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JAZZ SINGER-SONGWRITER ORI DAGAN TAKES ON THE DIGITAL ZEITGEIST ON HIS FOURTH STUDIO ALBUM CLICK RIGHT HERE

Is life online in the 21st century a blessing or a curse? One could make a case either way, but if you’re Toronto-based vocalist and songwriter Ori Dagan (@oridaganjazz), one thing is certain: there’s a great material to be mined for a lyric, something Dagan always delivers with a wry and agile sense of swing. Click Right Here, praised by John Devenish of JAZZ.FM91 as “fun, provocative, fancy-free and spirited,” and by journalist and author Jeanne Beker as “the perfect balance between modernity and nostalgia,” is Dagan’s first album of original material. It offers a joyful escape from, and timely reflection upon, a world spinning out of control. Themes include online dating, social media, technological troubles, and the quest for freedom and equality in a divided world.

Dagan’s right-hand man on Click Right Here, his fourth studio effort, is a guitarist and musical director Nathan Hiltz, whose crackling arrangements and brilliant solos bring the songs to life. Hiltz fronts a versatile eight-piece band comprised of some of Canada’s finest: pianist Attila Fias, bassist Alex Bellegarde, drummer Ben Wittman, tenor saxophonist Colleen Allen, alto saxophonist Alison Young, trombonist William Carn, and trumpeter Andrew McAnsh. They are featured to brilliant effect on the potent band vehicle “21st-Century Blues.” In addition to being Dagan’s first recording with horns, Click Right Here also includes his first male duet, a romp of a minor-key tune called “Going That Counts,” featuring Toronto rising-star vocalist Donovan Locke. Rapper Erik Flow cowrote the blistering opener “Viruses,” built around a prominent omitted expletive that lends the song a distinct rhythmic hiccup.

Five-time JUNO Award winner and three-time GRAMMY nominee Jane Bunnett, of Spirits of Havana fame, contributes scintillating flute on “Hashtag World” and soprano sax on “Viruses.” Four-time JUNO winner Simone Denny (Love Inc.) appears on a bonus cover: a relaxed and incisive interpretation of The Buggles’ 1979 smash hit “Video Killed the Radio Star,” the definitive earworm of earliest MTV. Rebecca Hennessy serves as guest arranger on the Buggles cover as well as an updated take on Dagan’s 2012 single “Googleable,” replete with virtuosic scat breaks and arch references (“Google Apps are the best, skeptics eventually clue in / who might have guessed, other than Marshall McLuhan”). The album was recorded by GRAMMY-nominated engineer Jeremy Darby at Canterbury Music Company and co-produced by Macedonian multi-instrumentalist, composer, arranger, and producer Davor Jordanovski.

Dagan’s previous recordings, S’Cat Got My Tongue (2009) and Less Than Three <3 (2012), solidified his forward-thinking artistic voice. In 2017, with the support of over 200 crowdfunding contributors, he created the visual album Nathaniel: A Tribute to Nat King Cole, a first of its kind in the jazz genre — a collection of 12 music videos that won critical acclaim and recognition at film festivals worldwide, as well as an official showcase at SXSW.

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Dagan’s rich bass-baritone is unmistakable; his irreverent songcraft speaks to the lineage of Nat Cole novelty numbers and the impeccably swinging humor of the late Bob Dorough and Dave Frishberg. His scat singing has the natural, fluid, bop-inflected feel of the best in that idiom. Click Right Here, his most ambitious project to date, is sure to take him to new destinations, onstage and online.

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Artist Spotlight

Wyn Calico create the need to support with his latest release “Support”

Wyn Calico

Wyn Calico steps into deeply personal territory with his latest single, “Support,” a heartfelt offering that addresses a feeling many people know, but rarely express so openly. It’s a song about the universal desire to be encouraged, recognised, and uplifted, turning personal frustration into a relatable message of resilience.

https://open.spotify.com/track/1MNvjKqPPbCmQsA8NCwMxT?si=0f5ab4fc2ee24ab8

“Support” is a meditation on what it feels like to work tirelessly for something you want, but not have the support you need to fully achieve it. Wyn Calico expresses the emotional burden of wanting to make a difference, believing in your purpose, and still moving forward when you hit setbacks. The song is not only about disappointment, but also a rallying cry of resilience in the face of adversity.

This song also highlights an important truth, there are many talented and hard-working people out there who have everything it takes to make a difference, except the encouragement and opportunity to flourish. Wyn Calico’s lyrics and delivery shine a light on that struggle and offer a sense of solidarity to those in similar situations.

“Support” isn’t just a personal statement. It’s a conversation starter. It encourages us to think about the value of community, support, and believing in each other. Wyn Calico’s latest drop is honest, relatable, and emotionally driven, a powerful reminder that even in the moments of isolation, the desire to keep pushing forward is still stronger than ever.

Connect with Wyn Calico on Spotify || Instagram

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NNORDY steps into jazz fusion with latest release “Wrong Turn”

NNORDY

 

NNORDY’s latest release, “Wrong Turn” is a fully live jazz fusion album that showcases the limitless possibilities of instrumental storytelling with the remarkable chemistry between guitar, keyboards, bass, and drums. The song has no words but is an excellent story told through musicianship and sets the stage for listeners to embark on a rich jazz experience.

“Wrong Turn” shows the strength of live performance from the get-go. Each instrument feels alive and in conversation with the others, a dynamic dialogue that develops organically over the course of the piece. Without vocal guidance, each musical phrase is left to speak for itself, giving the listener the freedom to interpret the track in their own way.

The guitar and keyboards often lead, crafting complex melodic lines and textures that give the music direction and atmosphere. Meanwhile, the bass and drums lay down a solid rhythmic base, creating movement and momentum while still leaving a lot of room for exploration. NNORDY creates a track that both dedicated jazz fans and listeners looking for something adventurous and fresh will enjoy. “Wrong Turn” shows that instrumental music can be as expressive and compelling as vocal music.

Connect with NNORDY on Spotify || Instagram || Facebook || Youtube

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