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CHEBO CHEBO

Artist Spotlight

Meet CHEBO: One Of The Most Exciting Artist And Music Producer In The Industry Today

Music has long been something special that has united us, as well as exposed us to the world around us. Long from the days of music just coming from one specific place, you can now hear great music from any part of the world, with rocking jams that get the job done in a real way, as well as get us familiar with other styles out there. Now, this is where an incredible artist named “CHEBO” comes in.

Known for his electrifying stage performances and signature sound, CHEBO is an accomplished French composer, mixing engineer, producer and DJ who has continued on his adventure of exploring numerous sounds from many cultures and incorporating them into his music, which has earned him praise from his fan base. In a fiery pursuit of his passion, CHEBO had to put aside his promising career in finance to live his music dream. His hard work and fearless creativity have seen him release catchy tracks such as ‘Jiggle It’, paving way for hits like ‘Tonight’ – a breathtaking single shared by Spotify in the ‘Groove Theory’ editorial playlist. This artful yet full of rhythm dance song is structured sophistically and offers an addictive classic disco vibe. Also supported by “The Supermen Lovers”, the infectious record has already passed the 1,000,000 streams mark.

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Driven by an urge to break the rules, CHEBO has scooped various awards such as the 2011 Emergenza Prize for Best Bass Player in France. The young artist believes in the power of inspiration and possibilities.

Currently, CHEBO is a common figure in clubs, festivals across Europe and in his hometown of Paris. Besides, his music is widely played on FM radio stations in France, UK, USA, Canada, Argentina, Nigeria and Japan.

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Check out CHEBO on Spotify:

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Hi there, welcome to Honk Magazine. Can you tell our readers about what really inspired you to write music?

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CHEBO –  I’ve always loved playing music. I started with an electric guitar I received for my 13th birthday and that passion never really left me. Afterwards I wanted to learn more about other instruments like the bass, piano and drums, and did some gigs in several bands when I was in high school. Now I mainly produce electronic music, as the possibilities are endless. But I still like to balance it with some organic sounds. I’m a pretty spiritual and emotional guy, so I guess that’s where most of my inspiration comes from. I love to translate my feelings and the way I see this mysterious universe into pieces of music. Sometimes I feel like dancing so I make tracks with great energy, and other times I’m more into meditative deep thinking or chill mode. That’s why you can find the whole spectrum in my discography and that’s how I share my emotions with the world. I think it’s pretty amazing that where words fail, music can be understood by everyone.

 

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When did you realize you were going to make music professionally?

CHEBO – Actually, I realized I was going to make music professionally before it happened. I used to work in private banking, but I didn’t feel fulfilled back then. There was still that voice in my head giving me that burning desire to pursue what I love. It was time for me to take a big risk by leaving this comfort and going all-in into living my dreams. So I kinda manifested it. Even though I am not advocating such a risky move, I firmly believe that we can manifest anything we truly want.

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Tell us what is so unique about you and your music?

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CHEBO – I guess everyone is very unique, the same way our fingerprints are. It’s all about becoming your true self, your higher self and going back to who you were and what you loved as a child. So it’s an unlearning process. Regarding my music, I basically translate who I am into it. That’s why it is unique. I don’t follow any rule, genre, nor recipe. I only go with my intuition and strive to surprise my audience. My goal is to deliver “outside the box” music never heard before, and that doesn’t sound like anything else. I want the listener to go on a journey with me, so you can find a lot of progression and evolution in the same track which is quite uncommon. It is also important for me that someone can listen to my music at any given time of the day and in any mood or situation. Or even the whole day without getting tired of it. That’s why my discography is pretty eclectic. I’m a defender of diversity and I refuse to be pinned down in any one particular music category. I’ve collaborated with artists from all continents and cultures, and I prize my freedom to do whatever I want with my own style very much. In real life I’m pretty introverted and not used to sharing my feelings, so I put it all into my music. I also enjoy expressing myself in the mixing part of the production and experimenting new approaches. So while it may be appealing to follow trends, I usually move in the opposite direction. I would be like “How can I be even more myself today and what feeling does my soul want to share?”.

