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Harmony Dreamers’ New Solar-Powered Music Trilogy Will Leave You Spinning Round the Sun – Literally!

Harmony Dreamers, a musical collective comprising twenty accomplished musicians from across the globe, has produced a stellar single that stands out not only for its musicality but also for its eco-friendliness. 

Harmony Dreamers is excited to unveil its latest masterpiece, the single entitled “Spinning Round The Sun.” This three-part composition is part of the band’s debut album, “I Come From Earth.” Despite the challenges posed by the COVID pandemic, the group’s leader, Byron Lee Scott, was able to write, record, and mix the track in the comfort of his solar-powered mobile studio unit.

Critics and fans alike have lauded the music of Harmony Dreamers as a unique and unparalleled work of art. Honk Magazine, in particular, has praised the band’s sound, calling it a “never-before-seen” creation. The group’s music has garnered over 200,000 Spotify streams, a testament to the band’s growing popularity and influence in the music industry.

As Harmony Dreamers continues to create music that resonates with listeners around the world, the band remains committed to delivering high-quality compositions that touch the hearts and souls of its fans. With “Spinning Round The Sun,” the band aims to take its fans on a journey of discovery, exploring new realms of sound and emotion.

Byron Lee Scott says, “During Covid, I bought a travel trailer, set up a studio inside it, and learned to live off grid on propane and solar power. I stayed in remote areas of Arizona and California, and finally, in Nevada, where the album was mastered at The Hideout Studios in Las Vegas.”

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“Spinning Round The Sun” is a mesmerizing, synth-heavy pop song that celebrates the wonder of life on Earth and the love the earth receives from the Sun. As part of a larger trilogy, the song serves as the first part of a larger story that explores the connections between space, love, and the human experience. The second part, “Loving The Sun,” offers a more cinematic interpretation of the theme, while part 3, “Solar Rays” presents an electronic dance instrumental version.

“The Sun is blazing through space at about 500,000 miles per hour, and the Earth follows in a spiral path at the perfect distance. I think it’s miraculous!” exclaims Scott. “It’s wondrous and humbling when you become aware of the vast universe. It’s a feeling there is something much bigger than ourselves.”

The Spinning round the Sun trilogy of songs, with its many layers of synthesizers and vocals were almost entirely performed by Byron Scott. Drummer and long-time band mate Larry Dragland adds drum kit grooves to Scott’s many-layered percussion tracks, along with Perm, Russia-based Anna V’s vocals. All the orchestrations, synth bass, and the myriad of electronic sounds were performed by Scott on Guitar Synthesizer.

Spinning round the Sun Parts 1 & 2

Spinning round the Sun Part 3

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Artist Spotlight

“Subterranean Homesick Blues” finds a new direction through Ghost of Panama

Ghost of Panama

Rearranging a song that carries six decades of cultural weight is a creative challenge, but Ghost of Panama approaches “Subterranean Homesick Blues” with clear purpose. The rock band radically reworks Bob Dylan’s counter-culture hit, reshaping its identity while keeping its rebellious spirit. It’s a tribute to musical heritage and a statement of artistic independence all in one.

This new interpretation is very much shaped by the production, made at Ghost of Panama’s home studio in West London. The setting allows an intimate approach to reinterpreting a familiar song and lets the group engage directly with the material, taking it in a new artistic direction.

“Subterranean Homesick Blues” centers on the tension between conservation and transformation. Ghost of Panama is true to the song’s rebellious spirit without adding to its legacy, and this approach gives the release an adventurous feel, grounded in countercultural energy but driven by a desire to see what the composition can become in a different musical context.

Their version of this 60-year-old classic shows that respecting a song’s history can also mean breaking the rules and finding new ways to express its spirit. Fundamentally, “Subterranean Homesick Blues” presents Ghost of Panama as artists who want to engage with the past without being tied to it. The release’s strongest identity is a familiar heritage reimagined through a singularly forward-looking creative vision.

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Artist Spotlight

“NO MORE” by Amanda Holley connects healing, awakening, and survival

Amanda Holley

“NO MORE carries that kind of emotional weight, and some songs feel like they come from lived experience but reach for something bigger. Amanda Holley blends R&B and soul, turning a lifetime of survival into a vision of healing, awakening, and the determination to move beyond what caused the pain.

“NO MORE is a healing anthem for people who have gone through bad experiences and reached a place of higher awareness, but it’s also an emotionally charged protest. The duality is introspective and outward-looking at the same time, turning personal survival into a broader declaration that some experiences, conditions, or cycles should end.

Holley had a premonition of the song six months before the world went into global shutdown. In the vocal booth, working out melodies with her collaborators, she pictured people in the streets. Those images were hard to imagine at the time, but subsequent events would make them painfully familiar.

“NO MORE is given a particularly contemplative underpinning by the context. The identity of R&B and soul leaves room for emotion. The song’s themes link survival, awakening, resistance, and the need for change. Amanda Holley is an artist using music to process personal endurance and a broader sense of social awakening. It’s got a complicated significance, and its release feels like a glimpse of a moment when personal intuition and public reality collided in an unexpected way.

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Photo Credit: Yulia Shusharina

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