Artist Spotlight
Meet CHEBO: One Of The Most Exciting Artist And Music Producer In The Industry Today
Music has long been something special that has united us, as well as exposed us to the world around us. Long from the days of music just coming from one specific place, you can now hear great music from any part of the world, with rocking jams that get the job done in a real way, as well as get us familiar with other styles out there. Now, this is where an incredible artist named “CHEBO” comes in.
Known for his electrifying stage performances and signature sound, CHEBO is an accomplished French composer, mixing engineer, producer and DJ who has continued on his adventure of exploring numerous sounds from many cultures and incorporating them into his music, which has earned him praise from his fan base. In a fiery pursuit of his passion, CHEBO had to put aside his promising career in finance to live his music dream. His hard work and fearless creativity have seen him release catchy tracks such as ‘Jiggle It’, paving way for hits like ‘Tonight’ – a breathtaking single shared by Spotify in the ‘Groove Theory’ editorial playlist. This artful yet full of rhythm dance song is structured sophistically and offers an addictive classic disco vibe. Also supported by “The Supermen Lovers”, the infectious record has already passed the 1,000,000 streams mark.
Driven by an urge to break the rules, CHEBO has scooped various awards such as the 2011 Emergenza Prize for Best Bass Player in France. The young artist believes in the power of inspiration and possibilities.
Currently, CHEBO is a common figure in clubs, festivals across Europe and in his hometown of Paris. Besides, his music is widely played on FM radio stations in France, UK, USA, Canada, Argentina, Nigeria and Japan.
Check out CHEBO on Spotify:
Hi there, welcome to Honk Magazine. Can you tell our readers about what really inspired you to write music?
CHEBO – I’ve always loved playing music. I started with an electric guitar I received for my 13th birthday and that passion never really left me. Afterwards I wanted to learn more about other instruments like the bass, piano and drums, and did some gigs in several bands when I was in high school. Now I mainly produce electronic music, as the possibilities are endless. But I still like to balance it with some organic sounds. I’m a pretty spiritual and emotional guy, so I guess that’s where most of my inspiration comes from. I love to translate my feelings and the way I see this mysterious universe into pieces of music. Sometimes I feel like dancing so I make tracks with great energy, and other times I’m more into meditative deep thinking or chill mode. That’s why you can find the whole spectrum in my discography and that’s how I share my emotions with the world. I think it’s pretty amazing that where words fail, music can be understood by everyone.
When did you realize you were going to make music professionally?
CHEBO – Actually, I realized I was going to make music professionally before it happened. I used to work in private banking, but I didn’t feel fulfilled back then. There was still that voice in my head giving me that burning desire to pursue what I love. It was time for me to take a big risk by leaving this comfort and going all-in into living my dreams. So I kinda manifested it. Even though I am not advocating such a risky move, I firmly believe that we can manifest anything we truly want.
Tell us what is so unique about you and your music?
CHEBO – I guess everyone is very unique, the same way our fingerprints are. It’s all about becoming your true self, your higher self and going back to who you were and what you loved as a child. So it’s an unlearning process. Regarding my music, I basically translate who I am into it. That’s why it is unique. I don’t follow any rule, genre, nor recipe. I only go with my intuition and strive to surprise my audience. My goal is to deliver “outside the box” music never heard before, and that doesn’t sound like anything else. I want the listener to go on a journey with me, so you can find a lot of progression and evolution in the same track which is quite uncommon. It is also important for me that someone can listen to my music at any given time of the day and in any mood or situation. Or even the whole day without getting tired of it. That’s why my discography is pretty eclectic. I’m a defender of diversity and I refuse to be pinned down in any one particular music category. I’ve collaborated with artists from all continents and cultures, and I prize my freedom to do whatever I want with my own style very much. In real life I’m pretty introverted and not used to sharing my feelings, so I put it all into my music. I also enjoy expressing myself in the mixing part of the production and experimenting new approaches. So while it may be appealing to follow trends, I usually move in the opposite direction. I would be like “How can I be even more myself today and what feeling does my soul want to share?”.
Can you share a story about the funniest mistake you made when you were first starting? Can you tell us what lesson you learned from that?
CHEBO – Absolutely! I started doing DJ gigs only a week after buying my first CDJs, which I would definitely not recommend. The first time, I went to a bar with my usual headphones, however I didn’t have the right adapter to plug them into their mixing table. So I had to mix without headphones plus I wasn’t familiar with their equipment so I started sweating a lot haha. I still remember the manager telling me “it’s hot over here huh?”. Back then it was a very stressful moment, and the result wasn’t good at all. The atmosphere was pretty calm while I was playing energetic tracks, some people were looking at me like “dude what are you doing we’re trying to chill”. Obviously that bar didn’t call me back. But I didn’t get discouraged and on my next gig everything went perfectly. So I would say in order to avoid any stress in live situations, take time to practice until you feel ready. That way you can just enjoy the moment and feel that connection with the audience. You need your full attention on reading their minds, feeling the vibe and guessing what they wanna hear next. When you are playing live there should be no stress but only fun.
Can you tell us about your latest releases and what inspired you to create them?