 

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Can you share a story about the funniest mistake you made when you were first starting? Can you tell us what lesson you learned from that?

CHEBO – Absolutely! I started doing DJ gigs only a week after buying my first CDJs, which I would definitely not recommend. The first time, I went to a bar with my usual headphones, however I didn’t have the right adapter to plug them into their mixing table. So I had to mix without headphones plus I wasn’t familiar with their equipment so I started sweating a lot haha. I still remember the manager telling me “it’s hot over here huh?”. Back then it was a very stressful moment, and the result wasn’t good at all. The atmosphere was pretty calm while I was playing energetic tracks, some people were looking at me like “dude what are you doing we’re trying to chill”. Obviously that bar didn’t call me back. But I didn’t get discouraged and on my next gig everything went perfectly. So I would say in order to avoid any stress in live situations, take time to practice until you feel ready. That way you can just enjoy the moment and feel that connection with the audience. You need your full attention on reading their minds, feeling the vibe and guessing what they wanna hear next. When you are playing live there should be no stress but only fun.

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Can you tell us about your latest releases and what inspired you to create them?

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CHEBO – My latest releases are mostly remixes of my own tracks by other producers. While I was releasing them, I was preparing for the next season as I needed some time to raise the bar and lift expectations. “Tonight” is currently my most listened to track with over a million streams on Spotify. I really enjoyed making that one and my inspiration came from the fact that I wanted to create something groovy, punchy and sexy, while blending modern and old school vibes. I am super proud of the two available remixes for ‘Tonight’. The first one was made by Ralf, from California while his friend EMRY played live sax on top, so it gives the track a cheerful and uplifting vibe. And the most recent one, released this year, was produced by Elleyet from Australia, which sounds darker and deeper on the sensual end of the house spectrum. A superstar is currently working on the third one, but for now it’s a secret.

 

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Can you give us a brief insight about your upcoming projects?

CHEBO – Following up on my previous answer, I’ve raised the bar much higher for my upcoming projects. I wanted my audience to feel that my next productions are from a whole new level. I’ve been working on some of these tracks for over a year, and it’s now time to share this work with the world. My next dance summer tracks are called ‘Can’t Escape’ and ‘Alive’, both set for release this July. Many hard hitters are on the way. I’m super excited!

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What do you wish you were told when you first started making music that you think would help artists just starting out?

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CHEBO – Everything is gonna be alright. Building an audience takes time. So don’t get discouraged. I had to release over 20 tracks before it took off. If you maintain a laser focus on what you are doing, it will happen. And try to give 110% in everything you do. Don’t be in a rush, don’t overthink. Just have fun and enjoy the process. Build slowly with happiness. Believe in yourself, keep going, if you like your music other people will like it too. Also and most importantly, think early about your branding as it is essential in this industry. But don’t fall into the trap of perfectionism, I tend to be guilty of that. Just do your best and improve over time.

 

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Which tips would you recommend to your colleagues in your industry to help them to thrive and not “burn out”?

CHEBO – Go with the flow while having discipline. It can be a long journey so it’s important to take some rest and enjoy other things, but stay in your lane. One step at a time. Remember it’s a marathon not a sprint. Plus, inspiration usually strikes while you are doing something else.

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What do you do when you don’t do music (creative or otherwise) and that you are passionate about?

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CHEBO – I like to spend time with my family and friends, travel or go to the gym. Producing music is pretty sedentary, so it’s important to move the body as well.

 

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Any last piece of advice for those artists who just started making music?

CHEBO – Don’t forget to have fun! If you love what you do you will succeed.

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How can our readers follow you online?

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CHEBO – You can find me on all social and music platforms.

Instagram – @chebomusic

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Twitter – @chebomusic 

Facebook – @chebomusic

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Don’t hesitate to hit me up and say hi!

