Album Review

Age Ain’t Nothing But a Number: Lolly Lee Delivers Debut Self-Titled LP

Lolly Lee’s self-titled LP kicks off with an energetic and infectious anthem, “Satellite,” setting the stage for what’s to come on this vibrant and dynamic album. With its driving guitar riffs, pulsating percussion, and Lee’s spirited vocals, the song immediately captures listeners’ attention and leaves them hungry for more.

Throughout the album’s 11 tracks, Lee showcases her incredible musicality and unwavering passion for storytelling through music. Her songs are a vibrant tapestry of rock ‘n’ roll infused with light Americana elements, creating a sound that is uniquely her own. From the upbeat and catchy “Great Crusade” to “Ave Mario Grotto,” each track on the album stands out on its own while still maintaining a cohesive sound.

What makes this album truly special is Lee’s ability to craft compelling narratives through her lyrics. It’s evident that each song is deeply personal to her, drawing on her own experiences of love, loss, and life in rural Alabama. In “Shot at the Devil,” the album’s closing track, Lee reflects on the uncertainties of life and the struggle to find inner peace. With her emotive vocals and haunting melody, she captures the bittersweet feeling of acceptance and letting go. As a listener, it’s hard not to be deeply moved by her vulnerability and honesty.

Collaborating with long-time friend and producer Anthony Crawford, Lee has created a mesmerizing sound that perfectly complements her songwriting. Crawford’s production expertise shines through on each track, adding layers of depth and texture to Lee’s already dynamic songs. Lee’s decision to also enlist the vocal powerhouse Savana Lee, Crawford’s wife and bandmate in Sugarcane Jane, adds an extra layer of richness and diversity to the album.

The standout single, “Great Crusade,” is a perfect example of the magic that happens when Lee and Crawford collaborate. The song is a rousing anthem that is equal parts fun and inspiring, with its kickass riffs and battle-inspired lyrics. It’s impossible not to feel empowered and ready to conquer the world after listening to this song.

Recorded at the renowned Admiral Bean Studio, the production on this album is top-notch. Each instrument and vocal is expertly mixed, creating a balanced and polished sound that perfectly captures the energy of Lee’s live performances. As a listener, it’s easy to get lost in the music and feel like you’re right there in the studio with Lee and her band.

In conclusion, Lolly Lee’s self-titled LP is a must-listen for fans of rock ‘n’ roll, Americana, and great music in general. Lee’s talent and creativity shine through on every track, making this album a true gem in the world of independent music. With its infectious energy, inspiring melodies, and thought-provoking lyrics, this album is sure to leave a lasting impression on listeners and solidify Lolly Lee as a force to be reckoned with in the music industry.

http://www.lollyleemusic.com

-Chuck Rainey

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Album Review

Paul Terry, Aptøsrs & Cellarscape unite on bold new album “Alternative Piano Club”

Combining his three artistic alter egos, Paul Terry presents an awe-inspiring new 12-track album, “Alternative Piano Club,” written in collaboration with Aptøsrs and Cellarscape. This is an album-length voyage of music that blends acoustic, rock, and piano-driven cinematic sounds.

Torn between this complex emotional spectrum, all the while the piano remains at its core throughout. Paul Terry opens his “Memento Mori (Chromogenic Phase)” contemplatively, creating a solemn, reflective mood. Cellarscape’s “Three Years Of Roses“ is warmer, whereas Aptøsrs’ “Questionnaires“ is much more textured as a large, sculptural post-rock.

“Dave’s Theme,” written by Paul Terry, musically expands the narrative with a touch of cinematic elevation that aligns well. “We Shape The Clouds” by Cellarscape is fluffy and heart-warming, “Writers Behind The Curtain” is somber, more narrative. We are all together in “A Place We Made,” an honest, intimate, emotionally grounded space.

The project contains vocal warmth and cultural depth in the song “This Is My Home“ by Silas Miami & Lana Crowster. Proceeding in a totally different direction is the stronger emotional clarity of Paul Terry’s acoustic storytelling on “Any Time You Want To Fly” and “No Sleep Has Come.” Cellarscape presents a wide, spacious atmospheric moment in “Cygnus,” while Aptøsrs ends with “Rust Mountain (Monochrome Piano Version),” a simple gem that brings the project full circle.

The mixing of Sam Okell and Adam Noble, the mastering of Alex Wharton and Robin Schmidt have, in many ways, brought their polish to it while still making it feel human. “Alternative Piano Club” is a work entity, where three musical personalities met and talk mind in the same emotional language.

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Album Review

Mt. Kili Mt. Kili delivers quiet power and honest reflection on “The Noticer” (album)

Mt. Kili’s latest album, “The Noticer,” is a warm, contemplative acoustic folk album that finds beauty in the minutiae of life itself, as calm and bare as anyone would call it. Songwriter Rick Sichta of Asheville leads the project with delicate instrumentation and outspoken lyrics, bringing forth an experience that can be both personal and universal.

Recorded at Echo Mountain Studio in Asheville, the music is refined and mastered by Grammy Award-winning Julian Dreyer and David Glasser. The current lineup still embodies this vision, with Matt Shepard holding down a heavy rhythmic backbone and Laney Barnett’s violin and vocals rounding out the sound, creating emotion.

There is a story and emotion hidden within each track. The EP opens with “Don’t Start a War,” which opens contemplatively, begging for peace rather than war. The title track, “The Noticer,” exudes a sense of awareness and the beauty of watching life unfold. “The Rain Song” features a soothing, near-meditative vibe.

With a hopeful reflection, “The Road Isn’t as Long as It Seems” is about perspective and perseverance. “Her Song” is pretty much a musical love letter, and “Kyle” is defined by its character-driven narrative. With “The Weather Report,” the change of feeling is reflected, while “Scars “ and “Strawberry Fields” hint at memories and softening imagery. “All in Good Time” concludes the record patiently, a soothing sigh of comfort. “The Noticer” is a reflective album with a soft reminder that sometimes the smallest moments mean the most.