The eleven songs on PRETTY AWKWARD’s Get Weird range from reflections on personal experiences to anthemic crowd-pleasers that will resonate with young and old alike. Veteran songwriters and musicians Nicholas Wiggins and Austin Held recruited a first-class cadre of collaborators to flesh out their musical vision and they play as a band rather than a glorified solo vehicle for either man. The stylistic dexterity evident throughout the album likewise coheres rather than sounding like a mishmash of conflicting aims. PRETTY AWKWARD’s songs sound like the results of an outfit that began the recording process knowing exactly what they hoped to achieve and clearing every hurdle with room to spare.

You can hear their confident self-assurance in the album’s opener. “Hang Out” presents listeners with a scenario that’s easily relatable to the band’s target audience but, likewise, cuts across age demographics. It’s youthful, without question, but even older listeners of a certain type can remember staying up into the wee hours intoxicated with friends and/or romantic partners. It’s a song portraying the tightly knit confederacies of friendship in a unique way and the lightly atmospheric arrangement helps bring it to unusual life. 

PRETTY AWKWARD continues an impressive run to open the album with its next two tracks. “Misfits” is one of the release’s best numbers and a bonafide anthemic gem. It gains much of its power from the deliberate scaffolding that the band erects for the performance; its steady escalatory pace culminates in a soaring chorus. “Get Weird” is a memorable title song that relies much more on atmospherics than the other ten cuts. The band’s command of manipulating light and shadow excels here and Held delivers one of his best vocal performances.

The simmering and often effervescent pop of “Bad Habit” opens with a brief snippet of piano before segueing into the main body of the song. Alternative music fans will latch onto the slinky percussion driving the tune and it gives the track an irresistibly stylish veneer. “Castle Walls” is an especially inspired songwriting clinic that turns the band once again towards the anthemic. They’ve hit upon their idiosyncratic language, however, and write about self-realization and seizing the day with undeniable flair. It’s one of Get Weird’s most impassioned moments.

“Woozy” is one of the album’s marquee cuts. If you want to put forth one song out of the eleven that sounds and feels truly representative of PRETTY AWKWARD’s gifts, then this is it. Each of their cuts has a clear subject matter that relates to everyday life, and this is no different. This pop-influence romp about a dysfunctional yet addictive relationship crisscrosses multiple genres without ever disorienting listeners and has an entertaining melody you won’t soon forget.

They end the album on a melancholy yet ultimately victorious note. “Burn” definitely embraces a “better to burn out than fade away” spirit, but listeners will come away from this sure that PRETTY AWKWARD won’t be fading out anytime soon. It’s an invigorating and thoughtful tune illustrating their range better than other already outstanding songs on Get Weird. This album deserves your attention and more as they’ve written and recorded one of 2023’s best Alt.Pop collections. 

Skyler Voss