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Drake’s Toronto Nightmare, Booed Off Stage at Limp Bizkit Concert

Drake

Drake’s 2024 just hit another low. The Toronto native faced a surprising reception at a Limp Bizkit concert in his hometown on July 24. The iconic nu-metal band, currently on their Loserville tour, found themselves playing host to an unexpected guest – and an even more unexpected reaction.

During the concert, frontman Fred Durst announced Drake’s presence, expecting a warm welcome. Instead, the crowd erupted in boos. “I thought Drake was your homie,” Durst said, trying to quell the audience’s reaction. “Drake’s my homie.” He even dedicated the next song to the rapper, but the gesture did little to sway the audience’s mood.

Social media quickly lit up with reactions to the incident. One user on X commented, “I doubt many Drake fans and Limp Bizkit fans are synonymous with one another.” Another noted the irony, saying, “I wasn’t expecting them to like him, but it’s still funny that it happened in Toronto.” A third user humorously added, “Welp, guess Drake is gonna take a selfie with oversized pants, a Korn T-shirt, and a box of biscuits,” poking fun at the rapper’s potential petty response.

This hometown rejection adds to a string of challenges for Drake this year. His feud with Kendrick Lamar saw Lamar’s “Not Like Us” become the year’s biggest hit, overshadowing Drake’s musical efforts. Despite contributing to Camila Cabello’s latest album, Drake hasn’t released a chart-topping hit in 2024. Even his diss tracks aimed at Lamar fell flat with the public.

Drake’s recent appearance on producer Gordo’s album, DIAMANTE, offers a glimpse of his latest musical direction, reminiscent of his 2022 house music pivot in Honestly, Nevermind. With new music reportedly on the way, the rapper is likely to release an album before the year ends in an attempt to reclaim his spot in the spotlight. But after being booed in his own backyard, he might need to start winning back his home fans first.

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Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

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Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

NOAH.

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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