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Artist Spotlight

BennyT’s Latest Drop “Too Much Pride”

BennyT’s latest drop, “Too Much Pride,” is a compelling track that blends personal introspection with a polished production style, making it a standout in today’s hip-hop scene. As one half of Long Boyz Productions LLC, Benjamin Long—better known as BennyT—has brought his multifaceted creative skills to bear on this single, delivering a piece that’s as visually evocative as it is sonically engaging.

From the jump, “Too Much Pride” hooks you with its smooth, atmospheric beat. The production is clean, yet layered with a depth that reflects BennyT’s background as a videographer and director. There’s a cinematic quality to the track, likely influenced by his extensive experience in creating promo content for local businesses, music videos, and sports recruiting and highlight videos. This song doesn’t just play; it paints a vivid picture.

Growing up, Benjamin Long was no stranger to the struggles of finding one’s path. His brother, Jeremiah Long, co-owner of Long Boyz Productions LLC, was always the one with the clear vision, dragging young Ben along on various filming adventures. For Benjamin, videography seemed like Jeremiah’s gig. It wasn’t until after college, during a period of significant self-reflection, that Benjamin realized his true calling. This journey of self-discovery is palpably woven into the fabric of “Too Much Pride.”

The lyrics are raw and honest, capturing the essence of BennyT’s internal conflict and ultimate acceptance of his passion. Lines like “man I’m so gone, caught up in the mix, that’s where I belong” reflect a relatable struggle with ego and ambition. BennyT’s delivery is both earnest and gritty, striking a balance that keeps listeners engaged from start to finish.

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BennyT’s transition from feeling overshadowed by his brother to co-founding a successful production company is a narrative that adds depth to his music. His work with artists from Kansas City, Texas, Florida, and New York has honed his ability to tell stories through music and visuals, a talent that shines brightly in “Too Much Pride.” The track is a testament to his belief in creating content that his clients—and listeners—are proud to showcase on their platforms.

The beat of “Too Much Pride” is a blend of modern hip-hop and soulful undertones, creating a vibe that’s both contemporary and timeless. The production quality is a cut above, reflecting BennyT’s meticulous attention to detail honed from his videography work. His collaborations with local businesses, such as KC Baggers affiliated with the American Cornhole League (ACL), have clearly influenced his ability to craft compelling narratives, whether through a lens or a microphone.

BennyT’s “Too Much Pride” is more than just a song; it’s a narrative of self-acceptance and artistic dedication. It’s a reminder that sometimes, stepping back and reassessing your path can lead you to your true passion. The authenticity in his music is a direct reflection of his personal journey, making this track resonate on a deeper level with his audience.

For those in the hip-hop community and beyond, “Too Much Pride” is a track that should not be missed. BennyT has proven that he’s not just a talented videographer and director but also a formidable artist in his own right. This single marks an important chapter in his career, one that promises even greater things to come. As BennyT continues to evolve and refine his craft, there’s no doubt that he’ll keep delivering music that’s as powerful as his visuals.

Loren Sperry

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Artist Spotlight

“Subterranean Homesick Blues” finds a new direction through Ghost of Panama

Ghost of Panama

Rearranging a song that carries six decades of cultural weight is a creative challenge, but Ghost of Panama approaches “Subterranean Homesick Blues” with clear purpose. The rock band radically reworks Bob Dylan’s counter-culture hit, reshaping its identity while keeping its rebellious spirit. It’s a tribute to musical heritage and a statement of artistic independence all in one.

This new interpretation is very much shaped by the production, made at Ghost of Panama’s home studio in West London. The setting allows an intimate approach to reinterpreting a familiar song and lets the group engage directly with the material, taking it in a new artistic direction.

“Subterranean Homesick Blues” centers on the tension between conservation and transformation. Ghost of Panama is true to the song’s rebellious spirit without adding to its legacy, and this approach gives the release an adventurous feel, grounded in countercultural energy but driven by a desire to see what the composition can become in a different musical context.

Their version of this 60-year-old classic shows that respecting a song’s history can also mean breaking the rules and finding new ways to express its spirit. Fundamentally, “Subterranean Homesick Blues” presents Ghost of Panama as artists who want to engage with the past without being tied to it. The release’s strongest identity is a familiar heritage reimagined through a singularly forward-looking creative vision.

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Artist Spotlight

“NO MORE” by Amanda Holley connects healing, awakening, and survival

Amanda Holley

“NO MORE carries that kind of emotional weight, and some songs feel like they come from lived experience but reach for something bigger. Amanda Holley blends R&B and soul, turning a lifetime of survival into a vision of healing, awakening, and the determination to move beyond what caused the pain.

“NO MORE is a healing anthem for people who have gone through bad experiences and reached a place of higher awareness, but it’s also an emotionally charged protest. The duality is introspective and outward-looking at the same time, turning personal survival into a broader declaration that some experiences, conditions, or cycles should end.

Holley had a premonition of the song six months before the world went into global shutdown. In the vocal booth, working out melodies with her collaborators, she pictured people in the streets. Those images were hard to imagine at the time, but subsequent events would make them painfully familiar.

“NO MORE is given a particularly contemplative underpinning by the context. The identity of R&B and soul leaves room for emotion. The song’s themes link survival, awakening, resistance, and the need for change. Amanda Holley is an artist using music to process personal endurance and a broader sense of social awakening. It’s got a complicated significance, and its release feels like a glimpse of a moment when personal intuition and public reality collided in an unexpected way.

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Photo Credit: Yulia Shusharina

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