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Ananda Xenia Shakti & Love Power The Band New Single – ‘Cosmic Quiver’

From Punk Singer to Singing with the Angels: Ananda Xenia Shakti’s Mission is Love

Ananda Xenia Shakti & Love Power The Band’s new transformational single “Cosmic Quiver” will be released Friday, May 13. “Cosmic Quiver” is a song that draws upon the deep and mysterious energies of the universe celebrating the Wisdom Eye of Creation. Through music, Ananda aims to help us all open our own divine vision. Listeners will delight in the song’s exuberant energy and the artist’s uplifting performance.

Ananda’s journey began in the punk music scene where she became the lead singer in an all girl band that put her on the road with bands like the Clash and Blondie. But that road came to end as Ananda Xenia Shakti chose another path that opened it’s doors through the teachings of yoga. Since then, Ananda has never looked back and her previous 5-song EP, “Love Is Where You Are” was met with open arms by a world ready for love and change.

Today Ananda takes her high-spirited energy and love and directed it towards creating transformational music. As Ananda Xenia Shakti & Love Power The Band, the collaboration are creating what they call “Music for Body and Soul, Vibrational Healing and Celebrating the Festival of Life.” Love Power the Band perform a rare musical experience called “Interactive Music.” The audience becomes part of the band. The audience is given their own vocal part of the song that one of the background vocalists helps them with. It a magical experience of breaking the division between performer and audience, and ignite the soul to experience we are “One.”

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About Ananda Xenia Shakti

As a founding member of the B-Girls, Ananda (known then as Xenia Holliday) played guitar and sang in one of the original girl-punk groups of the late ’70s. As their popularity grew, the band relocated from Toronto to NYC, where they played the hotspots and toured numerous times with The Clash. Signed to Bomp! Records, the band sang back-up on Blondie’s smash album “AutoAmerican” as well as Stiv Bators’ solo album.

Ananda’s spiritual awakening came while living in NYC. She made a huge life decision and left the B-Girls to pursue yoga and the spiritual principals of life, with a firm inner commitment to merge modern music and ancient life teachings.

She is the Creative Director and founder of Choose Love Karmic Readings, in which she acts as a conduit of Higher Realms wisdom for clients and through which she receives healing ‘Poetry’ similar to the style of Rumi that she transforms into song. She is also international Yoga Trainer, founding Sananda yoga training courses since 2004.

Sananda Yoga, offers classical esoteric yoga, and specializes in “The Feminine Art of Yoga” — A “Deep Empowerment for Women” in all of their natural expressions: Strength, Grace, Spiritual Awakening, Vibrancy, Compassion, Love , One-Pointed Focus, Revelry, Tender Heartedness, Intelligence, Divine Moods, and Being the Crucible for your Evolution, Freedom of Expression In Body Mind And Heart, Beauty, Womb Wisdom.

For more information, please visit onlyloveisreal.love

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Instagram: @onlyloveisreal.love

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Artist Spotlight

Makk $aucy explores feminine power and emotional connection in “Agressive Woman”

Makk $aucy

Women are powerful to the people around them, and Makk $aucy explores that dynamic in his new single, “Aggressive Woman.” In this release, Makk $aucy dives into how our personal habits and views are shaped by our relationships and emotional ties, rather than just skimming the surface.

“Aggressive Woman” comes from a relaxed, flowing creative process, captured at Grill Studios in Emeryville, California. You can feel that vibe throughout the track, letting the performance speak real emotion without sounding forced. Much of the vibe comes from Makk $aucy’s vocal delivery, which matches the recording’s chill atmosphere.

Beyond the theme, the release also showcases Makk $aucy’s talents as an artist and producer. He lists R&B, hip-hop, and rap as influences and is still trying to find a musical direction that doesn’t confine him to one genre. His production work is central to this identity, reflecting his desire to shape the whole listening experience, not just his vocal performance.

“Agressive Woman” is another chapter in what Makk $aucy calls the “Makk $aucy Experience,” a larger musical journey based on experimentation and creative findings. It celebrates female power and spotlights an artist who continues to push the limits of his production and genre-bending approach.

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Artist Spotlight

C’batch explores love, irony, and poor decisions in “If There Was Ever a Fool (One of a Cast of Many) 1”

C'batch

“If There Was Ever a Fool (One of a Cast of Many) 1” by C’batch is a classic rock release that explores that complicated side of relationships. Based on a friend’s real-life relationship, the song explores love, bad judgment, and the emotional repercussions from a dark, ironic, and sometimes humorous perspective.

What’s interesting about the release is that it spans different eras, musically and lyrically. C’Batch first recorded the guitar improvisation in 2012, and the words came years later, after the relationship that inspired them was over. He kept the two apart until 2026, when he finally merged them. The unusual creative chronology links an early musical idea to a later observation of human behavior.

The track is steeped in classic rock and soul rock and showcases C’batch’s experience as a guitarist, composer, and producer. To truly appreciate this release, one must understand the creative process behind it, a process that has been touched by a musical history spanning four decades. He returns to an old guitar composition and gives it a new purpose in the telling.

The song is about how people can get so wrapped up in love that they ignore shady decisions and only see the consequences afterward. “If There Was Ever a Fool (One of a Cast of Many) 1” is an interesting intersection of past inspiration and present outlook. It also shows how an unfinished musical idea can be born years later.

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