Story

A$AP Ferg Addresses A$AP Mob Drama On “Big A$AP” With Monica

According to A$AP Ferg, there are several members of the A$AP Mob that are jealous of his success, which led to him being “kicked out” of the group several weeks ago.

The story was huge when it broke. A$AP Illz, one of the founding members of the A$AP Mob, claimed that A$AP Ferg was no longer a member of their collective, insulting him and his music by saying: “Ferg ain’t ASAP NO MORE sorry guys. That n***a burnt out, songs dumb trash mr anthem can’t get right.”

That was later co-signed by A$AP Bari before A$AP Nast denied it all. During a recent radio appearance, Ferg said that he would finally address the drama on a new song, which would be added onto Floor Seats II. Today, he came through with “Big A$AP”, giving his side of the story alongside Monica.

The track is boastful in nature, with A$AP Ferg bragging about his deal with Tiffany’s, his music hitting one billion streams, and more. He also went on to share some light jabs at whoever is jealous of his within A$AP. “Some of my n***as got jealous, they see their man rose,” he says in the first verse. “How you go and kick the leader of A$AP out?/I keep my foot on these n***as neck ’til they pass out,” he continues in the second.

While he doesn’t explain exactly what happened, he does maintain the fact that he’s still A$AP and that, possibly until the end of time, some of his homies will not respect him.

Quotable Lyrics:

First rapper face for Tiffany’s, said, “Fuck the jewelers”
Songs gettin’ over a billion streams, my hits abusin’
On the level where everything is a trap now
The propaganda bring you up to bring you back down
How you go and kick the leader of A$AP out?
I keep my foot on these n***as neck ’til they pass out
Haha, breathe n***as

Tweet LinkedIn PinShares0

Story

François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

Connect with François Marius on Spotify || Instagram || Facebook || Youtube || Twitter || Soundcloud

Tweet LinkedIn PinShares0

Story

RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

Connect with Morpheus von Dobenhausen on Spotify || Instagram || Facebook || Youtube || Tiktok