Music

Mulatto Performs ‘Youngest N Richest’ And More For A Regal Tiny Desk Concert

No desk needed for the Queen of da Souf. …

2020 XXL Freshman Mulatto adds another accomplishment to her growing list, delivering a regal performance for her first appearance on NPR Tiny Desk Concerts. Nixing the “desk” part, she employs both a violinist (Joy Black) and keyboardist (SK) and occupies a throne-like chair as she raps her way through “Youngest N Richest” and “Blame Me” while lounging around. She pops up for the closer, “He Say She Say,” leaving her crown on a side table so she can really get loose while SK embellishes the backing track.

Performing from home has allowed a greater variety of artists to appear on NPR Tiny Desk lately but it’s also something many fans with Mulatto would have adopted as personal policy as well. She recently came under scrutiny on social media for performing a raucous live show in a packed venue at the height of the increase in COVID-19 cases. Of course, her hometown of Atlanta is part of a state that has refused to shut down in response to the spread of the coronavirus, drawing similar scrutiny to 2 Chainz’s restaurant and other concerts held by DaBaby and more.

However, Mulatto herself continues to land prestigious placements, including on 2 Chainz’s new album on the single “Quarantine Thick” and on Kash Doll’s new song “Bad Azz” which debuted during the Gucci Mane vs. Jeezy Verzuz at Magic City in — where else? — Atlanta.

Watch Mulatto’s Tiny Desk Concert above.

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Artist Spotlight

C’batch delivers love, reflections and new beginning through “Next Time (I Won’t Be Falling)” (EP)

C’batch’s latest EP, “Next Time (I Won’t Be Falling),“ is a soulful exploration of the never-ending cycle that is love. It’s a release that combines intimacy with looking ahead, blending emotion with cinematic ambition. The EP embraces the ambiguity that follows, instead of providing a clean resolution to heartbreak.

This EP is a sneak peek of C’batch’s upcoming album, “The Vault 4 – Cinematic,” set for release on July 10, 2026, that will go deeper into the emotional universe. The project begins with “Next Time (I Won’t Be Falling),” a nicely balanced, measured balance of strength and openness that captures the emotional tension between self-protection and hope for another chance. “Next Time (I Won’t Be Falling) (2)” gives the same emotional struggle from a more reflective perspective, letting the feelings settle with more maturity and quiet conviction.

“Next Time (I Won’t Be Falling)1a“ tells a different story, with similar emotions reinterpreted with musical shifts, adding to the experience but still resonating with the core message of the EP. The release is completed with the cinematic version of “Next Time (I Won’t Be Falling) Cinematic Version 2,“ a sweeping song with cinematic textures that turns the title track into an immersive sound and offers a glimpse of the creative direction behind “The Vault 4 – Cinematic.“

Another point of connection in C’batch’s expanding catalog, “Next Time (I Won’t Be Falling),“ also supplies the creative inspiration for the two companion versions of “Fluorescent Buzz (You Got Me Falling)“ on the EP of the same name. These releases represent an artist consciously creating a connected musical universe that is growing in emotional depth, storytelling, and cinematic production.

Connect C’batch on | Website | FB | Spotify |

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Album Review

C’batch delivers a soulful dancefloor experience with “The Vault 3 – Club / Dance / R&B-Soul / Funk / Pop / Techno / Etc.”

C’batch is back with “The Vault 3 – Club/Dance/R&B-Soul/Funk/Pop/Techno/Etc.,” a 20-track album of unreleased archival recordings, remixed into one seamless late-night journey. The project builds a world where dancefloor rhythm meets intimate introspection, for global dance culture and late-night listening.

The album opens with raw, emotional loss of love and personal clarity in tracks such as “Breaking My Heart” and “Found What’s Right for Me.” “The Club Song” and “Too Hot to Handle” up the dancefloor ante with thick club beats and game tension. “Mystique of Love (What’s Behind Your Smile)” has an air of mystery about it and is delivered with smooth R&B vibes, while “I Just Wanna Love You Now” is all about passion and urgency.

The mid-section tracks extend the emotional palette of the record. The smooth pop and soul elements of “I Am the Right Guy” promise confident self-confidence, and the next track, “On to You,” plays on attraction and groove. “Love Give Me a Sign (Velvet Switchblade) 2” mixes openness with gritty funk textures, while “No More Lonely Nights” is introspective ambient soul. “Hit Me with Your Love” has a lot more rhythm and a lot more dance energy. “Let Me School You (Vocal Version)” is a fun, funky education, and “Turn It up-2” adds to the club vibe with techno-infused layers.

The final section of “The Vault 3 – Club/Dance/R&B-Soul/Funk/Pop/Techno/Etc.” wraps everything up with warmth, groove, and emotional closure in the remaining songs. The album’s energy is carried by “Send U My Love,” “A Funk Groove,” and “Hold on Now,” the album’s lead single, balanced with romance and dance-driven momentum. Closing the album is “Midnight Love Serenade (Honeyed Girl),” bringing late-night softness and texture. C’batch describes the project as electronic adrenaline meets deep soul groove, a late-night global dance culture, and an immersive listening experience for the modern club listener around the world today.