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Otto Releases 80’s-inspired, Nostalgic Pop Debut EP “Still Picture You”

Earnestness is a quality we often lose touch with as we grow up. For Otto, earnestness is a defining characteristic. With the release of their debut EP “Still Picture You,” Otto aims to capture the candid thoughts and feelings of someone falling in and then out of love – a young soul navigating the changes that accompany that journey. With energetic, 80’s inspired instrumentals and candid lyricism, Otto captures the nostalgic essence of the John Hughes era with a modern, alternative twist.

“Still Picture You” was written virtually, growing up over the airwaves in online songwriting sessions in the winter of 2020. The first time the band members were all in the same room at the same time wasn’t until March the next year, to record their project in Nashville, TN. The resulting collection of songs follows the creative evolution of the band’s personality and individual influences over the year they spent getting to know each other virtually, and brings together groovy, rhythmic guitar riffs, anthemic arpeggiation, and a Tears-For-Fears-esque nostalgia for an electronic synth.

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Natalie is a journalism major with a focus on Entertainment and Music who aspires to become a Content Creator For Honk Magazine. Eventually, she wants to be the Publisher or Editor-in-Chief of a major Publishing House. She loves helping people find their voice and passion for writing and journalism, and she can always be found with coffee in hand, editing another article.

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Artist Spotlight

E.G. Phillips explores cosmic escape with “Please Don’t Make Me Come Back from the Moon”

E.G. Phillips

E.G. Phillips’ new release, “Please Don’t Make Me Come Back from the Moon,” is a track that drifts effortlessly between genres and atmospheres. “Please Don’t Make Me Come Back from the Moon” is an experience that feels suspended in time and space.

Blending alt-folk with jazz-fusion touches, the track creates a dreamy and unpredictable wave of radio-static textures that ripple beneath the verses, giving the impression of floating through an unfamiliar yet comforting universe. There’s a sense of detachment here, as if reality has been left behind entirely.

Just as listeners settle into its hazy rhythm, the bridge shifts gears into a jazz-rock groove, complete with trumpet lines that subtly nod to a fusion-inspired legacy. This transition feels organic, enhancing the track’s exploratory nature rather than disrupting it. “Please Don’t Make Me Come Back from the Moon” is a beautifully strange offering that invites listeners to step outside themselves and embrace the unknown, even if only for a few minutes.

Connect with E.G. Phillips on Spotify || Instagram || Facebook || Youtube

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Artist Spotlight

Captain Iron and the Windrift Band put on a sci-fi pop show with new release “Ultra Sound”

Captain Iron / Windrift Band

Captain Iron / Windrift Band opens a vivid portal with “Ultra Sound,” a bold, creative dance-pop song that fully embraces cinematic storytelling. From the outset, the track establishes itself as more than just a catchy club-ready anthem, it’s a narrative-driven experience wrapped in glossy, futuristic production.

“Ultra Sound” is a great track because of its unique idea, a sexy fembot synth lures astronauts into a trap, then uses an ultrasonic tractor beam to steal their ship. It’s fun, a little strange, and very different from what you usually hear in pop music. This lets Captain Iron show off his unique lyrical style. The story feels like it’s moving forward with each beat, like it’s a movie.

It’s easy to see how “Ultra Sound” could grow even further with full-scale production or collaboration, since its foundation already offers plenty of possibilities. Captain Iron / Windrift Band gives us a song that is both fun and smart. “Ultra Sound” doesn’t just want people to dance, it wants to take them to a colorful, imaginative world where stories and sounds come together thrillingly.

Connect with Captain Iron / Windrift Band on Spotify || Twitter || Youtube

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