Music
The Recording Academy Denies The Weeknd’s Claim That The Grammys Are ‘Corrupt’
Getty Image Interim president/CEO Harvey Mason Jr. revealed in the statement that he was ‘surprised’ that the Canadian singer did not get nominated. …

The Weeknd opted against holding his tongue on Tuesday night and shared a post to Twitter where he called the Grammy awards “corrupt.” His accusation came after he failed to receive a single nomination in any category for the 2021 Grammys. His tweet also came shortly after TMZ reported that the singer did not get nominated at the award show because he insisted on performing at both the Grammys and the Super Bowl. Hours after The Weeknd’s tweet, The Recording Academy’s interim president/CEO Harvey Mason Jr. put out a statement that Variety shared where he denies The Weeknd’s claims and says he was also “surprised” that the Canadian singer was not nominated.
Congratulations to today’s Grammy nominees, who have earned their peers’ recognition for their incredible work. There were a record number of submissions in this unusual and competitive year. We understand that The Weeknd is disappointed at not being nominated. I was surprised and can empathize with what he’s feeling. His music this year was excellent, and his contributions to the music community and broader world are worthy of everyone’s admiration. We were thrilled when we found out he would be performing at the upcoming Super Bowl and we would have loved to have him also perform on the Grammy stage the weekend before.
Unfortunately, every year, there are fewer nominations than the number of deserving artists. But as the only peer-voted music award, we will continue to recognize and celebrate excellence in music while shining a light on the many amazing artists that make up our global community. To be clear, voting in all categories ended well before The Weeknd’s performance at the Super Bowl was announced, so in no way could it have affected the nomination process.
All Grammy nominees are recognized by the voting body for their excellence, and we congratulate them all.
This is Mason Jr.’s second statement since the Grammy nominations were revealed. Earlier on Tuesday, he addressed some of the biggest snubs from the award show. “The Grammys have shifted in terms of what they value,” he said in his first statement. “Now they seem to value championing newer and less well-known artists over reinforcing things that have already been rewarded in the marketplace.”
(via Variety)
Artist Spotlight
DONELLI A.I. ENSEMBLE offers a jazz fusion and electronic atmosphere on “Previsioni del tempo incerto”
DONELLI A.I. ENSEMBLE unveils an 18-track album, “Weather Forecasts of Unknown Weather”, blending jazz fusion, world music, progressive rock, new age, and cinematic textures with sounds inspired by the 80s. The album is built on compositions made with keyboards, samplers, and DAW software, as well as collaborations with other musicians, which are then rearranged and reworked with the help of artificial intelligence. The process embeds technology directly into the creative fabric of the project.
The album opens with “Previsioni del tempo incerto”, which features trumpet and vocals with the rest of the ensemble, setting up the album’s blend of instrumental and vocal elements. “Villistas” is more dancey, with dreamy synths and layered compositions that create a lighter electronic atmosphere. The differences between these tracks show that the album is willing to move between genres rather than stay in a single fixed sonic category.
“Claudia” opens with a saxophone and the sweet presence of a jazz orchestra, adding a more traditional jazz colour to the album’s wider electronic and cinematic landscape. The quality of “Pigalle” continues to pull the listener in with its atmospheric approach and vocal effects. Together, these selections reveal the project’s oscillation between acoustic-inspired instrumental timbres and electronically shaped spaces.
The album closes with a softer track, “ninna nanna”, thanks to its gentle presence and composition. The positioning brings the stylistic range heard across the record to a peaceful close. “Previsioni del tempo incerto” is defined by its willingness to blend contrasting musical languages, jazz, world, prog rock, electronic production, cinematic atmosphere, and 80s-inspired textures into a single expansive project. That cross-genre approach, with AI-assisted reworkings as another element of the album’s evolving sound, is especially clear in the artistic direction of the DONELLI A.I. ENSEMBLE.
Connect with DONELLI A.I. ENSEMBLE on Spotify || Instagram || Facebook || Youtube
Artist Spotlight
Mark Cee revisits the past and moving forward with new Album “Ghost Talk Show”
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The album opens with “Wish You Were Coming Home”, immediately setting the collection on a personal path. “Drifting Back Again” looks to the strange comfort of remembering times that were hard at the time, pointing to how memory can alter the emotional valence of past experience. That reflective quality is a natural part of the album’s broader folk-orientated approach, one where atmosphere and storytelling combine.
Another catchy moment arrives with “And Now The Rain Is Gone”, a track about the choice not to look back. It is an important counterpoint to the rest of the album, which is steeped in memory. Earlier songs may explore the past, but this one suggests the possibility of moving beyond it.
The album’s closer, “Don’t Buy Gas Station Gummies”, takes the album into a more unique rock setting with its catchy electric guitar. That alteration gives the ending a different energy but still within the eclectic folk-rock framework of the record. “Ghost Talk Show” by Mark Cee is a balancing act, combining electric-texture moments with acoustic songwriting across nine tracks that move between recollection and release. The most interesting thing about it is the way its songs touch on memory from different angles, allowing the album to feel less like a single statement and more like a conversation with the past.
Connect with Mark Cee on Spotify || Instagram || Facebook || Youtube
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