CHEBO – My latest releases are mostly remixes of my own tracks by other producers. While I was releasing them, I was preparing for the next season as I needed some time to raise the bar and lift expectations. “Tonight” is currently my most listened to track with over a million streams on Spotify. I really enjoyed making that one and my inspiration came from the fact that I wanted to create something groovy, punchy and sexy, while blending modern and old school vibes. I am super proud of the two available remixes for ‘Tonight’. The first one was made by Ralf, from California while his friend EMRY played live sax on top, so it gives the track a cheerful and uplifting vibe. And the most recent one, released this year, was produced by Elleyet from Australia, which sounds darker and deeper on the sensual end of the house spectrum. A superstar is currently working on the third one, but for now it’s a secret.
Can you give us a brief insight about your upcoming projects?
CHEBO – Following up on my previous answer, I’ve raised the bar much higher for my upcoming projects. I wanted my audience to feel that my next productions are from a whole new level. I’ve been working on some of these tracks for over a year, and it’s now time to share this work with the world. My next dance summer tracks are called ‘Can’t Escape’ and ‘Alive’, both set for release this July. Many hard hitters are on the way. I’m super excited!
What do you wish you were told when you first started making music that you think would help artists just starting out?
CHEBO – Everything is gonna be alright. Building an audience takes time. So don’t get discouraged. I had to release over 20 tracks before it took off. If you maintain a laser focus on what you are doing, it will happen. And try to give 110% in everything you do. Don’t be in a rush, don’t overthink. Just have fun and enjoy the process. Build slowly with happiness. Believe in yourself, keep going, if you like your music other people will like it too. Also and most importantly, think early about your branding as it is essential in this industry. But don’t fall into the trap of perfectionism, I tend to be guilty of that. Just do your best and improve over time.
Which tips would you recommend to your colleagues in your industry to help them to thrive and not “burn out”?
CHEBO – Go with the flow while having discipline. It can be a long journey so it’s important to take some rest and enjoy other things, but stay in your lane. One step at a time. Remember it’s a marathon not a sprint. Plus, inspiration usually strikes while you are doing something else.
What do you do when you don’t do music (creative or otherwise) and that you are passionate about?
CHEBO – I like to spend time with my family and friends, travel or go to the gym. Producing music is pretty sedentary, so it’s important to move the body as well.
Any last piece of advice for those artists who just started making music?
CHEBO – Don’t forget to have fun! If you love what you do you will succeed.
How can our readers follow you online?
CHEBO – You can find me on all social and music platforms.
Instagram – @chebomusic
Twitter – @chebomusic
Facebook – @chebomusic
Don’t hesitate to hit me up and say hi!
Album Review
Paul Terry, Aptøsrs & Cellarscape unite on bold new album “Alternative Piano Club”
Combining his three artistic alter egos, Paul Terry presents an awe-inspiring new 12-track album, “Alternative Piano Club,” written in collaboration with Aptøsrs and Cellarscape. This is an album-length voyage of music that blends acoustic, rock, and piano-driven cinematic sounds.
Torn between this complex emotional spectrum, all the while the piano remains at its core throughout. Paul Terry opens his “Memento Mori (Chromogenic Phase)” contemplatively, creating a solemn, reflective mood. Cellarscape’s “Three Years Of Roses“ is warmer, whereas Aptøsrs’ “Questionnaires“ is much more textured as a large, sculptural post-rock.
“Dave’s Theme,” written by Paul Terry, musically expands the narrative with a touch of cinematic elevation that aligns well. “We Shape The Clouds” by Cellarscape is fluffy and heart-warming, “Writers Behind The Curtain” is somber, more narrative. We are all together in “A Place We Made,” an honest, intimate, emotionally grounded space.
The project contains vocal warmth and cultural depth in the song “This Is My Home“ by Silas Miami & Lana Crowster. Proceeding in a totally different direction is the stronger emotional clarity of Paul Terry’s acoustic storytelling on “Any Time You Want To Fly” and “No Sleep Has Come.” Cellarscape presents a wide, spacious atmospheric moment in “Cygnus,” while Aptøsrs ends with “Rust Mountain (Monochrome Piano Version),” a simple gem that brings the project full circle.
The mixing of Sam Okell and Adam Noble, the mastering of Alex Wharton and Robin Schmidt have, in many ways, brought their polish to it while still making it feel human. “Alternative Piano Club” is a work entity, where three musical personalities met and talk mind in the same emotional language.
Connect with Aptøsrs on Website | X | Instagram | Facebook | Spotify |
Artist Spotlight
LAST ALEX! balances precision and pulse on the electrifying track “Plus 1”
LAST ALEX!, a Chicago-based artist and producer, comes out with “Plus 1,” a high-energy release that combines technical prowess with an undeniable melodic instinct.
LAST ALEX! puts both craftsmanship and creativity on display here. The song’s strength lies in its balance, in detailed execution without sacrificing feeling, and in complexity without losing momentum.
LAST ALEX! doesn’t fully lean into the cold technique or loose emotion, but finds the sweet spot where skill and soul meet. This yields a polished, vibrant, and musically confident track.
Connect with LAST ALEX! on Spotify
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