The Jasmine Brand echo the sentiment, condemning the trend of object throwing at concerts. “Y’all need to stop this weird trend of throwing things at people at concerts,” urges one Instagram user, reflecting the collective frustration. Another commenter echoes the sentiment, emphasizing the disruption caused by such antics: “Stop the whole show, ain’t nobody got time for that.”

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SZA’s bold response to the incident mirrors a growing intolerance among artists towards such disruptions. Just last month, Nicki Minaj retaliated during her Pink Friday 2 tour, flinging an object back into the crowd after narrowly avoiding a collision with her head. The incident even drew parallels to Cardi B’s infamous reaction, where she tossed a microphone at an audience member last summer for dousing her with a drink.

The question arises: Should this bizarre trend of hurling objects at performers come to an end? SZA’s decisive action in Australia serves as a resounding call for concertgoers to respect the safety and dignity of artists on stage. Share your thoughts on SZA’s stance and the need to curb this concerning trend in the comments below. Stay tuned to Honk Magazine for further updates on this evolving story.

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