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Artist Spotlight

Nate Vickers unveils an electrifying soul-stirring rock brilliance with his debut EP “A Little Too Late”

Nate Vickers

Houston-born singer-songwriter Nate Vickers established himself as a compelling force in the rock genre, setting the airwaves ablaze with his debut EP, “A Little Too Late.” This seven-track sonic odyssey presents a nuanced exploration of emotional landscapes characterized by striking melodies, masterful storytelling, and a polished sonic aesthetic rooted in rock tradition. Inspired by the unrestrained energy of iconic bands such as Linkin Park, Seether, and Nirvana, Vickers crafts an evocative soundscape that fuses classic rock sensibilities with contemporary influences, resulting in a listening experience that feels both nostalgically timeless and refreshingly innovative.

Opening with the title track, A Little Too Late,” Vickers immediately sets the sonic bar for the EP. This powerful, euphoric anthem enriched with poetic melody is distinguished by soaring vocal harmonies and dynamic instrumentation, providing an unforgettable introduction to his artistry.

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The intensity further escalates with I’d Rather D*e,” written by Nate Vickers, Robby Joyner, Philip Strand, and Emelie Eriksson, a soul-bearing track that shimmers with a strikingly introspective ballad imbued with therapeutic warmth. Vickers’s emotive delivery underscores poignant lyricism, and the expressive sound invites listeners on a transformative exploration of resilience and self-discovery. Over & Over introduces a shift in energy through its rock-driven dynamics, emphasizing the unrelenting cyclical nature of life’s vigor. The gripping melodies and emotionally charged performances render it a keystone moment on the EP.

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Vickers further exhibits a vulnerable yet bold turn with I’m Fine,” an introspective rock ballad featuring hypnotic beats and rhythmic guitar work. The track’s uplifting energy and emotionally driven lyrics exemplify his ability to fuse deep meaning with compelling soundscapes. The emotional gravitas persists in Bury Me,” a hauntingly evocative piece with a substantial sonic imprint. Subsequently, the EP strips things back with “Over & Over—Acoustic,” transitioning into an acoustic rendition that allows Vickers to demonstrate his capacity to transform his sound into an intimate, heart-tugging auditory experience.

Concluding with “Bury Me—Acoustic,” Vickers delivers an indelible impression to listeners through his subtly trembling voice. The track, produced, mixed, and mastered by Robby Joyner, features an acoustic instrumental version that accentuates the song’s haunting sensibilities, culminating in a profound emotional resonance.

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A Little Too Late” is a striking testament to Nate Vickers’s artistic vision and commitment to advancing rock music’s boundaries while respecting its core roots. Through meticulous production, intricate instrumentals collide, and emotionally resonant vocals, this EP represents essential listening for connoisseurs of the rock genre and those who appreciate introspective music alike. As Vickers carves out his niche in the revitalizing rock landscape, he emerges as a notable artist poised to significantly impact the genre’s future.

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For more information about Nate Vickers, please visit [website].
CLICK HERE TO STREAM Nate Vickers’s EPA Little Too Late on Spotify.
CONNECT WITH Nate Vickers | Instagram | TikTok | Facebook |

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Artist Spotlight

Neel Rupareliya delivers a soulful anthem for living in the moment with “Jee Le”

Neel

In an age that perpetually frets about what is coming next, Neel Rupareliya offers a set of keys to an escape with his new single, “Jee Le.” Based on putting aside past grievances and future fears, this track calls for uplift, a reminder to be present.

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“Jee Le” exudes warmth from the first note. The melody unfurls like an inhalation, imparting a sense of freedom that is both calming and emboldening. Neel’s tender delivery and artfully arranged instrumentation build a soft but life-altering soundscape like sunlight bursting through the clouds.

Drawn from actual discussions with friends and coworkers burdened by stress, Neel focused on the sonic elements to deliver a song that resonates with the soul. The result? A sonic hug asks listeners to take a moment, breathe, and exist. “The lyrics are a little reminder that life isn’t meant to be lived in rewind or fast forward, but in the lovely in between of now,” he continued.

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Whether you’re hurled into the plight of daily life or looking for the rhythm to your reset, “Jee Le” is a track that hits home. This is a song of mindfulness, swaddled in Neel Rupareliya’s artistry, and one that lingers well after the last note has died away.

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