Music
Jackson Mico Milas presents a new single with music visual for ‘White Noise’
Jackson Mico Milas unveils a new second single called ‘White Noise’ following the first track drop ‘Lost In Seasons’, which has picked up airplay from BBC 6 Music’s Cerys Matthews and came alongside a hypnotic visualizer for its B-side ‘Katia Standing Alone.
On ‘White Noise’, Jackson’s eclectic sonic vista expands from the hushed acoustic lushness of ‘Lost In Seasons’, inviting the listener further into his intimate world, with subtle electronics and gorgeous airy atmospheres layered over organic drums and double bass. ‘White Noise’ washes over the listener like a cool summer breeze, with Jackson’s soft vocal hooks and melancholic tones penetrating that inner psyche. The accompanying video is the first of three videos that will progressively expand visually to narrate the Album’s journey to a November 2022 release. “White Noise” sees Jackson on a secluded beach, the waves and sea foam crashing behind as the song’s moods progress and expand.
Having cut his teeth at New York’s Nylon Studios, Jackson carved out a career with award-winning film and TV scores including a long-standing collaboration with Tim Minchin on the acclaimed Sky Atlantic drama ‘Upright’.
On ‘Blu Terra’, Jackson comes of age and delivers a mature and elegant suite of compositions encompassing acoustic, alt-folk, and jazz elements to set up soaring and heartfelt songs. The LP features a cast of great players, including String arrangement on ‘June’ comes from Elliott Wheeler (Musical Director/Composer on ELVIS), Tim Lefebvre (David Bowie ‘Blackstar’), Troy Simms (Lee Scratch Perry)
The album is released on Apollo, the home to ground-breaking talents such as Aphex Twin, Nadine Shah, Synkro, Biosphere, and many more over its 30-year tenure.
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Artist Spotlight
“Hell has frozen over” finds Sarina choosing peace over being understood
Sarina’s new track, “Hell has frozen over,” explores the less dramatic, more complicated moment of reaching the end of the road, being gaslit, ignored, rejected, and painfully lonely. It translates the emotional burnout into a rock-pop context that’s easy to understand.
“Hell has frozen over” focuses on the decision to step away, instead of explaining, defending, or seeking understanding from people who refuse to listen. The rock foundation gives it the right weight, the pop influence makes it accessible, and the focus stays on the emotional message.
Sarina’s art is the struggle of loss and being strong in yourself. It’s about understanding that protecting your peace is more important than being understood. And that’s the emotional balance that gives the release its character so that the subject matter has relevance beyond a particular circumstance.
“Hell has frozen over“ is a relief from the burden of carrying on a debate that will never be resolved. Sarina turns an experience of isolation into a statement about boundaries, resilience, and the choice not to get caught in the same cycle. The result is a record that’s at its best when it’s being true to what it feels like to finally be free from whatever has been holding you down.
Photo Credit: Andrea Hunter
Artist Spotlight
Girlhood finds summer warmth and quiet freedom on “Lemon Aid”
“Lemon Aid“ is a warm indie-pop ballad from Girlhood that finds comfort in the ordinary and weaves in a sense of release. This song is about surrendering to the moment, finding space to breathe, and letting a little lightness back in. This reflective core is surprising, given the warm summer-night feel of the track, hinting at a moment of emotional rebalancing.
Singer-songwriter Natalie Holmes has a tender personality and fronts the slow-burning “Lemon Aid.” The production supports that softness, keeping the song’s gentle mood and intimate direction front and center. Beneath the comfort is a thoughtful examination of pressure, transition, and the need to pause.
The song’s link to the streets of Stroud offers yet another layer of art to the work. Familiar places can mean something when life feels uncertain, and the emotional scene involves storefronts, parks, cafes, and leafy, winding streets. “Lemon Aid“ searches for beauty in everyday places and rituals, finding still moments that mean something without getting carried away.
The track is the first release of Girlhood’s forthcoming album, “This Will Make Sense In The End,” a more reflective chapter with hope at its heart. “Lemon Aid” is about softness, conjuring a space where dancing, wandering, and just existing can feel like a cure. It’s an unleashing of small observations and soft emotional movement and a clear indication of the thoughtful direction that Girlhood is heading next.
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